Thursday, April 11, 2019

How to Turn Your Living Room into a Photo Studio


Have you ever wished to have a studio space where you could bring clients in and photograph all types of portraits and ideas? You can! Your living room, or any room in your home for that matter, can be quickly converted so that you can photograph your studio ideas in your home!

Setting up backgrounds on a plain wall can help you take great portraits in your own living
room.

Finding the right space

Your living room might be the room with the biggest space for you to get the best angles and set up your lights. As long as you have about 10 feet of blank wall space, you can use it for your at-home studio.
Choose a wall where you can mount backgrounds. Put up studio paper, or any background paper. Alternatively, use a painted wall for your photos. It doesn’t have to be anything special, and you could use the existing wall as the main background as well.

A bedroom with big windows can be used as a studio for portraits.
Why 10 feet? The wider your wall space, the more room you’ll have to the sides of your photos. This will enable you to photograph both horizontally and vertically. You will also have room for more than one person.

If you’re photographing headshots or only individuals, a smaller wall space would work. A wall with 5 feet would be sufficient enough for headshots and individuals.

Other spaces in your home that could work

The living room doesn’t have to be the only space that you can use. For example, if you don’t have studio lights, but want to create beautiful portraits with creative direction on backgrounds and don’t want to go on location, your home can still work!

You can photograph in a covered patio with lots of wall space, in your garage, in the bedroom, or on a balcony. All of these spaces work if you have the wall space to place your subject and space to photograph them from a distance.
This makes it much simpler to choose the right location for your at-home studio in the event that you don’t have studio lighting equipment or a special look to your photographs.

Creating the best set up for studio/flash  set up

You don’t necessarily need to use studio lights for your at-home studio, however, if that is what you’re going to use then let’s go through what you’ll need in the space for the best outcome.

Use flash bouncing off the ceiling to light portraits in your living room or in the space you want 
for your at home studio.
You’ll need to choose a wall space that is in a darker or not-so-brightly-lit room. You can also use shades or curtains to block out light so that your off-camera lighting can correctly light your scene.

Using a flash to light these portraits to simulate the sun. Plain wall background in the bedroom.
Living rooms offer the most space but make sure you can get it dark enough to set up the lights exactly where you want them.  You could also use external flashes to set up your at-home studio.

You can light portraits creatively when you have control of the space and lighting.
Have a lamp nearby so that you can use it as a modeling light. You can also use a light dimmer so that the light doesn’t affect the outcome or interfere with the white balance, exposure, or look and feel that you’re trying to achieve.

Best set up for natural light at-home studio

If your living room or any other room in your home has great natural light, you can definitely set up your studio there. The same tips apply as far as wall space so that you can pose your subject and have enough space in the frame in case cropping is necessary. It also gives you the option to photograph vertical or horizontal.

This was shot with all natural light using a silver reflector with a 3×3 grey background
taped to the wall. Edited to bump up the contrast and desaturate the colors.
Choose a room that has great window light or light coming into the space. For example, a garage space with the garage door open is a good option. Another good option is a living room with big sliding doors where light floods the room. Make sure that the sunlight isn’t coming directly into the room or through the window where it casts weird shadows on your subject.
To diffuse the light, you can hang translucent curtains. This will help with harsh lighting, shadows, and the temperature of the room. Of course, you don’t necessarily need the window open unless it adds more light to your scene – if that is the look you’re going for.

If your home has textured walls, you can use them as backgrounds for the portraits as well!
Use a reflector and bounce cards to help bounce light in the direction you want. Black flags  (black boards that help darken the light) and are great for creating shadows and can help to give you more dramatic lighting.

Be aware of the floor

In your home, your floor is already installed and this can present a problem if you’re photographing full-length portraits. Take a look to see if the floor is what you’ll want for your photos. If it isn’t, you can use paper and place it from the wall all the way to the floor. This will create a seamless look to your photos like a real studio.

In the before photo, we covered the floor with a black sheet so we could photoshop the black 
background in and create a seamless look.
You can also get cheap wood floor-looking laminate flooring and create your portable floor. If the trim base to the floor isn’t distracting, you could even possibly photoshop that out to create a more seamless look with the wall and the floor.
Just be aware of your floor so you know what to do before you start photographing in your new home studio.

Backgrounds for in-home studios

There are a lot of great backgrounds that you can use for a home studio. Given that it’s completely your space and you can get really creative. The simplest one is the one you already have available! Use the existing wall color and texture to create interesting portraits.

You can use existing decor to create beautiful portraits or tape a paper background to the wall 
for a seamless background.
Other backgrounds you can use can be:
  • A sheet that covers the wall and onto the floor for a seamless fabric background.
  • Paper either rolled onto the floor for seamless or a piece of paper taped to the wall for up-close portraits
  • Any fabric or paper with a print on it
  • Different colored paper for headshots
Pretty much anything you can think of you can create as a background! You can get really creative with balloons, tissue paper, hanging strings, lights, paper flowers, artificial flowers, string or hanging garlands either made by you or already made newspaper or even plants.

The options and ideas are limitless and will give your photos a unique look no matter what your style is.

Your living room can be the perfect space for you to create beautiful studio work. You don’t need fancy equipment just nice wall space and the light you love to photograph with. Add in some music and you’ve got the perfect comfortable studio right in your home!
Do you have other suggestions to make a great living room studio? Share with us in the comments below.


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Wednesday, April 10, 2019

Backing Up Your Digital Photos: Is Cloud Storage Right for You?

In today’s digital era, it’s so simple to copy your photos onto your laptop hard drive and forget about them, thinking they’ll be there whenever you need them. But if your laptop crashes or gets stolen, and you haven’t backed up your photos in another place, then they’re gone forever. Most forms of digital storage are unreliable in the long term. Hard drives crash, computers die, and CDs and DVDs get scratched up and become unusable.
If you want to preserve your digital photographs then it is important to develop a strategy to back them up. Many people have started looking to the cloud as a place to store their photos. Could cloud storage be right for you?
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Here are a few questions you should ask yourself if you’re considering cloud storage:
  • Do you want to use a free storage service, such as Google Photos or Apple Photos? Or are you willing to pay for a service with more features? If so, how much are you willing to pay?
  • Do you want to use cloud storage as a backup solution for all of your photos or just some key ones? How much data do you have? How often will you need to access your photos?
  • What types of files do you have? Camera raw files? Tiff files? JPEGs? All of the above?
  • How fast is your internet connection? Uploading files to the cloud can be very slow.
There are a few free applications, such as Google Photos and Flickr. These services could be a good option to back up your digital photo library if you don’t want to spend any money. The problem with a lot of them is that they either compress your photos, which means a loss in resolution and quality, or dditionally they don’t support RAW or TIFF files. So if you’re a raw shooter then this isn’t a great solution for archiving your photo library.
Luckily there are a number of services which will store your digital photographs for a small fee. There are many different companies that provide cloud storage, so I’ve decided to focus on only a few in the rest of this article. Be sure to do your research and find a service that fits your backup needs.

A Few Options for Cloud Storage

Google Drive

Google Drive is a relatively cheap and reliable cloud storage service. All Google accounts are given 15GB of free storage. From there you can pay as little as $1.99/month for 100GB, $9.99/month for 1TB, and up to $299.99/month for 30TB. Google Drive allows you to organize your own folders and supports all photo file types.

Amazon Cloud Drive

Amazon Cloud Drive touts an impressive unlimited photo storage plus 5GB for video and other file types for only $11.99/year. Additionally, if you have an Amazon Prime account, then this service is already included as part of your subscription. The one catch is that file uploads are limited to 2GB per individual file, so if you have files that are larger than that then you may not be able to upload them.

Microsoft One Drive

Microsoft One Drive has plans that offer 15GB for free, 100GB for $1.99/month, and 200GB for $3.99/month. Additionally, Microsoft is currently running a deal where you can get the Office 365 application package and 1TB of storage for $6.99/month. A big disadvantage to this service is that you cannot store more than 200GB without purchasing additional apps from Microsoft. But if you have less than 200GB, then One Drive is a really cheap option for back up.

Dropbox

The Basic plan gives you 2GB of storage for free. Upgrading to a Pro account will give you 1TB of storage for $9.99/month. The highest level plan is a Business account which will give you unlimited storage for $15/month per user. Dropbox doesn’t offer the most competitive prices among cloud providers but it’s a popular option that you may find reliable. However, if you have more than a terabyte of data, and files that break the size limits of some of the other unlimited providers, then Dropbox may be the best option for you.

Mediafire

Mediafire is one of the cheapest cloud storage options among the major players in the market. They offer 10GB of storage for free and up to a terabyte for only $2.49/month. Most impressively, their Business accounts offer up to 100 terabytes of storage for $24.99/month. If you’re looking to get into cloud storage for relatively cheap, then Mediafire is definitely a good bet.
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Alternatives to Cloud Storage

Cloud services are not the only option you should investigate as a place to store your digital photos. Like any other digital backup, cloud storage isn’t full-proof. A quick internet search will show you numerous horror stories of peoples’ data being lost in cloud storage glitches and failures. This section of the article will explore a few other possibilities for saving your digital photos.

External Hard Drives

External hard drives are a good option if you need a lot of readily accessible storage for an affordable price. I use one terabyte Toshiba drives that only cost about $60. There are many other brands that offer similarly priced drives. One advantage external hard drives have over cloud storage is speed of access. You can store these files and keep them in your home or office, meaning they are readily accessible. Trying to download files you have stored on the cloud can be extremely time consuming.
Another advantage is cost; hard drives are relatively cheap when compared to continuously paying for monthly fees for cloud storage over the longterm. The drawback of hard drives is that they will eventually fail. Many are only reliable for 2-5 years, so it is important to back up your files to multiple places. But if you can’t afford a RAID hard drive system and you have a lot of data to backup, external hard drives are a good place to start.
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Flash Drives

USB flash drives are another option for backing up data in your home or office. Prices are continually dropping on flash drive storage. Flash drives don’t have a lot of storage capacity, but 16GB flash drives are as cheap as $6. This makes them one of the most inexpensive options to back up your most prized images. I use them to back up my portfolio and store the memory sticks at a relative’s house. It’s not a solution for all of my data, but it gives me an added layer of backup that could save some of my best photos in the event of a disaster.

CDs/DVDs

You can also back up your data on CDs or DVDs, but at this point I wouldn’t recommend it. This kind of media is quickly becoming obsolete, and while it’s cheap, CDs and DVDs are easily damaged or corrupted. Additionally, you can’t store that much data on discs. Most CDs have a capacity of 700MB and DVDs cap out at less than 5GB. On top of this, many computer manufacturers, such as Apple, aren’t including disc drives in a number of their products. This means you’ll have to purchase an external drive just to read your discs in the future. You’re better off storing files on a hard drive or flash drive with a USB connection.
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Ultimately, there is no holy grail, one-size-fits-all solution for backing up your digital photos. The main theme is that you should not rely on a single source of backup because it can easily become a point of failure. If you haven’t stored your photos in more than one place and that one backup fails, you’re likely going to be out of luck.
Backing up your photos doesn’t need to be expensive; it just requires that you be strategic. I believe that cloud storage is best utilized as part of an overall storage strategy for your digital photographs, rather than the only point of backup.
Is cloud storage right for your backup needs? That is for you to decide. I hope this article gives you a starting point to get you on the path to reliably backing up your digital photos.

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Create a Backup Today! Here is Why and How



Are your files protected?

Insurance policies. We deal in them every day – car, home, life, renters, medical and more. The list goes on and on, but what are you doing to ensure your photos are insured against loss? The loss comes in many ways entirely out of your control – hardware failure, theft, or calamity. This article is your wake up call to consistently backup your work.
I am writing it because 5 months ago when my house burned I had my wake-up call. Don’t worry, my wife and I are fine, and there was no loss of life – only property. Why am I telling you this very personal bit of my life? Simple. Catastrophe can come in any form and at any time. Learn from my mistakes and back up as soon as you complete this article.
Fire, House, Pictures, Backup
This picture of my house burning is meant to convey reality. Calamity can happen at any time. 
Do you have a backup solution to protect your files in the face of disaster?
Let me take you back to six months ago because it is likely my backup strategy may reflect your own. I am a pretty serious photographer and create much content of professional and family-related photos.  I had a 24tb server backing up my files with redundancy. From the server, I kept an off-site backup of files by copying to a hard drive and then storing it. As I’ll highlight later, that way of doing a backup is adequate as long as you stay up on it.
Unfortunately, I had not completed an offsite backup for two years! Consequently, ALL of my professional work and memories during that time were vulnerable as my living room went up in flames and the water from fire hoses quenched them. One of the first things I thought when I arrived to see my house spurting 20-foot flames from the roof was, “what about my server?”
Backup, Failure
Your computer is fragile, but yet we trust them to hold a lot of incredibly important information. 
Whether its fire, theft, water, or failure, be sure your backup solution protects you. Establish
one today!

Backup strategies

It may seem intimidating to back up your work, but thanks to the advances of high-capacity, affordable hard drives there has never been an easier time to do it! Once you have a system in place it becomes even easier. Digital Photography School has published several articles on the subject and most advocate for the “3-2-1” strategy.
This means :
3: Have three copies of your data.
2: Keep them in two separate places.
1: At least one must be offsite.
If this sounds like it is too hard, fear not, and do not tune out yet! I’ll outline three strategies to back up your work in easy to understand ways that serve both beginner and professional photographers. To help show off the strategies I’ve created some schematics (hopefully entertaining and fun ones) to show you how each system works.

Back up to a hard drive

Hard drives are cheap. A quick search shows you can purchase a 6TB (terabyte) hard drive for $125! Before you think to yourself “I can’t afford $125,” consider it is cheaper than any insurance policy you currently pay for, and if your photos are like my photos, it is an insurance policy protecting your memories and business.
Purchasing and rotating two hard drives consistently allows you to keep a backup of your work current. You may want to consult these guidelines for purchasing a hard drive.
Most major hard drive brands come with built-in software to automatically backup your files for you. This makes it incredibly convenient to back up your work. You can use two hard drives (“#1” and “#2) to  adhere to the 3-2-1 rule by:
  • keeping a copy of your files on your computer
  • using the hard drive’s software to back up to hard drive #1
  • taking #1 offsite to a place such as your office or your extended family’s house
  • setting up a new backup on #2
  • rotating hardrives #1 and #2 periodically. Your backup software will update the files each time you re-attach the hard drive. I recommend doing this at least every two weeks, but you can choose an interval that works for you. Once you choose an interval set up a repeating reminder for yourself on your phone.
Backup, Hardrive, shematic
Use these easy steps to establish a back-up system using two hard drives.
This solution is your cheapest option and requires the most work on your part. As long as you set up the backup using your hard drive’s software, it will automatically backup your files to hard drives #1 and #2 as you rotate them on and off-site. This system will FAIL if you do not adhere to rotating the hard drives consistently!

Backup to the cloud

Cloud services have become relatively cheap (about $100/year or less) and perform backups of your images with the caveat that you have a regular internet connection. Most cloud services can back up local files and files on attached external hard drives. You can adhere to the 3-2-1 rule by:
  • Keeping a local copy of files on your computer
  • Using the backup service provided by the hard drive to back up to a hard drive
  • Using a cloud service to back up the hard drive
  • Storing a hard drive off site
Backup, cloud, pictures, computer
Use this simple system to backup your files to a hard drive and to the cloud.
This is a pretty good option depending on how much content you are creating. If you are generating hundreds of gigabytes of content regularly or if you live in an area of slow internet this may not be feasible for you. Cloud services work best if the file structure doesn’t change. Moving files to new folders create a duplicate and the need to upload more data to the cloud. This option is middle-of-the-road for the expense. It is necessary to pay for a hard drive (or two) and a cloud service for a total of ~$300 annually.

Maintain a server

Servers (refer to NAS Servers) are arrays of hard drive that give you redundancy in case of hard drive failure. Housing all of your images on a server and backing them up from there is a great way to establish a relatively low-maintenance backup of your files. To adhere to the 3-2-1 rule:
  • Have a copy of your images on a server
  • Backup the server to the cloud, a hard drive for off-site storage, or mirror the server to an offsite storage site.
Backup, solutions, nas, hard drive, cloud
Having a server may seem complex, but can be the backbone of the rest of your
backup system. 
This is the system I advocate for your if you are able to afford it!
This is the most expensive solution, and will likely cost $1,000 or more to set up. However, that cost becomes distributed over several years since you no longer need to purchase several individual hard drives. This system is overall the most reliable and requires the least amount of work on your part once set up.

Backup now!

I hope my story of personal loss is compelling enough for you to start researching backup solutions immediately. Do you have a story of image loss you are comfortable sharing? Leave it below to add to the mounting evidence of the need for future readers. My story has a surprising ending because my server survived and I was able to recover the files. There is almost no chance I’ll ever be that lucky again. As I always say, “Pixels are cheap.” I say that at the end of all of my articles. However, just because they are cheap, doesn’t mean they are not emotionally or economically valuable. Please back your pixels up today!

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Tuesday, April 9, 2019

How to Create Gorgeous Flower Images using a Flashlight and a Reflector

1-Light-painting-flowers-orchid
In this tutorial, I’m going to share with you some simple and inexpensive ways to create beautiful flower images. You will learn to add light by using a flashlight and a reflector. If you add in some imagination and patience, you will soon be creating gorgeous flower images of your own.
In addition, you will gain insight about seeing light, and how and recreate it on your own.
The techniques I am going to share are reminiscent of light painting and burning (from film days printing negatives), but in this tutorial we are going to take advantage of the ambient light, combined with light from flashlights to create some great effects.

Setting up

You will need to put your camera on a tripod, and find a nice surface near some window light to photograph your flower. Set up to shoot using a shutter speed slower than 1/15th of a second, and it’s much easier if you use a cable release or use your camera’s self-timer feature.
1s-Light-Painting-Flowers-2016-05-19at13-10-21-behind-scene
Here’s my set up, above. I chose an easy location, perpendicular to a window, providing some nice light. I used a prop to hold the flower up.
2s-Light-Painting-Flowers-2016-05-19at13-30-24
Window light only. Exposure was f/4 at 1/4.
I did a test shot, above, to determine my exposure using just ambient light. I slowed the shutter speed down just a little bit to see what results I would get.
2.s-Light-Painting-Flowers-2016-05-19at13-29-53
Window light only. Exposure f/4 at 0.40 seconds.

Add a reflector

It’s a little brighter at this exposure, but notice that the shadows are still quite strong.
3s-Light-Painting-Flowers-2016-05-19at13-15-39-behind-scene
To soften the light, I added a white fill card below, and to the side of the flower. It’s also called a reflector. Almost anything white can be used as a reflector. The idea is to fill in the shadows, and to make the light feel softer.
4s-Light-Painting-Flowers-2016-05-19at13-36-59
Window light with fill card. Exposure f/4 at 1/4.
This exposure above was taken with the fill cards in place. Compare it with the two above, and notice that the lightness/darkness is similar to the longer exposure. It’s pretty amazing how much light can be added to a photo just by using reflectors.
More importantly, note the quality of light. By that I mean, notice how the shadows are still present to the left of the center of the flower but are not as prominent. Also be aware of how  nicely the shadows are filled in from the bottom.

Create a feeling that matches your subject

Flowers are soft. They are feminine. When we tell stories about our subject, we want to convey that feeling. One of the ways we convey feelings in photographs is in how we use light. Notice how the feel is different in the photos with the fill card and without. The second exposure feels softer and more feminine, and thus, supports the story of a feminine flower.

Add light from a flashlight for more drama

Now, to add a backlight with a flashlight. Make sure to position the flashlight in such a way that it doesn’t cause lens flare (the light isn’t hitting the lens directly). Make sure the light is pointing entirely at the flower, and not reaching your camera lens.
5s-Light-Painting-Flowers-2016-05-19at13-18-08-behind-scene
5bs-Light-Painting-Flowers-2016-05-19at13-51-46
Flashlight with backlight, no fill cards or reflectors. Exposure f/4 at 1/4.
This is with a strong backlight. Notice how dark the center of the flower seems.
6s-Light-Painting-Flowers-2016-05-19at13-41-23-behind-scene
We can use a second light to fill in the center of the flower. I recommend using a slower shutter speed, 1/15th or less, and moving the flashlight while the exposure is made. If you don’t move the light, it will appear too strong and create harsh shadows.
7s-Light-Painting-Flowers-2016-05-19at13-41-03-behind-scene
If the light appears too strong and too direct, use a diffuser over your flashlight. I used a kleenex to soften the light.
8s-Light-Painting-Flowers-2016-05-19at13-38-27
Flashlight as a backlight, with a second flashlight as a fill light in the front. Exposure f/4 at 1/4.
How does this feel to you now? Notice how I brought the exposure of center of the flower up, just by doing a little light painting. If you ever worked in a darkroom, you will notice this is similar to manipulating an image in an enlarger called, burning, but we are doing it live at the capture stage.
9s-Light-Painting-Flowers-2016-05-19at13-20-12-behind-scene
Let’s see what our flower looks like with a backlight that isn’t as strong. I used a kleenex diffuser on the flashlight in the back.
10s-Light-Painting-Flowers-2016-05-19at13-41-36
Using a softer backlight by diffusing with tissue.
Can you see how much softer the backlight is?
11sLight-Painting-Flowers-2016-05-19at13-42-54
In this image, I added a little bit of fill with a flashlight and kleenex diffuser.
This is very, very subtle. But move your eye back and forth between the two. Can you see the one directly above is a little bit softer? The difference isn’t huge on a computer screen, but makes a big difference in a large print.

Get creative with light and composition

11s-Light-Painting-Flowers-2016-05-19at14-07-29
At this point, it’s time to get creative with your framing and play with light.
In composition, you want to decide what your center of interest is in the photograph, and draw the eye to that point. Notice how dark the center of the flower is in the top image, so let’s add some fill.
12s-Light-Painting-Flowers-2016-05-19at14-06-32
The center of the flower is lighter now (above). Which image do you like better?
20.s-Light-Painting-Flowers-2016-05-19at16-10-27
Notice the stamen of the flower above. Can you see it’s just a black blob? What happens when we add just a little bit of fill with a flashlight?
21.s-Light-Painting-Flowers-2016-05-19at16-11-21
The center of interest becomes more pronounced.
Let’s try another one.
22.s-Light-Painting-Flowers-2016-05-19at16-30-03
Dark stamen.
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A little bit of fill.
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A new angle with no fill.
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A little bit of fill light, highlighting the center of interest.

A few more examples

Let’s go back to this simple lighting setup.
2-Light-painting-flowers-gardenia-1
I used this setup on several different kinds of flower and I likde this white rose the best.
3-Light-painting-flowers-White-Rose-no-fill
Can you see the beautiful light and how translucent the rose looks?
I like the overall feel to the image, however, there is a lot of contrast between the center of the flower and the outer petals. You want your viewer’s eye to go toward the center of interest, which is the middle of the flower, so I placed a reflector right in front of the flower.
4-Light-painting-flowers-White-Rose-fill
You can see how the light reflects back in, and brightens up center of the flower. I also like this frame better because it feels softer.
This technique can work outdoors, too. Just use your reflector and your flashlight, and see what works.
7-Light-painting-flowers-no-fill-pink-3
There is no right or wrong when deciding where to put your light, but it’s usually best not to shine your main light from the camera angle. In this photo, the light is to the right and it feels to harsh to me. There are strong shadows on the flower that don’t add to the feel of the photograph. I moved myself in order to move the position of the light source, the sun.
8-Light-painting-flowers-fill-pink-3
I added a fill card, and see how the stamen starts to stand out. This is much better, but I decided to play with camera angles to see what that would look like.
11-Light-painting-flowers-no-fill-pink-2
I liked this better, especially how the light created patterns on the petals of the flower, but I wanted my interest in the center of the flower. It still just seemed to dark.
10-Light-painting-flowers-fill-pink-2
In the photo above, I used a reflector to fill in the shadows and used my flashlight to add a little bit of light.
5-Light-painting-flowers-no-fill-pink
Then, I changed the angle just a little bit. This is with no fill (above).
6-Light-painting-flowers-fill-pink
Here is the same flower with a reflector and flashlight filling in the dark areas.
There is no science to this. It’s all about playing to see what works. Here are a few more example that I shot, these images have no corrections. They are straight from the camera to help you see my process better.
16Light-painting-flowers-no-fill-orchid
Without a fill.
17-Light-painting-flowers-fill-orchid
With a fill.
1-Light-painting-flowers-orchid
This final photo used several reflectors, as well as using a flashlight in the center of the flower.
Now you have some great tips, and inspiration to create a gorgeous floral photo of your own. You’ve seen how you can use simple fill cards to add light and soften an image. You’ve learned how light impacts the story you are telling, and you’ve learned how a simple flashlight or two, plus a kleenex, can take your photos to a new level.
Let’s see your floral photos, please share in the comments below.

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