Photography Reviews
Fujifilm XE-1 Digital Camera: A Classy, Image-Making Package for Photography Enthusiasts
Savvy professional photographers and enthusiasts didn’t overlook the new Fujifilm X series of mirrorless cameras when the company introduced the X-Pro1 during January 2012. Many were definitely attracted to how well the company adapted the classic rangefinder look, but with top-of-the-line features, such as a distinctive optical/electronic viewfinder combination, solid metal body and the advanced design of the 16-MP X-Trans CMOS sensor (more on it below).Want to see reviews from other photographers? Read them HERE on Amazon OR you can read reviews HERE on Adorama.
Fujifilm then made the same move of many
of its mirrorless competitors by taking what it had learned with the
X-Pro1 and creating an even more appealing camera, and at a lower price
point, for a bigger audience of enthusiasts. The result is the Fujifilm
X-E1, which was released during September 2012. For many photographers,
it becomes a clear and serious alternative to the Sony Alpha NEX-7 and
Olympus OM-D E-M5.
Fujifilm cleverly gave the X-E1 some of
the capabilities that have made the X-Pro1 so popular as well as a
number of new functions that should allow it to compete successfully
with comparative models. For starters, the XE-1 looks very much like the
X-Pro1, with the traditional rangefinder styling updated for the 21st century, but in a slightly smaller footprint.
Most of the size difference comes with
using an all-electronic viewfinder in the XE-1 instead of the hybrid
optical/electronic viewfinder of the X-Pro1. Nonetheless, the OLED EVF
sports a very impressive 2,360,000-dot LCD. The X-Pro1’s has a more
typical 1,440,000 dots. Fujifilm did have to reduce the specs of the
rear LCD on the XE-1 to 2.8 inches and 460,000 dots, but that keeps the
LCD in the range of its competitors and helps to make the body more
compact, which is what the audience for this camera wants. Even at that
smaller size, Fujifilm was able to give the XE-1 virtually the same
configuration of control buttons, switches, etc. and user interface.
The retention of the 16-MP X-Trans CMOS
sensor in the XE-1 is very significant, as it was a bit of a
revolutionary approach by Fujifilm when used in the X-Pro1. The Bayer
color filter array has been the standard for virtually all digital
cameras because it has proven to be an exceptional design for recording
color and details. Four pixels are grouped in a square RGGB
configuration: 2 are sensitive to green light, 1 to red and 1 to blue.
This configuration is then repeated across the array. The major downside
of the Bayer concept is that the pixel configuration becomes confused
when it must read a replicating arrangement of shapes/colors, which may
be present in certain textures and fabrics, for example. Color bands
form that reduce the quality of the image. The typical solution to this
problem is placing a low-pass, or anti-aliasing, filter in front of the
sensor, but this tends to suppress the resolution of the resulting
images.
Fujifilm’s X-Trans sensor technology
addresses this issue with a 6x6 color filter array that places pixels
sensitive to red, green and blue on each row and column. An
anti-aliasing filter is, therefore, not required and the sensor, in
theory, should provide greater resolution of the images captured. In all
honesty, Fujifilm is still developing this technology, especially as it
relates to RAW shooting, but for most enthusiasts, the upside of the
X-Trans sensor is worth its inclusion in the XE-1.
New to the Fujifilm XE-1 are a pop-up
flash, a 2.4mm stereo microphone jack and a firmware update to version
2, which will also significantly improve the performance of the X-Pro1.
The new firmware results in twice the speed for file writing and much
less time between photo capture and playback, approximately 2 seconds.
In addition, Auto ISO sensitivity for JPEG shooting has been expanded to
25,600.
Enthusiasts will also like the new XF
18–55mm f/2.8–4 R OIS LM zoom lens that is available as part of a kit
package with the XE-1. The 35mm equivalent focal length range of
28–80mm, uncommonly fast maximum aperture and optical image
stabilization that produces sharper handheld images to as many as 4
shutter speed stops slower make this new lens an excellent companion to
the XE-1.
The bottom line is that Fujifilm is not
about to be outclassed by Sony, Olympus or any other competitors
offering comparable mirrorless cameras, which means no enthusiasts that
is attracted to this kind of camera should fail to overlook the Fujifilm
XE-1 digital camera.
The Fujifilm XE-1 Digital Camera with the FUJINON 18–55mm f/2.8–4 Kit Lens is available from Amazon for $1,399.00
Courtesy of : Photography Talk
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