5 Different Approaches to Taking Photos of Strangers

By: Nils Heininger

As travel photographers, documentary photographers or photojournalists, we all share the same unique challenge: Building up a relationship with our subjects from scratch. Commercial and wedding photographers also need to create closeness to their subjects, but they usually have a foundation that connects them. Models are usually paid to cooperate. Customers of wedding photographers want good images themselves. This is a foundation on which photographers can build their relationships. Our challenge is different – we enter a new environment and have nothing but our camera and ourselves.

#Photographers#Strangers#Strategies

When we find ourselves in a special environment in a different culture and amongst strangers, we have to find strategies to approach them. A great portrait exists not only through light and composition but also the emotional connection between the photographer and photographed.
If as a photographer you don’t feel comfortable shooting a situation, it influences the quality of your images negatively. Also considering moral aspects, it is always better to connect with people and be sure they appreciate (or at least tolerate) you taking their pictures.
We (almost) all struggle with approaching strangers. Even Steve McCurry admitted he is often shy and feels awkward when he takes pictures. However, the good news is, there are strategies to make the best out of the situation and subsequently create more possibilities for good images. Here, I share my best strategies to get closer to people and come home with more good portraits.

1. Ask and shoot

The first strategy is quite simple, yet often a challenge – just go and ask. How many times did you not have the courage to approach a stranger and ask for taking an image? And how many times did you regret it? If you are like me, then far too many. The more you approach people, the more you will realize most of them are happy to have their picure taken and might even see it as a compliment.
But, what if they say no? What does it matter if they reject you? So what? There are billions of other people out there. Fear is generally one of the biggest barriers to getting good pictures.
You have to overcome it.
One of the best ways to do so is to go out and practice. You will be surprised how many people pose for you if you approach them the right way.
Stay confident, do your thing and do it well.

The challenge with this strategy is to stay calm. When I started out, I found my images composed weakly or a little soft because I tried to get it done as quickly as possible. My hand was perhaps too shaky, and I rushed through the process without considering the right camera settings.
Later, I realized it is not necessary to be in such a hurry. Yes, you should not take too much time from people. However, if you become too nervous and ruin the moment, all the time is spent for nothing.
Be aware of what you do and how you do it. Stay calm and confident then you will succeed more easily. People appreciate it most if they see that you act professional and portray them in a good light.

2. Be patient and drink tea

As I find myself mostly in South Asia, drinking tea is an activity to socialize and get into contact with people. In other areas, you might replace it with coffee, maté or beer. Be mindful to the fact that taking pictures of people is not just hitting the shutter button. If it were that easy, we would not have all those amazing professionals who still stand out with their images of people. Each of these pictures involved much work behind or beside the camera.
Most of the photographers who accurately capture the culture and atmosphere of a place through a local person have spent a lot of time choosing the person and building a relationship. While you can run through the streets and click away thousands of images of everyone, you may want to spend your time more efficiently. Stay calm and invest some time into building a network. Go to places where the people you want to take portraits of hang out. Socialize and take your camera out when it is time to do so.

3. Find a fixer

If you have found the right people and still could not get into contact, sometimes it is useful to find a fixer. Fixers are people who arrange access to a story for a photographer, videographer or journalist. Mostly, they belong to the area and act as a mediator between the professional and the people.
Fixers can also help with translating, and they know a lot about the covered issue themselves and have an idea of what you are looking for. While fixers usually get paid in the case of professional journalism, you can also find guides, community members or other locals who can help you out. Sometimes this happens while you are drinking tea, sometimes it is enough to walk aimlessly through a street in a strange neighborhood.
Find the people, who look like they could help you. Often, locals are happy to share their stories. Introduce yourself and show that you don’t mean any harm.

For example, I wanted to cover the life of a fisherman in Puri, India but I did not know anyone at the place I was visiting. When I arrived, I quickly found a boy who could introduce me to the community while I was wandering around an area where you usually do not find too many tourists. The young man asked me what I was doing, and we talked. I did not even have to find someone who connected me. The person found me within a few minutes!
Even though he was not a fisherman himself, he was very helpful in giving me information about the community and connecting me to others. After a while, people got used to me. Even though the boy himself could not arrange a boat ride for me, I was able to connect to others. One morning, I finally found myself out on the sea with some fishermen.

4. Visit a festival or event

Special events or festivals are a great opportunity to capture the culture of a place and to get to know people. Festivals offer the opportunity to take pictures of important moments. Often, you will also be asked by people if you could send the images to them. Be helpful and share what you have. My experience is that everything you share will be paid back in multiple amounts. When I photographed the wild dances of the Dervishes at a Sufi Shrine in Pakistan, one of the performers asked me to send the images to him. As I became acquainted with him, I could stand in the first row during the next week’s event. Once connected to the people, they made sure that I could capture some great images.
Often, it might be tempting to push your limits for getting the image. Always be aware of what is allowed and appreciated during certain events. Some people might not want their images captured, or you might disturb a significant moment (DSLR users will know the curse of the loud shutter noise). I have a rule of thumb for these situations – when I have an awkward feeling in my tummy or get more attention than the actual event, I’d prefer to ask someone if I should step back.

Imagine a photographer placing his camera right in front of your face before the kiss at your wedding. You cannot even see the bride properly. That would totally kill the moment. At unknown events and rituals, you have to be aware of what is going on around you.
As a bad-mannered photographer, you can also ruin the name of a whole community of professionals and hobbyists. Always be kind and considerate. Others might also want to shoot wherever you have participated. If you behaved in a bad way, they may not get permission anymore. In the most extreme cases, you can even put yourself in danger if you unintendedly cross a line. Get your image but try to not focus the attention on yourself. For you, a certain event might be an opportunity for photographs. For others, it might be a very important day in their life.

5. Make a project and be open about it

Approach a community and openly tell them that you want to photograph their everyday life. On the first day leave your camera at home and introduce yourself to the people.
While this may be frustrating (because you will undoubtedly see opportunities you could capture), remain patient. Drink tea, talk and explain what you want to do and why. In this way, people get to know you and your intentions. You also get a better idea of what to capture and how.
When I took photos in a slum, people were suspicious because NGOs go in and out taking images of poverty. I explained that I want to take images of normal life and portray them as normal human beings, which I knew they were. The results were less staged images of their everyday life, which they appreciated.

In such a project, you can even give something back to people.
Print some images and hand them over to the community. You may be surprised at just how happy that makes people. Moreover, you may also find that people who did not want their photograph taken before will approach you to take their images too. It’s small gestures like these that keep you welcome in an area.
Long term projects may not cover a large variety of places and people, but they can cover a deeper insight into a community and connect the audience to the subject.
You don’t have to make your project too big. It all depends on your capabilities. There are many small ones which you can pursue within a week or even a day.
Developing a project does not only open gates for you but also gets you out and enhances your creativity. Shooting with a concept in mind can make you feel less awkward when out on the streets. It may also help you explain to people why you would love to take their image.

In a nutshell

Invest time in your photography as it is more than just hitting the shutter button.
Commercial and wedding photographers need to invest time to set up a team and develop ideas for clients, and landscape photographers have to hike, look for the weather and the sun. Photographing strangers also takes some preparation, even if it is just mental preparation to get over the fear of approach.
However, be patient and wait for the right moment. Do not get frustrated if you don’t get a five-star image every time. Make connections and enjoy the experience too.
What are your best ways to approach strangers? Do you have similar anxieties of just talking to them? How do you get over this? Sharing troubles and advice can help us support each other. Feel free to share your story in the comments.

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5 Tips for Photographing Your Own Children Stress-Free

By: Lily Sawyer

As a mother to three little ones, I can say without any doubt nor a moment’s hesitation, that my kids are my most difficult subject – ever. My usual tips and tricks with other families, simply do not work with my own kids, and I have to employ new strategies along with controlling my own emotions. So yes, I do fully understand, despite my profession, the despair and frustration many of you parents go through when capturing photos of your very own children.
But, fear not! Below are my top five tips for taking the stress out of photographing your own children.


#ChildPhotography#BlurryPhotos#ManualMode                             

1. Prepare yourself mentally

Keep your expectations realistic so that even if only one photo comes out decent, you can consider the shoot a success!

2. Plan the photoshoot

Plan the shoot in advance – a long way in advance. The first step in planning is visualizing the photoshoot. Schedule the shoot in your diary. Do mental and physical preparations weeks before; raid the wardrobes to see what clothes the kids can wear, accessories they can use, what might you need to buy to add to the clothes if necessary. Decide which areas of your home you want to use for the shoot, and choose well-lit one, or if you are going to the local park plan the spot ahead of time. What toys and props, if any, can they play with that goes with the tone and colour of the shoot – for example favourite teddy, lego, craft sets, etc?

3. Talk about it with your kids – also way in advance

Chat informally to your kids about it far in advance, so they know it is happening at some point, and will not be taken by surprise. Slip it in conversation casually like it’s no big deal (of course it’s a huge deal) and that you are going to have some fun during the photoshoot.

4. On the day of the shoot

Leverage novelty and adventure.
If doing the shoot in your garden or patio set it up nicely so it’s a novelty. Keep it a surprise too, so you can capture their excitement. Use a tent for example or some buntings or teepee. Or better yet, take them to your local park for a little adventure or picnic. The important thing is to make the photoshoot a special experience for them.

De-clutter if doing the shoot in your home

Clear and prepare the areas you want them to sit in so they are free of clutter, and other objects you don’t want to be in the photos. Choose a spot with ample natural light, somewhere next to a window for example. Put some favourite toys in a bag nearby. Get your camera settings ready and put your camera to one side. Make a clear space where you want your child to sit, and a clear space for yourself as well. Take out one toy from the bag you have already prepared, and put it in the space for your child. Invite your child to play with it.

Look towards the light

Make sure your child is either facing the light, or that at least half of their face is in the light. Whatever camera you use, especially if you are not using manual mode, the more light there is – the less the chance of getting blurry photos. If you shoot in semi-automatic mode (such as Aperture or Shutter Priority), just make sure you set a minimum to your speed so that it’s fast enough, at 1/125th or higher to avoid blurry photos. You can also bump up your ISO to make your camera more sensitive to light. If you can change your aperture, change it to a low number (larger opening) such as f/3.5 or lower, so you let in more light and also get the blurry background effect.

Cheese…NOT!

It’s always nice to have a mixture of candid shots, and portraits, and your child need not smile at all. Steer clear of making them say “cheese”, as that almost always gets a fake-looking smile. Trying to get a genuine smile or laughter captured on camera isn’t always easy.

With younger children five and under, singing their favourite tunes and rhymes work well. If you have someone with you, get them to do silly things like crazy dancing, making bunny ears with their fingers behind your head, playing peek-a-boo and making toys dance behind you to some silly singing. The noisier, the sillier, the crazier – the better.
With older kids, talking about things they find hilarious is the key. Get in close so you can capture those expressions, the gappy teeth, the precious look in your child’s eyes. Ask them about their favourite activities and things that they LOVE, and you see those eyes begin to sparkle as they start talking candidly.

Use flash or a reflector if shooting backlit

If you want to shoot with a backlit effect so that your child is facing away from the light, you will need to use a flash or a reflector, otherwise you will end up with a silhouette. If there is some clear profile of the face or outline, a silhouette could be a very nice photo too.

Direct your flash

If there is not much light available, turn your camera’s flash on, but stick a card around the flash so that it directs the flash somewhat sideways, rather than firing the flash straight on which flattens the face and creates harsh shadows under the chin and jawline. Directing the flash provides light and shade. Bouncing the flash upwards or backwards gives you a natural look, as you are just using the flash as a little fill-light.

Take time to play

Play a little game with your child, talk, cuddle, create a relaxed atmosphere. Take some photos while your child is playing with the toys you have prepared. Interact with your child so you get photos of your child looking at you, as well as looking away, which are great candid shots.

Top tip: give your child an activity and make your child laugh. Be mindful of your child’s attention span.

The younger your child is, the shorter the attention span. Don’t offer all the toys at once. Stick to one area for a quick photoshoot, or if your child gets bored take the adventure into another spot nearby, and start fresh but keep that quick too.
If your child has had enough, it’s probably better to stop and continue another day. In my experience, the ages between one and three years are the most difficult time to get clear, sharp, and good photos of your own children. But don’t forget to take a snap or two of those pouts and long faces – the images may come in handy at their wedding reception many years down the line, as well as being a special memory.

5. Celebrate!

Have some snacks and little treats ready so you can celebrate afterwards. Even if you only manage to get ONE decent photo, it’s always good to celebrate. It makes the photoshoot a positive experience and will work in your favour at your next photoshoot. If you ended up with nothing, still celebrate that you had some play, snuggle, and cuddle moments together.
If the shoot does not go well at all, well there is always a next time…
Do you have any photos of your kids, or some other tips and tricks that have worked well for you? Please share in the comments below.

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Photoshoots that Go Wrong – the Challenges and Beauty of Working in Photography

By: Erin Fitzgibbon

The illusion of perfect experiences

#Photography#FamilyPortraits#DifficultChildren 

I haven’t used any images from the anecdotes I discuss. I don’t want to create targets.
Instead, the images in this article are from successful photoshoots but also some very
challenging shoots.

It’s time to talk about the photoshoots that go wrong.
Most people write about the tricks and tips that guarantee success. That’s an illusion. I won’t say the word “lie” – it’s too harsh. Those articles promise success where none can be assured.
Don’t get me wrong – the advice is useful and good to know. It does help the shoot go smoothly; however, life has this funny way of throwing a wrench into even the best-laid plans. Sometimes no matter what you do or how prepared you are things can and do go wrong.
It’s okay! It doesn’t mean you’re a bad photographer. It’s just a part of the daily grind. It is real life and you cannot escape this reality.
Sometimes photography, just like every other endeavor, hands you a bag of hammers. The important thing is to handle the situation. You need to come out of the proverbial lion’s den with all your faculties intact.
Hopefully, the following stories will lift your spirits. I also hope they will give you some inspiration and some courage to continue when all you see before you are roadblocks and negativity. Knowing you’re not the only one may make it easier to get out bed tomorrow and to keep working hard.
Note: As I mentioned in the photo caption above, I haven’t used any images from the anecdotes I discuss here. I don’t want to create targets. Instead, the images in this article are from successful photoshoots but also some very challenging shoots.

The family that hates each other

The oldest boy was being rather grumpy in this session. Allowing him to poke and pester his 

brothers actually made for a great image. This is the family that loves each other. The total 

opposite of the family in the anecdote below.

When you shoot family portraits you witness some interesting family dynamics. Most of the time scenarios are pretty average. Perhaps there’s a bossy mom or a grumpy. You might run into the moody teenager or difficult children. All of these issues are relatively easy to manage. Bossy moms need a little encouragement to focus on being relaxed. Grumpy dads are easy to appease with a few jokes and a promise that the session will be over quickly if he can try to have fun. Teenagers are usually easy to bribe if you take a few photos and then promise to give them their favorite for social media.
However, what happens when you meet the family from hell? What do you do when the situation is far more complicated than you expected? Imagine trying to get images that portray love and caring in a family when there is none present. Imagine a situation in which family members are staring each other down across a picnic table. I never imagined that I would meet one of those families until I did – and it shocked me.
The family members were making thinly veiled insults towards each other. When I asked them to pose, they began to throw a few snide comments my way.  I was not impressed. When clients don’t treat you with respect, it’s really difficult to create images that are appealing and unique.
It seemed like a situation in which nothing was going right. Truthfully, nothing was. The shoot became far worse the moment the grandmother pulled out her point and shoot camera. She proceeded to stand behind me and shoot over my shoulder.  Normally, I would have stopped the shoot and walked away. The clients would have received a refund when I returned home, and that would have been the end of the whole event.
I should have followed my instincts and walked away, but I didn’t. Knowing when to get out of or turn down a job is as important as taking amazing photographs. The only thing that stopped me was the woman who booked the shoot. I’d known her for a long time and felt wrong about lumping her in with her mother in law. That was my mistake. The advice is simple. Never let personal relationships affect your professional nature. The client was being rude and overstepping her boundaries. That was reason enough to walk away.
Instead of creating the best possible images I made the bare minimum effort and didn’t try to add in any of my usual fun creativity. The shoot ended with the client receiving some pretty basic images.
The behavior of a client affected my ability to produce the best possible portraits. That’s not good. Never allow that to happen. If you can’t produce great images in the situation, then don’t take them. Don’t deliver sub-par work. It will only affect you later on. Those who view your work won’t know that the client was impossible; they’d see the photo online and assume your talent is limited.

In this session the challenge was lighting. It was rather harsh in the end.

The client who wants you to “Photoshop” them until they look 20 again

We’ve all run into this situation. We end up with clients who want you to turn them into something they are not. They show you pictures of themselves from 20 years earlier and 30 pounds lighter. They expect you to create the fountain of youth for them. This becomes the challenge. You have to convince your clients that they are beautiful just the way they are. That’s probably more than you can accomplish in 90 minutes.
The advice is simple – be gentle, be kind. Do your best to put the client in poses that show off their best features but at the same time be firm. If you create portraits that address the insecurities of your client, and the images are photoshopped and look fake, it will once again reflect badly on you.
Instead, work with the client to achieve the look while still holding to your vision. The work must reflect your skills and aesthetic as well as satisfy the client.
In this case, I asked the client to show the photos to her friends. I knew the images were great, but the client couldn’t accept her own body. The comments and praise from friends helped. She purchased the images, but I’m pretty sure she did so to be polite.
A few months later, I saw her new real estate signs around town, and in the end, she had used a different photographer. The images were highly photoshopped and looked nothing like her. There’s nothing you can do when a client wants a certain look. You either have to deliver or hold to your vision.
Part of me wishes I had caved and given her what she wanted. Perhaps I would have landed more jobs from her if I had, but it just didn’t feel right. I didn’t want to create an image that wasn’t true to the beautiful person I saw before me. The lesson in this situation is that photography cannot repair someones damaged self-image. Be prepared for the client who dislikes your work.

I find photographing animals quite challenging. I’m able to connect with humans much
more easily.

The day the hurricane blew through town

This final scenario presents a situation in which no matter how much you prepare, you cannot prevent mother nature from wreaking havoc on your photoshoot. The family requesting the portraits had just the one day available. Family members were visiting from the west coast of Canada, and it was a do-or-die type of scenario. There was no option to reschedule, and just our luck, the remnants of a hurricane decided to blow through the Toronto area making the option for shooting outdoors impossible.
The challenge here was to create a warm family atmosphere despite the raging wind and rain outside. The family was understanding, but they were adamant they needed their photographs completed then. The hurricane forced us to have to improvise a setting and deal with bad lighting.
We moved some furniture and tried to create a nice setting with a large couch. I moved the couch to face the large window to add natural light to go with my flash. My strength as a photographer is in shooting solely with natural light and in outdoor settings. I don’t do well inside in confined spaces without the opportunity to improvise and add some physical activity. However, we had no choice.
In this case, the resulting photographs were not up to my usual standards, and I was unsatisfied with the work. While the client seemed satisfied with the product, there was the issue of personal pride in the work. This experience resulted in a personal decision to improve my studio photography skills so that in the rare circumstance when I cannot shoot outdoors, I can still create work with which I’m satisfied. The lesson here is knowing your limits and then working to improve your skills.

The skies opened up suddenly and we had to rush to finish the shoot in the pouring rain.

Photography can be unpredictable. That very factor makes it exciting.
For those of us who crave some variety and challenge within our work, we embrace this fact about the photography world. It can cause frustration and anger, and sometimes you might wish you had a different career or hobby.
Then in the next moment, the truth hits you, and you know the unpredictable challenges keep you going. You’d be bored otherwise. The idea of knowing how each day begins and the end makes you cringe. So take a deep breath and dive into the business. You can handle all the challenges life throws your way.

The challenge here was pure exhaustion. We had been working for 6 hours without a break.

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Tips and Resources for Doing Android Phone Photography

By: Leanne Cole

Everywhere you go in the world today you will find someone, or many people, with their phones in the air capturing what they see. They all have a camera with them because they have their phones and can photograph everything they see. Phones have had cameras in them for quite a few years now, but slowly over the years they have improved and today many phones are amazing.
However, when you look around at phone photography there does seem to be an emphasis on iPhones and their cameras. While this article isn’t about which is better, it is important to remember that when it comes to phones Android has a much larger market share and therefore more people are using Android phones and their cameras.

#AndroidPhone#Samsung#GalaxyS7Edge

The camera user-interface for the Samsung Galaxy S7 Edge.

For this reason, this article is going to concentrate on Android photography, as there are many who seem to think that everything is made for the iPhone and if they don’t have one they are missing out. That really isn’t the case and since beginning research for this article so many things have come to light.

Phone

Not all phones are the same, nor are the cameras in them. If you are serious about using it for photography, then it would be good to do your research and get one that has a good camera.
While Samsung has had some bad press lately over the debacle with the release of the Note 7, it has to be remembered they are still good phones and the camera in the Galaxy S7 Edge is said to be the best still camera (inside a mobile phone) on the market. It is very clear and the photos have an amazing quality. This is the one I use.

Get one that matches your needs

The camera, as with most, has lots of different settings and modes so you can find one that will be suitable for the type of photography that you are shooting.
If your intention is to use your phone a lot for photography then be sure to select on that has what you need. Also, make sure that it is easy to get the photos from the phone to your computer. In today’s phone market, though, that is easier than ever.

Some food photography with the Samsung Galaxy S7 camera.

Apps for photography

We live in a world of apps. There seem to be apps for everything. Whether they are good or not is another story.
If you go to the Google Play Store and search for cameras you will be given an overwhelming choice. You can get apps for image sharing, doing effects, making selfies, collages, and so on. The list seems endless. Just the popular results give you over 200 choices.

Photos taken with the Instant Camera App.

Most of them are free, so if you are unsure which ones to use you can install them, try them out, and if you don’t like one then just uninstall it. The reviews and number of stars can be a good indicator, especially for ones that you have to pay for. If you have to spend money, then you want to make sure it is a good purchase. Having said, though, many of them don’t cost a lot.
I purchased Instant, which imitates the type of image you would get with a Polaroid camera. After playing around with it for a bit I discovered that there are lots of filters in the app to create many different effects. It is set up for you to shake or blow the image for it to be revealed, like the original Polaroids. Even though you know you don’t need to do it, it almost seems irresistible to not shake or blow on it.

Taking photos with the Instant Camera App.

Retro camera app

Another one that you can try out is the Retro camera. It’s free and comes with several different cameras. If you press the camera icon in the app you can scroll through and find different ones. I quite like the Xoloroid one and the Fudgecan.  This app does not seem to have the filters, but you can choose to either take colour or black and white images with it.

The Retro Camera app as it is taking an image.

They are great fun to play around with and I do suggest you try many apps. You might even fall in love with one.

Using the cameras within the Retro Camera app you can get a variety of results with
each of the different options.

Lenses to attach to your phone

Lenses for mobile phones have been around for a while, but there does seem to be the impression that they are only for iPhones. I thought the same thing too. But, there are many lenses available for you to attach to your Android phone.
Lensbaby has lenses for the iPhone. When asked why didn’t they do them for Android the answer was simple. They did, but people didn’t seem interested and they didn’t sell. Perhaps the reason they didn’t sell well, was because people didn’t know about them. Well, now you do.
It is unknown how many lenses there are for Android, but apparently, a lot of the ones for iPhones can also be used on Androids. They use a magnetic ring that sticks over the top of the camera on the back of your phone. Some rings are better than others, and some don’t work very well.

Lensbaby

There are three phone lenses from Lensbaby and they all do different things. Along with them is an app for your phone that helps you take photos.

• The Lensbaby LM-10 is a two-way lens, meaning you can turn it around and use the opposite end as well. The sweet spot is in the center for both ends, but one end will let you get closer than the other. It is a bit like reversing the lens on your camera.
• LM-20 has a bigger sweet center spot and lets you take more normal images.
• LM-30m this is very sharp in the middle and gives a crazy effect around it. Some say the photos are mind-bending, and can too strange. You do have to think about where you would use this lens. It isn’t suitable for everything.

Lensbaby Lenses

The magnetic ring that sticks to the camera is great and doesn’t come off when you take the lenses off. However, it can be hard to focus using it and if you leave it on, the camera can move so it may need readjusting next time.
One thing that is quite good is that you can take it on and off a bit. I’ve done it up to four times and often leave it stuck to the back of the phone until I need it, and then move it over the camera when I’m ready to shoot.

Macro photo taken using the Lensbaby LM-10

Lensbaby app

As previously stated, Lensbaby also has a free app that you can download that lets you have a lot more control over the images. You can move the sweet spot around, or lock it to one position. Be aware that the LM-10 does reverse the image when you are taking it, so you need the app so you can reverse the view so it appears right way around.
Overall the lenses are great and are small enough to carry around in your pocket or bag when you’re out. I use them a lot for macro photography.

Three images, the first taken with the Lensbaby LM-20, the second two taken using
the LM-30 lens.

Photojojo

Another company that has produced lenses is Photojojo. You can buy all five or just a couple of them. They have standard lenses, but they also have some special effects ones as well. They are the only company that I saw with a polarizer, which could be very handy for some situations.
Here is a list of what they have:

• Fisheye
• Superfisheye
• Polarizer
• Wide/macro
• Telephoto lens

Photojojo lenses

They are all good but the super fisheye is probably the one I’ve played with the most. It is very wide and distorted. You will get your hand holding the camera in the shots you take with this lens. The other lenses are much what you would expect.
The Photojojo lenses come with the magnetic rings to attach to your camera, but they don’t stick very well and when you remove the lens, the ring often comes off as well. If the lens is a bit heavy, like the super fisheye, when you angle the phone down it will just come off, along with the ring.

Photos taken with the Photojojo lenses, the super fisheye.

I’ve been using the Lensbaby rings with the Photojojo lenses. Sometimes you have to move the lens or the ring around, but you can get them to work together if you are patient.

Photo editing apps

When you start taking photos with your phone the next progression is to start sharing them with the world on social media places like Facebook or Instagram. You could just post them straight up, use the filters that come with Instagram, or you can do some fine tuning of the images photo editor apps.
If you do a search for photo editors in the Play Store you will be given many choices. As it was for the cameras, you need to go through and see which ones you think will work for you and your purposes. We are going to look at two here.

Snapseed

Snapseed is a photo editor app that has been around for a while. It is free and fairly easy to use. While it does have some filters that you can just add to your image, it also has quite a few adjustments as well. Often, that is all you need to do, just do a few tweaks and the photo is ready to be saved.
As with any software that allows you to make changes to your images you always have to save it. On your phone, Snapseed will make a new gallery for your new saved edited images. You will end up with two of every image, the original and the edited version. When you are sharing, make sure to choose the one from the Snapseed gallery.

The photo on the left was taken with my phone and then processed in Snapseed on the right.

Lightroom Mobile

To get Lightroom Mobile for your phone you have to be a subscriber to Adobe for Photoshop CC and Lightroom CC. It comes as part of the package. Once you are a subscriber you can download the app and sign in.
It doesn’t work like Lightroom CC on your computer, rather is very similar to other photo editing apps like Snapseed. It is easy to navigate around and figure out. Again, save everything you do and it will export it into a Lightroom gallery for you on your phone.
If you don’t subscribe, then don’t do it just to get this app. Snapseed is probably just as good, and if you don’t like it there are lots of other editing apps. Ask around and I am sure you will get a list for a lot of them. One thing that is great is the ability to install them, and if you don’t like, just uninstall.

Android photography round-up

Taking photos with your phone can be very enjoyable and just because you have an Android that doesn’t mean you can’t take photos just as well as those with iPhones. Don’t let Apple users tell you your phone isn’t as good. Now you know that you can take good photos just as good, maybe even better.
In the end, it comes down to the person holding the camera (you) and how good you are. Have faith and share your photos.

Mastering Photography:
https://resources.digital-photography-school.com/ref/937/ 

3 Top Cell Phone Photography Apps (Android or iOS)

By: Glenn Harper

One of the nice things about photography is that you don’t need an expensive camera or exotic lenses to produce good photos. Although such gear ensures the best image quality, to some degree that need has been nullified by the way today’s photos are shared. When viewed on a high-res smartphone or tablet, the technical imperfections of a phone image all but vanish. Cell phone photography is as legitimate as any other form of photography. Or is it?

In recent years, as the Internet has grown in power and influence, cell phone photography has become widely accepted by picture libraries and agencies. A huge market exists for web pictures, and it doesn’t always take DSLRs or even compact cameras to supply it. After inheriting an iPhone a few months back, and acquainting myself with various apps, I began sending phone photos to picture libraries.
When it comes to cellphone photos, libraries are surprisingly open-minded about the use of filters and effects. A conservative approach to editing is not necessary and may even be unhelpful. This article looks at three of the apps I use most for preparing images: MIX, PS Express, and Snapseed. Any of these three allows basic manual adjustments of color and tone. So instead of attempting repetitive in-depth reviews of all three, I aim to show you some of their individual features.

The opening screens of MIX by Camera360, Adobe PS Express and Snapseed by Google.
All three are available for iOS or Android phones.

MIX by Camera360

MIX is filter-oriented with 100+ free filters and some in-app purchases. Of course, it also lets you make straight edits to your pictures (e.g. brightness, saturation, contrast, sharpness, spot removal). I’ve always liked presets and filters. If other photographers know exactly what they’re going to do with every photo, I’m not one of them. Sometimes it’s fun to try out different stuff and hit a few buttons.

Cine Filters

When you want to apply a color cast to an image, the Cine filters in MIX work well. They have various effects, including warm-up, cooling, and a classic orange & teal combo for movie-style color contrast (try Googling “orange and teal photography” to discover more). Using these filters is a bit like tuning the temp and tint sliders in Lightroom. They affect the white balance of the image.

This orange (warm-up) and teal look is similar to an effect used in modern movies and
comes from one of several Cine filters in MIX.

Slide Film Filters

As my photography predates the digital age, filters that imitate last-generation slide films appeal to me. I can’t testify as to their accuracy, but if I want a deep blue sky or just a bit more punch in color and contrast, MIX gives me an easy solution.

These deep-blue skies were achieved with the Fuji Velvia Slide Film filters in MIX and are
true to the effect often seen in Velvia transparencies.

Holiday Sky Filters

Being an old-school slide shooter (or old at any rate), I struggle with the idea of grafting new skies onto photos, but then photography rarely tells the whole truth. MIX offers a range of Holiday Sky filters that might just rescue disappointing photos. To make artificial skies seem realistic, you must take notice of how the light falls in your photo and make sure it doesn’t blatantly conflict with the new background. There’s also a MIX “Magic Sky” filter series for more dramatic effects.

Sky grafting might be anathema for some, but Holiday Sky filters in MIX make it easy to
replace a dull sky.

Adobe PS Express

As a long-time user of Photoshop, I tried PS Express hoping for a level of familiarity. I wasn’t disappointed. You can adjust photos using the same editing sliders found in other Adobe products: much of the toolbox seems intact.

Transform

If you shoot architectural photos, one of the best things about PS Express is its ability to easily correct the verticals and/or horizontals of a building. This avoids the “falling over” effect you get when pointing a camera at architecture. It helps if you leave space around the building when photographing it, otherwise, the transform tool will slice the edges off it.

The verticals in this photo of Florence were corrected with the Transform tool in PS Express.

Filters

PS Express has a decent selection of filters. I’m fond of the ones that apply a vignette, such as Basic/Autumn or B&W/pinhole. These give photos a sense of drama, and like all vignettes focus attention on the middle of the photo. You can give your photos a lot of mood with these filters.

The PS Express B&W Pinhole filter focuses attention on the face of this effigy in Rouen
Cathedral.

Text

Adding text to photos can seem a complicated process in some apps and programs, but PS Express makes it easy. You can easily create website graphics, greetings cards or memes and have plenty of control over fonts and opacity. As well, you can send your creations as layered PSD files to Photoshop CC on a computer.

Adding text with different fonts, opacity and colors is easy in PS Express.

Snapseed by Google

Developed by Google, Snapseed is an intuitive app that offers single-click “Looks” (filters by another name) and “Tools” for adjustable edits. It’s capable of great results with as little or as much input as you want. Among the tools, you’ll find anything from regular brightness, contrast or saturation sliders to more adventurous edits like “Double Exposure” or “Grunge”.

Looks: Fine Art

For black and white conversions, I find the “Fine Art” filter in Snapseed particularly pleasing. There is always a full range of tones to pack plenty of punch without much loss of shadow or highlight detail. The pictures are also very clean—no mid-tone noise in skies like there is with some B&W edits.

The Snapseed Fine Art filter gives a well-balanced B&W conversion with a pleasing range
of tones. I use it as my B&W cell phone default.

Tools: Drama

The Drama tool can easily produce overcooked results if you’re not careful, but it’s useful for bringing out the detail in clouds and/or lifting an otherwise dull photo taken on an overcast day. You can adjust the filter’s contrast effect as well as saturation to fine-tune the result.

The Drama tool emphasizes mid-tone contrast and bleaches saturation on its default setting, 

often resulting in more dramatic skies.

Tools: Lens Blur

Snapseed’s Lens Blur tool lets you emphasize a particular area of a photo by controlling background blur and vignetting. The “Transition” slider lets you control the feathering area between the main subject and background, enabling natural-looking results.

The Snapseed Lens Blur tool emphasizes the face of this wooden sculpture of Christ in
Venice.

The apps in this article will not be new to seasoned smartphone photographers, but I hope I’ve inspired others to use their cell phone cameras creatively. Phones have their limitations for some genres of photography, but that’s true of any camera and lens combo. They offer unrivaled portability. And while cell phones aren’t often seen in pro photography, they don’t rule out the chance of publication. Smartphones and their apps let you express yourself in countless ways.

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