Photography is one of the most exciting hobbies you can pick up,
but when you're first starting out it can all just seem so daunting. But
don't get discouraged! It's important to remember that everyone started
somewhere. There are no Mozarts in photography, virtuoso geniuses who
were born knowing everything there is to know about the craft. More
often we began like Beethoven, sitting at the piano in tears.
But while learning how to compose a symphony would take years of
practice, composing a great photo can be done at the click of a
button—if you know what you're doing. Fret not if you don't, however,
we've got some simple tips that are easy to remember, easy to follow,
can be used with any camera, and will improve your photos in no time—no
technical knowledge required.
1. Exposure
By
using lots of exposure compensation toward the negative, we're left
with a dark flower and bee silhouetted against the sky. This lets us
just focus on the contrast and shape of the scene.
The first thing you're going to want to know is that light is an
elemental particle that exhibits wave-particle duality in accordance
with the laws of quantum phys... Just kidding. This is the easy version.
While you can spend literally your entire life studying the way light
moves through the universe, you budding photographers just need to
concern yourself with one concept: brightness.
Ever walk into a dark room after being outside on a bright day? You
know how your eyes have to adjust before you can see anything? Your
camera is the same way. The world varies from very bright to very dark
and your camera can only capture so much of this range in a single shot.
Controlling this range is very simple to do and can be a powerful way
to change the character of your photo.
The easiest way to do this is with your camera's "exposure
compensation" button, which is always signified with a +/- symbol. It
might be a dedicated dial, a button on the camera, or an option in the
menu. Whenever you shoot in an automatic mode on a camera, it tries to
figure out how bright the scene should be. But cameras are dumb, and
sometimes you have to nudge things in the right direction.
Have a sky that's way too bright? Slide that sucker towards the
negative. Trying to brighten up an area in the shadows? Move it to the
plus side. Play around with it until you get the idea. Congratulations!
You just figured out the most powerful concept in photography.
2. Light
By shooting when the sun is low we get a wonderful golden light as well as more interesting atmospheric effects.
So now you kinda sorta get how light is affecting your shots. Now you
want to go find it. Specifically, you want to find situations where
light is dramatic. The best time to do this is during something called
the "golden hour."
The golden hour is simply the hour right around dawn and right before
sunset. It's named this for the beautiful golden color the sun often
takes on at these times of day.
The golden hour is also important because it tends to create really
wonderful shadows. While at noon shadows tend to be nonexistent because
the sun is directly above you, at sunrise/sunset the sun is low. This
low angle naturally creates shadows. That interplay between bright and
dark areas is called contrast, and it tends to drastically improve the
look of your shots. Carve out some time during the golden hour and
you'll instantly see just how quickly the changing light will improve
your photos.
3. Perspective
This shot gets on the dog's level for a much more interesting perspective, seeing the world how he sees it.
Most of us see the entire world from between five and six feet off
the ground. BOOOOOORING. While there are entire books on the creative
use of perspective, how different lenses affect your perspective, and
other wonderful tips, a beginner only needs to know one thing:
experiment. Get lower, get higher, get directly above your subject, or
directly below them. Zoom in on your subject, zoom out and show how your
subject fits in the world around you.
The beauty of digital photography is that you can constantly
experiment. Stand in one place with a zoom lens and you can see the
world in a hundred different ways. Stand in a park and you can turn left
and see one landscape, or turn right and see another. You can get lower
and see things from a bug's view, or aim downward and take a picture of
your shoes. Always try to think up a new way to see what's around you.
Do this long enough and you'll probably also see a crowd, gawking at the
odd person spinning in circles in the park.
4. Focus
By focusing on the blue shoe we draw the viewer's eye towards it, blurring out the rest of the background.
When you're trying to capture something in a photo, you want that
subject to be in focus so the details are crisp. On a smartphone this is
easy; you just tap whatever it is you're trying to shoot on the screen.
For other cameras it can be a little more complicated, but typically
speaking if your camera has a physical shutter button, you can focus by
holding the button halfway down. When the camera thinks it's locked in
it'll usually surround the subject in a green box of some sort and give a
cheerful beep indicating everything's good to go. Press the button the
rest of the way and voila, you've got an in-focus photo.
While there are lots of advanced things you can do with selective
focus, for starters just concentrate on getting what you want in focus.
With software these days you can fix nearly any problem you may have
with a shot, but you can't fix focus. That said, here are some simple
things to keep in mind: With landscapes you usually want everything
in focus, which the camera sometimes doesn't understand. Most cameras
have a "landscape" scene mode for just these occasions. Also, when
capturing portraits of people or animals, it's best to focus on the eyes
above all else. They're the windows to the soul, after all.
5. Composition
By
placing the subject on the left side of the frame we leave room for him
to move into, so your eyes move from left to right with the ball.
Composition is essentially three things: what you keep in the frame,
what you leave out, and where you put things that are in the frame.
While the first two aspects are fairly straightforward, the third is a
bit trickier. When we're starting out as photographers we tend to just
put our subject in the center. This is fine, but it also gets boring,
quickly.
Our brains naturally break things down into patterns, but having
things slightly off-center is appealing. In photography there's actually
a very simple method of composing called the "Rule of Thirds" that
takes advantage of this. Basically, if you cut the frame up into thirds
horizontally and vertically, you'll get something that looks like this:
In
this animated example, following the rule of thirds leads to a pleasing
asymmetrical composition, with the tree placed slightly to the right.
(Credit: Wikipedia)
Place your subject on one of the four points where the lines cross
and most of the time you'll have a nicely balanced composition. Why does
this look better to us? Because we're animals made of star junk
and our brains defy logic. Just run with it. Most cameras can even lay
the rule of thirds guides over your screen so you can quickly and easily
put your subjects there.
Well that pretty much covers the basics. These are the foundational
elements of photography, and they're generally pretty easy to wrap your
head around. Keep these five things in mind when you're out shooting and
you'll see a drastic improvement in your photos in no time.
For some more advanced lessons, check out some of our other beginner guides: What is shutter speed and how do I use it? What is aperture and how do I use it? What is ISO and how do I use it? New System Camera Owner's Guide (Photos: Ben Keough and T.J. Donegan)
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