Tuesday, August 29, 2023

 #Basic Photography, Amateur Photography

Why You Need to Manage Expectations – Both Yours and Your Client’s

As you prepare for a photo session with clients you probably run through a checklist to make sure you don’t forget anything. Cameras? Check. Lenses? Check. Lighting modifiers? Good to go. Props, step stools, spare batteries? Got ’em.

But one thing that often gets left behind, so to speak, is a set of expectations that you and your client might have for the photo session. You might have something in mind for the session based on your experience, your work with previous clients, or the particular set of gear you are bringing along. But if your clients have a different set of expectations it can spell big trouble and will require a lot more than a few batteries and extra memory cards to fix.

Why You Need to Manage Expectations - Both Yours and Your Client's - maternity photo

These clients hired me for a maternity session and it went smoothly thanks to a very clear set of 

expectations that we discussed beforehand.

Expectations are important

Think of the many ways in which your expectations influence your perception of the services and products you buy. When you go out to eat you will expect a certain level of service based on previous visits. If you go on vacation you will probably look for reviews online and base your satisfaction of the accommodations on how well those expectations were met.

If you hire a contractor to remodel your kitchen you will make sure to have lengthy discussions with them to make sure the work they perform is precisely what you want. It’s fair to say that as a consumer you probably base many of your buying decisions on expectations that have been set for you.

And yet, as a photographer, how often have you worked to set expectations for potential clients? Your website might proudly proclaim that you do weddings and formal events, but there are probably two dozen other photographers in your area who offer similar services. The same goes for most types of photography: families, youth sports, products, high school seniors, or even aerial drone images.

You’re good at what you do but what makes you stand out from the rest, and what can your clients expect when you show up to take pictures? 

Why You Need to Manage Expectations - Both Yours and Your Client's - baby in a basket 

What can clients expect from you?

One of the first things I learned when I started doing portraits for clients was that the things which I thought were the most important were not at the top of my clients’ priority lists. I spent so much time thinking about pricing and choosing a template for my website that I neglected to properly craft a message letting clients know what they could really expect out of me.

A few dozen sample images of portraits in parks along with a testimonial or two are a great way to market yourself. But these don’t really tell clients much about your approach to a photo session or what you will do to get the shots they are looking for.

Set expectations early

Think about the many ways in which you can set expectations in advance to let clients know how things will go. This goes well beyond simply telling your clients how much you charge, how many prints or images you will deliver, and whether you take checks or credit cards.

For a session to go smoothly think about the more esoteric expectations and do your best to manage them before a single click of your camera shutter. Some items to ponder would be…

  • Your shooting style: Are you easygoing, flexible, and open to improvisation or do you have a more strict and pre-planned approach to photo sessions?
  • Accepting input: Do you incorporate input from clients in terms of poses, locations, or picture ideas?
  • Who can attend the session: Will you let clients bring friends, family, or even pets to a photo session? (Not to get their pictures taken, but just for help, encouragement, or comfort.)
  • Where you draw the line: Are you willing to engage in illegal or semi-legal activity to get photos? Some clients might want to shoot in areas that prohibit trespassing or are otherwise off-limits which might be beyond the scope of your services. “But my friend got photos taken at this abandoned warehouse last year.” they might say, in which case you might advise your client to solicit the help of another photographer.
  • What types of pictures are off limits? Your clients might want to do pictures on train tracks or recreate some risqué images they saw on Instagram. If that’s not your cup of tea, your clients need to know about it. And in the case of train tracks, the answer should always be NO!
Why You Need to Manage Expectations - Both Yours and Your Client's - family photo of hands

This picture was not my idea; my clients suggested it on the day of the shoot, and we made it 

happen. I told them that I was open to their ideas so they offered some, and the results were great.

More expectation examples

  • Posing: Are you the type of photographer who likes to use specific formal poses or do you take a more casual hands-off approach? This is especially important if you are doing wedding and other types of events that are not easy to replicate.
  • What’s your approach to social media? Will you share pictures of the session online, talk about the session before or afterward, or snap behind-the-scenes photos to ingratiate yourself to other potential clients? Some people might be fine with this but other clients may prefer more privacy. If so you would need to adjust your approach for those clients, or let them know so they can make an informed decision about whether or not to use your services.
  • Photography locations: Do your clients want to shoot in locations that just won’t work (or the wrong time of day), or you simply can’t get to with your gear? Discuss what your clients expect beforehand so you won’t be caught off guard during the session if they ask you to shoot in a dimly-lit alley, behind a waterfall, or in the middle of a crowded mall.
  • Photography assistant: Do you use a second shooter and if so, what will his or her role be during the session?
  • Turn-around times: How long will your clients have to wait to get prints or digital files after the session?
Why You Need to Manage Expectations - Both Yours and Your Client's - cards from a funeral

I was asked by some friends to take pictures at a funeral for their loved one. The key to the 

whole experience was a crystal-clear understanding of what the clients wanted and what my role 

was as the photographer. 

his is just a starting point. You are going to have other things that are unique to yourself and 

your photography. And even though some of these might be clearly spelled out in your contract, 

it’s a good idea to set and manage expectations clearly and without room for misinterpretation.  

A contract may cover you in legal terms, but don’t assume your clients have meticulously read 

and understand every single word.

Why You Need to Manage Expectations - Both Yours and Your Client's - graduation photo PhD

Open communication is key

In my experience, one of the best ways to set these expectations is to have some kind of real-time 

back-and-forth dialog with your clients. Exchanging information over email and social media is fine, 

but when it comes to hashing out the details of a photo session nothing beats a phone call or in-person 

meeting.

If the latter isn’t all that practical, then, by all means, talk with your clients on the phone or via video 

chat. This can help you set a positive tone for the session, ease their minds about any concerns they 

might have, and give you a chance to explain what they can expect. Reassure them that you have their 

best interests in mind.

What do you expect from your clients?

There’s a flip side to setting expectations and it’s one that sometimes gets overlooked when planning 

or executing a photo session. You might have bent over backward to let your clients know what to 

expect from you, but what have you done to let your clients know what you expect from them?

Just as every photographer is different, each client is also unique. They have an attitude and approach 

that separates them from everyone else. In order to make sure things run smoothly, think about ways 

to communicate your expectations of them with your clients. Otherwise you, and they could end up 

knee-deep in frustration with no easy way out.

  • Punctuality: Do you value punctuality and expect your clients to be on time for a photo shoot? 
  • This might seem obvious but not all clients take the same disciplined approach as you might 
  • when it comes to arriving when they are supposed to.
  • Cell phone usage during a session: Will you ask your clients to put their phones away during 
  • the session? For some photographers, this isn’t an issue, but others get irked if clients are 
  • constantly 
  • snapping, tweeting, and texting during a photo session. If you expect them to be focused and 
  • attentive, 
  • let them know in advance.
Why You Need to Manage Expectations - Both Yours and Your Client's - family photo of people walking

When this family arrived I spent a few minutes explaining how I was going to conduct the session 

and listened to their ideas as well. It set a positive tone that resulted in some images that they really 

liked.

More examples of your potential expectations:

  • Transportation on-site: Do you expect your clients to be able to walk around or transport 
  • themselves to different locations? If you are doing high school senior photos do you plan on 
  • taking them to different locations in your vehicle? If so, do the seniors and their parents know 
  • that this might be a possibility? Iron out these details beforehand or you could find yourself in 
  • an uncomfortable situation the day of the shoot.
  • Other photographers at the session: If you are doing a wedding, will you be the only 
  • photographer or will the groom’s uncle (who just got a new DSLR for his birthday) be hanging 
  • out taking photos also? Some photographers don’t mind this sort of thing, but most would rather 
  • the clients tell Uncle Bob to leave his camera at home and let you do your job. Communicate 
  • your expectations well in advance to avoid hurt feelings the day of the ceremony. 

Why You Need to Manage Expectations - Both Yours and Your Client's - 2 kids

When working with kids, especially infants, things are never going to go how you expect! +

But discussing things with the parents beforehand is a good way to help deal with issues as they 

crop up.

As before, these are only some of the things to consider when setting client expectations and the 

best way to go about doing that is with a phone call or other type of back-and-forth conversation. 

This information might be on your website, but it’s incumbent on you as the photographer to do 

everything you can to make sure your clients know what you expect of them. Don’t simply just 

assume they have read through every page of your site.

Why You Need to Manage Expectations - Both Yours and Your Client's - family photo

This family was a joy to work with, largely because of clear expectations from both parties 

(the family and myself).

Finally, one tip that might be useful to you is to make a checklist of these items so you have it 

handy during conversations with the client. This way you can update it over time as new issues 

come to light, and you can make sure to properly address all the most pressing expectation issues 

that could come into play before, during, and after a session.

The goal here is to make every session a positive experience for your clients as well as yourself, 

and the more work you do to manage expectations for all parties involved, the happier everyone 

will be.

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 Free Photography Ebook

Tips and Tricks for Capturing Stunning Portraits Using Your Flash – Free Quick Guide


Do you struggle to capture stunning portraits because the lighting is not how you’d prefer it to be?

Adding a pop of flash to portraits is a great way to control your portraits’ lighting and atmosphere.

Most photographers who need more confidence using their flash will find it challenging to use for 

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Flash adds another level of complexity. But once you know how to manage your flash, you will surely 

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Photo Credit: Kevin Landwer-Johan

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(Shameless Plug:  Be sure to check out my videos near the bottom of this page.  If you like what you see You can visit my Photography video site on Rumble.com via this link: 
https://tinyurl.com/4hs6br2n 
While you're there, please smash the "follow" button so you'll be notified when I post new content.  Thanks for watching).  

 

 


 

 


 

 

Monday, August 21, 2023

#Basic Photography, Amateur Photography

Please visit me on Rumble.com to see my photography related videos. 

 10 Photography ideas at home

 The video above is called "10 Photography ideas at home".   It shows you 10 ways to

cleverly display YOUR photography imagination and creativity.

You can watch it free of charge by copy and pasting the link below into your browser,

and using the "ENTER" key on your keyboard.

https://rumble.com/v3a81k5-10-photography-ideas-at-home.html

Sunday, August 13, 2023

  #Basic Photography, Amateur Photography 

My photo by Darryl Turner

In an effort to encourage Senior Citizens to engage in videography I created a video showcasing a 61 year old American spinning nunchuckas.

 

 Please copy and paste this link into your browser, click ENTER, and enjoy the video.

https://tinyurl.com/3r28wjkp

 

 #Basic Photography, Amateur Photography

Tips for Preparing for a Portrait Session

A portrait session can be a nerve-racking event. There’s so much to remember and prepare before the actual press of the shutter button. It takes a lot of prep work. People don’t always realize what goes into being ready.
Even if you’re an amateur taking pics of your family and friends, there are some important steps to take if you want to capture some really beautiful images. Here are some tips to help you out.
Tips for Preparing for a Portrait Session - girl jumping into the water
In some cases, planning for a shoot is really simple. In this case, we took the kids to the beach at 
sunset to shoot some pics we could share on social media.

Logistics and Planning

This is the part where you discuss the portrait session with your friends or clients. You need to pick a date, location, and a time. You should also discuss backup dates in case the original plan doesn’t work.
If you’re shooting professionally, you need to get the contract signed, collect a deposit and ensure that clients know under which circumstances their deposit (retainer) is refundable.

Image Sharing

If you are taking family pics at a reunion and you intend to share these photos with everyone, consider setting up an online photo album you can send to everyone. It’s much easier to share the pics this way.
Make sure you have everyone’s email so that they can all download the images afterward. It’s a huge pain to email people separately. You’re taking the pictures to stay in control and don’t overwork yourself sending them to everyone. They can take some of the responsibility.
If there are older family members, consider printing out a set of instructions they can use for accessing and downloading the images. I’ve run into that issue before and found myself driving an hour to click download on someone’s computer.
kids running in the water - Tips for Preparing for a Portrait Session
Another from the sunset shoot of informal family pics.

The Style and Portrait Session Design

It’s also a good idea to discuss the type of look and feel you want to create in the portrait session. If you’re working professionally, this is really important. Make sure you and the clients are on the same page.
Do they want relaxed, candid images or do they prefer something more formal? Clothing can affect the look of a photo shoot so be sure to discuss attire. If you’re snapping pics at a family event, you probably won’t have much control over the look of the images unless you plan and get everyone on board.
I’ve seen families choose themes like “Old West” for a fun afternoon of photos. At some reunions, I’ve seen groups create a t-shirt they all wear to commemorate the pics.
A friend of mine set up a photo booth at a Christmas party. Everyone was asked to bring one piece of “bling” for their photo. When paired with the props and the background she created, it was a ton of fun.
portrait of a boy by a tree - Tips for Preparing for a Portrait Session
In this case, I was working with a family. Prior to the shoot, I visited the home and we discussed 
possible locations.

Location Matters

The chosen location can also affect the look and feel of a shoot. Consider a big comfy couch in a brightly lit room versus wooden dining room chairs on a studio backdrop. The background can considerably change the feel of an image so plan carefully.

Props

Collect some props for the portrait session. If you’re working with really young people like toddlers, it is really helpful to have things to distract the kids. Teenagers love goofy items they can hold and use for posing.
If you’re working with your own kids, it can be a huge battle to get them to cooperate. I find other people’s kids far more flexible, but if I want to photograph my kids, it’s a huge ordeal.
So think about styling the shoot in such a way that your little ones will cooperate. This might mean including their favorite toy is in the image. That’s okay! Go with it because it’s far better to get a positive, happy image than a forced angry looking smile.
Tips for Preparing for a Portrait Session - 3 ladies smiling and laughing
This was another paid session. The family had gathered for a 50th-anniversary celebration. They 
were dressed semi-formal for the occasion.

Be Informed and Plan Ahead

Make sure you do your research. Know the area in which you are going to be shooting. It’s helpful to visit the site before the shoot so you can be familiar with all the little nooks and crannies.
Plan your route to the photo shoot if you can’t visit before the big day. Download offline instructions to your phone in case you lose your connection. It’s happened to me once that I lost the signal and drove around for ages before I could find the location.

Get Permits if Needed

Double check to be sure you don’t need a permit for shooting at a specific location. Some places require you to buy a permit. So don’t get caught without one.
I know of a family that planned to do photos in the Distillery District here in Toronto only to learn they could not photograph each other when they were halfway through the shoot. I’ve also seen a family get in a lot of trouble for trespassing on private land. All they wanted to do was take a family pic for their Facebook profiles.
So double check that you can visit and use the site you want for the session. If you’re shooting professionally, permits and property releases are a must so be sure to take care of the entire nitty gritty well before the day of the shoot.

Backup Plans are Essential

Have a Plan B. Always! Have an alternative plan at the ready. You never know what may go wrong. Have a family member bring an extra camera (or rent or borrow one) in case yours breaks. Choose an alternate site if the first won’t work.
Just be prepared. The reality is that when things go wrong, they usually go horribly wrong. So try to plan for every possible road bump in advance.
girls in the snow doing a selfie - Tips for Preparing for a Portraits Session
This shoot was planned for months. Friends were happy to join me for a day of photographs in the 
winter.

Day of the Portrait Session

Always make a checklist of items that you can use to help you pack up and be ready for the photoshoot. It’s really frustrating to leave equipment at home.
Arrive early! This should go without saying. You don’t want to make people wait.
Check the weather forecast and make sure you can contact people in case of emergencies. Get contact numbers from folks.
Be prepared to have fun! Just before everyone arrives or your clients show up at the studio make sure you’ve relaxed a little. I know some photographers who take 5 minutes to have a coffee before shooting. Others will sit and meditate for a few minutes beforehand.
Whatever works for you, just make sure you are confident and enthusiastic before you begin shooting. Your nerves will affect the quality of your work so don’t let them control you.

Photography is so much more than picking up a camera. To take memorable images, you need to put in some effort and plan out the event. So think carefully about the shoot and make sure you have everything ready.
If you are prepared and relaxed you will enjoy the event more, and so will those you are photographing!
girl blowing snow off her hand - Tips for Preparing for a Portraits Session
We wanted to create some of those images where you make snow dust. Of course, there was just
too much white space around our chosen location. So sometimes your plans won’t work.
Tips for Preparing for a Portraits Session
We tried a lot of different locations.
Tips for Preparing for a Portraits Session
Eventually, we chose to shoot portraits that were much different from our initial plans.

Finally, make sure you share with us some of the ways you prepare for a photography session. Let’s get a good base of tips together we can use to our benefit.

Share this article. 

 

 

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Thursday, August 3, 2023

 

  #Basic Photography, Amateur Photography

8 Motorsport Photography Tips for Mind-Blowing Images

 

Tips for Capturing Amazing Motorsport Photography

Photo of an Audi car on the road
Image by Christian Guirguis 

8. Best Gear for Motorsport Photography

On more than one occasion, I’ve left a motorsport track with my camera (and myself) covered in dust and mud. Dust can be disastrous for a camera. It’s important to prepare your gear before heading out to the track. Especially when photographing motorsports on a dirt track.

If your camera is not weather-sealed, add a rain cover. This may help keep the dust from finding its way in through tiny cracks and crevices.

And no matter what camera you have, make sure to thoroughly clean the exterior of the lens and camera body before removing the lens from the camera body. Otherwise, you will expose the sensor to dust.

Avoid changing lenses while at a dirt track, for the same reason.

Even more important than keeping your gear safe? Keeping yourself safe. Talk to a track representative to find out where you can stand safely.

If staying safe means shooting behind a fence, use a wide aperture to help blur out the fence. This will keep it out of your photographs.

Always be aware of your surroundings. This means regularly taking your eye from the viewfinder. Wearing a bright safety vest can also help.

Close-up motorsport photography
Image by Niklas Garnholz 

7. Pack a Good Zoom Lens for Close-up Shots

Getting up close and personal to speeding vehicles isn’t safe. This is why a good telephoto zoom lens is a great item to have in your gear bag for motorsport photographers.

A 300mm lens — or beyond — can be a huge help in bringing the action up close.

Changing your lens on a dirt track can degrade your camera sensor. That telephoto capability is best built into a zoom lens, rather than a prime lens with a fixed focal length.

Even a budget 70-300mm lens can produce some solid motorsports photography. It’ll allow you to capture the action up close, as well as backing off a bit to show more of the track.

6. How to Anticipate the Action

Anticipation is key to all sports photography — and motorsports is no exception. Many types of motorsport events make anticipation easy.

On a circular track, the curves tend to produce a lot of the action. A dirt bike track has jumps, curves and moguls where the best action takes place.

If you are unfamiliar with the track, arrive early to watch the practice rounds. You’ll have a better idea of which parts of the event to photograph. Look for curves or jumps, or any part of the track that seems to have the most excitement.

That information — along with safety tips and rules from a track representative — will help you decide where to stand for the photographs.

Photo of a racing car
Image by Borna Bevanda 

5. Use a Fast Shutter to Freeze Motion – But Not Too Fast

Fast subjects require fast photography — but maybe not as fast as you think. A fast shutter speed will freeze the action in motorsports, creating a clear, sharp picture.

However, if you freeze every last bit of motion, that car or motorcycle may look like it’s parked on the track. The trick is to use a shutter speed that’s fast enough to freeze the car, but too slow to freeze the tires.

That creates a sharp picture, while the blur to the wheels still leaves a sense of motion.

Not all motorsports go at the same speed. There’s not one magic shutter speed that creates that perfect mix of sharpness and blur. The best shutter speed depends on how fast the vehicle is moving.

Start with a shutter speed of around 1/500, and take a look at the results. If everything is sharp, use a slower shutter speed. If everything is a bit soft, use a faster shutter speed.

To change the shutter speed on your camera, shoot in shutter priority mode or manual mode. Remember, the shutter speed also plays a role in exposure.

Fast shutter speeds will need to be paired with a wide aperture and/or high ISO if the scene is not bright.

Photo of a racing car
Image by Alexandria Bates
 
 
3. Use Continuous Autofocus for Sharp Images

One of the trickiest parts of getting great car photography and motorsports photography is to get a sharp focus on something that’s moving. To start, put the camera in continuous autofocus mode.

This allows the camera to continue to adjust the focus after the shutter is pressed. This is essential for moving subjects.

Next, consider the autofocus area mode. I prefer to use dynamic or AF point expansion mode for motorsports. In this mode, you’ll choose a general part of the frame to focus on. The camera will use the surrounding focal points as well to increase the odds of getting a sharply focused shot.

Some mirrorless cameras have great autofocus tracking modes. They will follow the subject for you once you select what that subject is. In some cameras, the tracking mode is inferior to dynamic or AF point expansion mode.

In some cases, a pre-focus technique will help. This is particularly true in cases where you know exactly where the subject is going to be.

For example, in some types of races, everyone tries to take the inside lane.

To prefocus, focus on that lane or spot before the action gets there. Then you won’t have to wait for the camera to focus once the action is in front of your lens.

Photo of a motor racer in a turn
Image by Eugene Lim 

2. Photograph From Several Angles for More Variety

If you take all your motorsports pictures from the same spot, they will all start to look the same. Look for angles that will show off the action — of course, making sure that you are still standing in a safe area.

When photographing a dirt bike making a jump, for example, shoot from a low angle. This will make that jump look even higher than if you take that same shot from eye level.

Experiment with more than the obvious shots. Try shooting from a spot where the action is coming towards you instead of moving past you.

Instead of focusing on the jumps at a dirt bike race, look for turns where the riders send the most mud flying. You can also vary up the composition by getting in real close, then including some wider angle shots too.

1. Experiment for More Creative Shots

One of my favourite aspects of motorsports photography is the genre often leaves plenty of room for experimenting. There’s often more laps, more heats, and plenty more chances to get the shot.

That may not always be the case. For example, when you are trying to photograph a specific competitor in a short race.

Oftentimes, though, motorsports leave plenty of time for experimentation.

Get a few “safe” shots, then get creative. Try panning. Then try new angles. Photograph some shots with the crowd or the finish line flag.

When time is on your side, try new things — you may end up getting your best shot of the day this way.

Photo of a quad racer in the sand
Image by Joe Neric
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What’s New in the Lightroom Spring 

2023 Release, and Why You Will Love It

 Free Quick Guide


Everyone’s jumping on the AI bandwagon lately, and Adobe does not want Lightroom to 

be left behind. As such, they are adding useful and, in some cases, AI-driven features that 

are quite astounding!

Here is what you will learn:

  • AI-powered Denoise
  • AI Masking Features
  • Curves Controls for Masking
  • Edit Tool Identification Once Used
  • Edit In Photoshop Option Improvements

Grab your copy below.

Photo Credit: Kevin Landwer-Johan

 

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(Shameless Plug:  Be sure to check out my videos near the bottom of this page.  If you like what you see You can visit my Photography video site on Rumble.com via this link: 
https://tinyurl.com/4hs6br2n 
While you're there, please smash the "follow" button so you'll be notified when I post new content.  Thanks for watching).