Why I Love My 35mm F1.4 Lens

By: Kevin Landwer-Johan

I’ve used a multitude of different lenses over the years, but never one that I have loved using so much as my 35mm f1.4.
This lens fits with my style of photography. I like things fairly natural and unmanipulated. I love isolating my subject and enjoy being able to photograph in low light without a flash. Also, I prefer getting close to what I am photographing.

#Bokeh#35mm#Photograph

My 35mm lens gives me a slightly wider field of view than our typical visual attention. Our visual attention is around 55 °, not including peripheral vision, and the angle of view of a 35mm on a full frame camera body is 63 °.
At wide aperture settings, this lens charms me. In most lighting conditions I can achieve super sharp focus and beautiful bokeh in my backgrounds. I am not left shaking in my boots wondering if my shutter speed is too slow.
This is not a review. This is an article about why I love my 35mm f1.4 lens and how I make the most of it in everyday use.
Don’t have a 35mm f1.4? Check out 35mm f1.4 lenses on your local Amazon store.

Why I Bought a 35mm f1.4 Lens

My original Nikkormat FTN and 50mm f1.4 lens

My first camera, purchased second hand in 1983, was a Nikkormat FTN with a 50mm f1.4 lens. After using this lens for 28 years it was no longer consistently producing sharp photos. I think it was just worn out.
At the time I had the popular 24-70mm and 70-200mm f2.8 zooms but was not happy with either of them. They were big, heavy third party lenses that also did not always produce sharp images. For a number of reasons, I was gravitating back to using prime lenses. I’ve always had a collection of older primes and love them.
I became so familiar with my old 50mm. I loved the wide aperture but preferred a wider angle of view. After checking online for example photos produced by the 35mm f1.4 lens, I convinced myself it was worth the money. At US$1696 it is not cheap. But I figured that if I use it for 10 years it works out to less than 50 cents per day.

Versatility in Most Situations

Capturing a diverse range of images with a single lens is a common reason people often prefer zooms. But I find I can use my 35mm lens to photograph just about anything. It just suits my style. I am not a sports or bird photographer so much.
For travel, street, environmental portraits, and even more standard portraits, I am happy to use my 35mm. At times I’ll need a telephoto to get in closer so I switch to my 105mm or a longer lens.
During the photography workshops I teach, this is often the only lens I take with me now. I can use it to demonstrate and make examples of anything that I am teaching. For the subjects I like to photograph I most often use this lens.

The great photographer Robert Capa said, “If your pictures aren’t good enough, you aren’t close enough.”

I find the 35mm lens is the perfect focal length to get close enough.

Street and Travel Photography

Whether you’re shooting wide, medium or close-up street compositions, the 35mm f1.4 can capture them all well.
Taking in the feeling of a market or parade with a wide photo is essential to have in a series of images. Often using a 24mm or wider lens can squeeze too much into one frame. Choosing a location far enough back from the scene to include a good amount of it works best with a 35mm.
Medium range compositions, where you photograph some of the environment and one main subject, are perfect for a 35mm lens. You can get in close and still easily show enough of the surroundings to keep your subject in context with your photo story.
I do like controlling how much or how little of the background is in focus in a medium range composition. I don’t always choose the widest aperture setting as too much detail from the story could be lost. Having the widest aperture of f1.4 gives me more flexibility in how far back I can get from my subject and still control the bokeh.
Macro photos are not possible with this lens, but I can get pretty close. The lens can focus down to about 30cm (1 foot). For including some detail in a photo series, this is often good enough. If I need a macro image I swap lenses for my 105mm or 55mm micro.

Environmental Portraits

Portraiture which includes some of the surroundings, telling more of the story, is my favorite genre of photography. I love using my 35mm f1.4 lens for creating environmental portraits. Being able to get in close enough to my subject and still see sufficient background is vital.
Connecting with my subjects is also important to me. Often I will be chatting with them while I am photographing. Other times I will be silent, only communicating with a smile and some gesturing.
Photographing with my 35mm I can create more intimate portraits than when I am further back with my 105mm.

I’ve photographed this guy working on his pressed metal art many times. He’s at the Silver Temple in Chiang Mai that we visit during one of our photography workshops. I know he is comfortable being photographed.
When he’s busy we don’t talk much, if at all. I can be close enough to him to exclude a lot of the clutter in the background and show just what he is working on. Then I can come in closer and capture a little more detail.

Regular Portraits

Photographers often prefer a longer lens than a 35mm for making regular portraits. I do use my 105mm much of the time for photographing people in posed positions. However, I like to create a variety of styles during a portrait session and I find my 35mm lens provides pleasing alternatives.
With wider lenses, you start to see some distortion, which is not all that great for portraits. At 35mm there is no real noticeable distortion, but even still, I usually will not place my subject at the edge of the frame.
Working with a model and using a 35mm lens it is important to build a rapport with them first. You do not want them feeling uncomfortable with you being so close. Showing them a sample of the photos you are taking will often help them relax and build their confidence in what you are doing. This is especially so if the model is concerned that being so close to the camera may be distorting their features.
This young woman was very confident and experienced in being photographed. Still, she was a little wary of me being so close. I had started the session photographing with my 105mm lens. Once I changed to the 35mm I made sure to show her some of the pictures I was taking with it and she loved them.

Architecture and Landscape Photography

It’s not at all uncommon to use a 35mm lens for landscapes or photographing buildings. There’s no huge advantage of having such a wide aperture for these subjects as I will typically want more rather than less in focus. At times I will focus on an element in the foreground and intentionally blur out most of the landscape in the background.
Lack of distortion makes the 35mm a good choice for architectural photography. Having a similar field of view to what we see naturally also helps structural photos look more natural.

Loving a Lens

I’ve gotten a huge amount of use out of my 35mm f1.4 lens. The experience of using it frequently and really enjoying it has helped me to get to know it well. Being so familiar with a lens means you can make more creative photos with it.

My 35mm f1.4 looking well loved.

I love this lens and I have a feeling for it. I know, often by instinct, how much my background will be blurred. With the 35mm, I can be close enough to my subject to comfortably communicate with them. Also, I am able to include or exclude as much or little background detail as I want.
Lens love is different than lens lust. You can lust after a new lens every day of the week. To build a loving relationship with a lens you must be committed to taking it out frequently and enjoying spending time with it.
Here’s a video with more about why I love my 35mm f1.4 lens. Do you have a favorite lens? Which one, and why?

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35mm f1.4 Lens Review

How to Pick the Perfect Camera for Kids

By: Simon Ringsmuth

As a parent, one of the most enjoyable aspects of photography for me is sharing my love of photo-taking with my two kids. My wife and I enjoy taking pictures of our two boys, looking through old family photos with them, and involving them as much as we can when we are using our cameras.
However, when our oldest was about five years old he started wanting to get in on the action as well, and that’s when we hit a bit of a road block. We wanted to get him and his younger brother a camera, but with so many options we didn’t even know where to start. Fortunately we found a solution that has worked wonders for us and could be great for you too.

#Olympus#Canon#Camera

The Options

When we started looking more seriously into cameras for our kids we realized we had several options, all of which we ended up discarding for the following reasons.
Let them use our cameras. As much as we wanted them to get a real hands-on experience with photography, the cameras and lenses we use for formal photo sessions are much too expensive to hand over to our little boys. When they’re older we will certainly let them use our camera gear, but not at such a young age.
Invest in rugged point-and-shoot cameras. Some cameras made by Olympus and Panasonic are designed to take a bit of punishment and seem ideal for kids, but we didn’t want to spend hundreds of dollars on a camera that our kids might enjoy for a few days and then put aside in lieu of something else. (As parents we have learned that our kids’ enjoyment of a particular toy or object is rarely correlated with the amount it costs, and just because something is expensive by no means ensures they will like it or use it more than once!)

I have no idea why, but my six-year-old is obsessed with taking pictures of ceiling fans. This has led to 

some good discussions about shutter speeds and also the effect of flash when freezing motion.

Purchase a kid-oriented camera. If you search online you can find dozens of kid-oriented cameras that have big buttons and bright colors, but all the ones I have used have been quite unimpressive. Tiny low-quality LCD screens, slow response times, horrible image quality, and awful sound effects all seem like they are designed specifically to suck the enjoyment out of photography altogether.
Let them use an old mobile phone camera. This seems to make a lot of sense given the prevalence of tablets, phones, and other devices with cameras and touch-screen technologies, but we ultimately decided against it. We didn’t want the hassle of dealing with internet restrictions and app downloading, especially when our kids are so young. In the future we might open this door, but for now we’re more comfortable giving our kids an actual camera instead of a device that has many functions, including a camera.
The more we looked at choices available to us the more we seemed to hit dead ends, until we came up with a solution that seemed to check many boxes all at once: we would buy each of our kids a used point-and-shoot camera.

Old point-and-shoots can’t match modern cameras, but they’re not too shabby either. And when a kid 

can snap a picture of a sunrise with their very own camera, it’s a fun moment to witness.

The solution

A used point-and-shoot camera hit every one of our criteria. And the more research we did, the more we realized that this plan had almost no drawbacks and a variety of benefits including…
Price. You can look on eBay or used gear sites like KEH.com for used point-and-shoots and find plenty of options for $25 to $50. That’s well within the range that we are comfortable spending on a toy, and if our kids lose interest or break their cameras accidentally, we haven’t lost a lot of money.
Selection. The sky really is the limit when it comes to selecting a used point-and-shoot, and no matter your budget you can probably find one that suits your needs – especially if the goal is to give it to a child. As a starting point search for “Powershot”, “Coolpix”, or “Cyber-Shot” and sort by price to see plenty of low-cost point-and-shoot options.

A quick eBay search for Canon PowerShot digital cameras between $25 and $50 turns up dozens of 

results.

Features. I owned a few small pocket cameras way back in college and over the years I had forgotten how many features these old things had! Most of the ones we looked at included things like optical viewfinders, video recording, optical zoom lenses, self-timers, limited manual controls, white balance options, various metering modes, macro/portrait modes, custom scene settings, and instagram-style filters. Some of these require digging through menus, but it’s all there for children to explore and figure out, which is part of the fun of photography in the first place.
Image quality. Can a decade-old point-and-shoot match the quality and megapixels of a modern DSLR or smartphone? Of course not. Most of the cameras you are likely to find will be in the 3-megapixel range, which pales in comparison to any modern camera. And good luck taking pictures at high ISO values. But the point is to use this as a way to get kids interested in photography, and no child I know is going to balk at having only 3 megapixel images. That’s plenty big enough to crop and print. (Remember, a 4×6 photo at 300dpi is only 2 megapixels.)

Image quality on a used point-and-shoot can’t rival a DSLR, but it can be easily and cheaply replaced 

if dropped in water when taking pictures of turtles. And that’s almost what happened when this photo 

was taken.

After all our investigating we ended up getting our boys each a Canon PowerShot DS450 Digital ELPH from eBay. We paid $27 for one and $29 for the other, including shipping. Our kids (age 6 and 3 when they received them) were so thrilled they could hardly put them down. They called them their “Professional Cameras” and quickly started taking pictures, experimenting with different options, and figuring things out in the menu screens while teaching each other what they had learned.
Over time our kids have learned a lot more about photography and how to use their cameras to get the images they want. And they really enjoy experimenting with the self timer and taking short videos too. We made albums for each of them within our Apple Photos app. Over the past year they have built their libraries up with thousands of pictures which they like looking through and sharing with others.

This picture of grandma and grandpa’s dog isn’t going to win any awards, but my son had fun taking it 

and it helps him remember this visit.

At times their interest has waxed and waned, and sometimes a month will go by without them picking up their cameras. But that’s how kids are with most toys, and I don’t think the situation would be any different had we spent $200 on a brand-new kid-friendly point-and-shoot. The situation isn’t all sunshine and roses though, and there have been some drawbacks and risks that any parent would need to take into account when buying a used camera.

The risks

Purchasing anything used, whether it’s a camera or a car, carries with it its own set of risks and parents should be aware of what they are getting into.
Gear condition. If you get a new camera, whether it’s a brightly-colored toy camera or an advanced drop-resistant point-and-shoot, you can be fairly certain that the product you pay for is the same as the product you receive. It will also likely come with a warranty, but neither of these is the case with used cameras. Reputable sites like KEH, B&H, and Adorama rate their items with a scale that gives you a pretty good expectation of their condition, but what you get in the mail might have scratches, dents, or other defects you might not expect.

Both of the cameras we got on eBay had dings and dents, but my kids didn’t mind at all and I would 

suspect most kids (especially very young ones) wouldn’t even notice.

Beware of auction sites. If you have never used eBay or other auction sites before, navigating their options can seem like a bit of a digital minefield. Look closely at seller ratings, return policies, and buyer-protection options before making a purchase. And if you come across a camera deal that seems too good to be true, it probably is. The same goes for cameras you might find on Craigslist or Facebook Marketplace. Don’t be afraid to ask questions of the seller.
Accessories not included. Depending on where you get your camera it may or may not come with niceties like a wrist strap, a memory card, or even a charger or working battery. The cameras we got for our kids had batteries that barely held a charge, so we got a pair of third-party batteries for about $15. It wasn’t too big of a deal but it served as a good reminder of the difference between buying used vs. buying new. Things like this aren’t deal-breakers and your pocketbook will be still be much happier, even if you do have to buy some of these additional items.

On a recent trip to the local botanic gardens my kids finally got to be the ones taking pictures of daddy, 

not the other way around. Simple wrist straps definitely helped them keep track of their cameras in the 

process.

The lesson here is one that has rung true for ages, ever since humans began trading for goods and services: caveat emptor—let the buyer beware. If you do a little bit of research, ask questions, and trust your instincts you will probably end up with a perfectly good camera that will be great for kids.
It’s been well over a year since my wife and I got used point-and-shoot cameras for our boys, and despite a few hiccups, the experiment has been a resounding success. It has not ignited some latent passion for photography, but our boys have had fun experimenting and exploring and creating – and thus far they haven’t broken their cameras either.

My three-year-old took this with the pocket camera we bought him for under $30. I asked him why, 

and he told me he just liked the colors of the bike.

Meanwhile my wife and I rest easy knowing that they can’t access harmful internet sites or download strange apps onto their 2005-era digital cameras. And if our kids do end up breaking or damaging their point-and-shoots it will be a very cheap problem to solve. (As a bonus, if they do break their cameras we plan to use it as a financial lesson and make them save up for replacements.)
If you or someone you know has kids who are interested in photography, I highly recommend checking out the many used cameras available to you before shelling out hundreds of dollars on a brand-new model or buying a cheap kid-friendly camera with actual bells and whistles, but limited capacity for photography. The risk is fairly minimal, the results can be quite rewarding, and you might even find yourself renewing your own excitement for photography simply by helping teach the younger generation what makes the art form so special to you.

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Popular Digital Cameras and Gear

By Darren Rowse

It is that time of the year when we take a look at what DSLRs, Lenses and Digital Camera Accessories have been popular with our readers over the last few months. The following is a compilation of the most purchased gear on Amazon – by our community.

Popular DSLRs

As usual over the last quarter we see Canon and Nikon battling it out in this category with sales between the two brands almost equally split between the two. As usual we see entry level DSLRs at the top of the list with the more serious (and expensive) cameras lower down.

1. Nikon D3300
2. Canon EOS Rebel T5
3. Nikon D750
4. Nikon D5500
5. Canon EOS 5D Mark IV
6. Nikon D3400
7. Canon EOS Rebel SL1
8. Canon EOS 80D
9. Nikon D810
10. Canon EOS 5D Mark III
11. Canon EOS Rebel T6i
12. Nikon D500
13. Canon Rebel XTi

Popular Canon DSLR Lenses

As usual the f1.8 50mm lens wins in the Canon range – a huge seller (see notes before). It’s a great quality lens and considering its price and how fast it is – it is almost a no brainer to have one in your camera bag.

1. Canon EF 50mm f/1.8 STM Lens
2. Canon EF-S 24mm f/2.8 STM Lens
3. Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens
4. Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
5. Canon EF 50mm f/1.4 USM Lens
6. Canon EF 100mm f/2.8L IS USM Macro Lens
7. Canon EF 85mm f/1.8 USM Medium Telephoto Lens
8. Canon EF 24-105mm f/4 L IS USM Lens
9. Canon EF 70-200mm f/4L USM Telephoto Zoom Lens
10. Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens

Popular Nikon DSLR Lenses

As with Canon – the 50mm lens is king here – doubling the sales of its nearest rival in the Nikon range – again its to do with quality of the lens and the value for money!

1. Nikon AF-S DX NIKKOR 35mm f/1.8G Lens
2. Nikon AF-S FX NIKKOR 50mm f/1.8G Lens
3. Nikon AF FX NIKKOR 50mm f/1.8D Lens
4. Nikon AF-S DX NIKKOR 55-200MM f/4-5.6G ED Vibration Reduction II Zoom Lens
5. Nikon AF FX NIKKOR 85mm f/1.8G Fixed Lens
6. Nikon AF-S DX NIKKOR 18-55mm f/3.5-5.6G Vibration Reduction II Zoom Lens
7. Nikon 55-300mm f/4.5-5.6G ED VR AF-S DX Nikkor Zoom Lens
8. Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED Vibration Reduction Zoom Lens
9. Nikon 70-300 mm f/4-5.6G Zoom Lens
10. Nikon AF-S FX NIKKOR 200-500mm f/5.6E ED Vibration Reduction Zoom Lens

Other Brands of Popular DSLR Lenses

Many of these lenses from third party suppliers like Signma and Tamron can be used on different brands of cameras (just make sure you’re buying one with the appropriate mount for your DSLR.

1. Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens
2. Sigma 18-35mm F1.8 Art DC HSM Lens for Canon
3. YONGNUO YN50mm F1.8 Standard Prime Lens
4. Tamron Auto Focus 70-300mm f/4.0-5.6 Di LD Macro Zoom Lens
5. Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens
6. Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens
7. Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens
8. Sigma 35mm F1.4 ART DG HSM Lens
9. Rokinon HD8M-C 8mm f/3.5 HD Fisheye Lens
10. Tamron SP 70-200MM F/2.8 DI VC USD Telephoto Zoom Lens
11. Sigma 150-600mm 5-6.3 Contemporary DG OS HSM Lens
12. Sony 50mm f/1.8 SAM DT Lens
13. SMC Pentax FA 50mm f/1.4

Popular Mirrorless Cameras

Mirrorless/Compact System cameras have been a fast growing segment of the camera market over the last few years and more and more of our readers are joining the large numbers of people attracted by these smaller format but high quality cameras.
Here’s what’s currently hot among our readers in this class.

1. Sony Alpha a6000
2. Sony Alpha a5000
3. Panasonic LUMIX DMC-G7KK
4. Sony Alpha a6500
5. Sony Alpha a6300
6. Panasonic LUMIX DMC-G85MK
7. Sony a7R II
8. Fujifilm X-T1
9. Fujifilm X-T10
10. Sony Alpha a7II
11. Sony Alpha a7S
12. Sony a7
13. Panasonic LUMIX DMC-GH4K
14. Fujifilm X-Pro2
15. Samsung NX3000
16. Panasonic LUMIX GX85
17. Olympus OM-D E-M10
18. Olympus E-PL7
19. Fujifilm X-E1

Popular Accessories

This section is always fun. This quarter many of the most purchased accessories for digital cameras came from our 15 Must Have Photography Accessories Under $25 post. The list is a perfect place to look if you’re starting to look for stocking stuffers for Christmas for a photography enthusiast.

1. LensPEN Lens Cleaning System
2. Opteka Hot Shoe Two Axis Double Bubble Spirit Level for Digital and Film Cameras
3. Giottos AA1900 Rocket Air Blaster Large
4. Tiffen 52mm UV Protection Filter
5. Mennon Set of 2 Gray Card’s size 6″x8″ and 8″x10″, 18% Gray / 92% White
6. Adorama Filter Wrench. Set of 2. Fits 46-58mm Filters
7. Opteka RC-4 Wireless Remote Control for Canon EOS Digital SLRs
8. Interfit Strobies Small On Camera Diffuser
9. Neewer 43-inch / 110cm 5-in-1 Collapsible Multi-Disc Light Reflector with Bag – Translucent, Silver, Gold, White and Black
10. Kingston 4 GB Class 4 SDHC Flash Memory Card SD4/4GB
11. LimoStudio Photo Video Studio 10Ft Adjustable Muslin Background Backdrop Support System Stand, AGG1112
12. Lowepro SlingShot 202 AW

Popular Digital Photography Books

1. Tony Northrup’s DSLR Book: How to Create Stunning Digital Photography
2. Understanding Exposure, Fourth Edition: How to Shoot Great Photographs with Any Camera
3. Adobe Lightroom 6 / CC Video Book: Training for Photographers
4. The Adobe Photoshop Lightroom CC Book for Digital Photographers
5. Mastering Aperture, Shutter Speed, ISO and Exposure: How They Interact and Affect Each Other
6. The Digital Photography Book: Part 1
7. Studio Anywhere: A Photographer’s Guide to Shooting in Unconventional Locations
8. Digital SLR Photography All-in-One For Dummies
9. Picture Perfect Lighting: An Innovative Lighting System for Photographing People
10. Food Photography: From Snapshots to Great Shots

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Are Canon and Nikon the New Kodak?

By: Carl Spring

#Canon#Nikon#Photography

Selling? Yes. Boring? Also yes.

Kodak. Remember them? Back in the film days, never did we think they would be an afterthought in the photography industry. But a complete mishandling of the move to digital became their downfall. At one time a top five most valuable brand in the world, now reduced to a footnote in the photography world we live in today. But are Canon and Nikon beginning to edge the same way? Are they the lumbering giants, slow to move with the times? Or, are they playing the game to perfection?
The recent announcements from Canon and Nikon about profit from their camera divisions are not exactly encouraging, but are they still the brands to beat?

Financials

I’m sure you’ve heard the news. Canon and Nikon did not meet their revenue targets for 2018 and both are rapidly revising their numbers for 2019. Predictions are that interchangeable lens camera sales will continue to fall year on year. There was even a rumour from an internal document from a camera company predicting Canon and Nikon will lose 50% of market share in the next three years. This is serious!
But why? Well there are several factors here. Firstly, there is the rise of Sony, Fuji and others in the mirrorless market. Sony have been producing amazing cameras (although not [yet] sold in the same number as Canon and Nikon), which have carved a nice piece of the pie for themselves very quickly. Add in Fuji, Panasonic, Olympus et al and you have an ever increasing number of cameras to choose from – all with amazing features and image quality
However, the more major factor for the whole industry is the ever-increasing quality of the smart phone. Whilst those of us who read Digital Photography School are generally concerned with DSLR and Mirrorless cameras, many just want a decent photo with minimum fuss, and the phone camera does this amazingly well. For all camera companies, the development of amazing quality phone cameras mean the market for those wanting to get great a “proper” camera is shrinking all the time. The latest series of phone cameras are more than good enough for most people.

The big three

According to the latest data for the year of 2018, Canon continues to dominate the world of interchangeable lens cameras with a 49.1% market share (a growth of 3.9%). Nikon stay second with 24.9% (a decline of 0.6%) and Sony are in third with 13.3% (a growth of 2.9%). All other brands made up the remainder. 
Canon’s market share in photography has sat steady at around 40-50% for around the last ten years. The EOS R quickly became the best selling mirrorless camera in Japan on launch. Nikon’s Z series also stole a decent share of the market that has been dominated by Sony of late. The question is, are the people buying these existing Sony and Nikon cameras, heavily invested in a system? The answer for a large portion will no doubt be yes. It just makes financial sense.
As the market shifts and more people move to other systems such as Sony, Fuji and the L-Mount Alliance, will this continue? Existing customers are a large market, but people buying their first “Pro” camera have a choice that is now much wider than merely Canon or Nikon. You only need to look to YouTube for the number of people singing the praises of brands that are not Canon and Nikon to be able to see the beginnings of this shift.

The L-Mount Alliance is the newest kid on the block. How big will its impact be?

Canon’s video problems

I am a Canon shooter. I have been since my first SLR (I know, I’m old). But, their current business model sucks! In an age where the average photographer uses both stills and video, Canon have fallen behind in DSLRs for video. Evidence includes some questionable codecs (motion JPEG anyone?) and cropped 4K. Compared to Sony, it’s not even the same league. What happened Canon? You are the same Canon that released the classic 5D2! Remember that? A game changer that was so good that episodes of your favorite TV shows were filmed on it and Canon were hailed as heroes. Well, they dropped the ball.
Skip to 2019 and Canon release the EOS RP. A great price point of only £1300 (US$1299) and a decent sensor (basically taken from the 6D2). A great camera at a great price. Yes, you can argue the dynamic range of the sensor is not perfect, but it seemed like a great camera release by Canon. Then the news came that the camera was unable to shoot in 24fps in HD. Wait…what? Yep, the standard video frame rate for movies, the same one that was in the 5DMk2 over ten years ago is now absent.
I know what some of you are thinking. It’s the entry-level model; you can’t expect everything. Most people won’t care. However, to omit such a basic video feature is a sign of Canon seemingly making terrible decisions in their digital camera lineup.
Why are they doing this though? The answer seems to be in Canon’s product lines. Canon’s pro video line has a similar starting price to the EOS R. If they put full-frame 4K video, 120 frames per second at 1080P and more into their DSLR range, they would be basically killing off some of their pro video line customers in the process.
You have to question this as a business decision. Put simply, Canon’s current cameras are lagging behind Sony and Panasonic when it comes to video. Rather than move to their C-line of cameras for video though, most people are moving to Sony and the A7 III.
This move seems to be incredibly short-sighted by Canon. When I look to upgrade my trusty 5DMk4, I’m not sure Canon will be the top of my list. The video features on Sony are just too tempting. Sure, I don’t currently do much video work, but I can see my customers wanting more, and Sony cameras have better video features right now.

Canon brought DSLR video to the masses with the 5D2. A decade later and they don’t even include 

24fps.

Two cards are better than one

Shouted about all over the internet, why oh why did Canon and Nikon choose to launch their first cameras in their brand new system with one card slot? This feature alone means that a large amount of working professional users will not purchase a camera with one card slot. There is no way I would risk shooting a wedding with one memory card in the camera. It is just not worth the risk.
Nikon has taken this one step further and only have on XQD card. A more expensive format right now and also a format that most existing camera owners will not own in any great amount.
If photography is a hobby rather than a way to earn your living, then it may not be so much of an issue. However, again, it just seems a little short-sighted.
Shooting without a backup is always fine until a card fails.

Where’s the excitement?

Who was honestly excited by the EOS RP? Or the EOS R for that matter? Who thought that Nikon Z6 & Z7 were ushering in a new dawn of quality? Pretty much nobody. They just seemed to be mirrorless hack jobs of the 5DMk4 and D850 respectively, albeit with limitations.
The recent products from Canon and Nikon seem boring. No style and no killer features. Just OK. Just safe. The initial move into mirrorless feels like products designed and launched quickly to try and compete with Sony. Look at the amazing video features of the Sony A7 III when compared with Canon and their disappearing histogram. Compare the autofocus on the Sony A6400 or Fuji X-T3 with the Nikon Z6. There is no contest (the Nikon may improve dramatically with the eye AF update). The question is, why are they not competing with the best in class at launch?
Are Canon and Nikon’s cameras good? Yes. Are they class leading or exciting camera releases? No.  

Fuji’s retro styling, mixed with cutting edge features make for a very exciting camera system.

The Cameras do not match the glass

Leading with your best glass is an obvious decision. Both Canon and Nikon’s glass for their new mirrorless systems looks great. But it makes Canon’s decision to release the EOS RP all the more strange. Simply put, there is no budget glass for their budget full-frame camera.
There is no glass that really matches the system. The lens offered as a kit lens for this system costs over £1000. A quick Google shows the price of the EOS RP body at £1399 ($US$1299), but the cheapest option with a lens (the 24-105 f4) is a staggering £2329 (US$2199). This is crazy! Especially when you can pick up a Sony A7 III with a 28-70mm  f/3.5-5.6 for £1999 (US$2298). The Nikon Z6 with 24-70mm is even more expensive still at £2514 (US$2596). Yes, you can use an adapter if you have other branded glass, but if you buy a new system, with a new mount, you surely want a native mount lens to play with.
I know the lens is not as good, but the Canon EOS RP is not in the same ballpark feature-wise as the Sony A7 III and you can have a camera and native lens for over £300 cheaper. There is no way I would spend extra to get a lesser camera. The fact that Canon has yet to release a cheaper lens seems crazy given they’re releasing more budget-friendly cameras. Maybe Nikon will launch a similar lens with the rumored upcoming EOS RP competitor?

Sony now have a great range of lenses built up. Canon and Nikon are, for the first time, playing catch 

up.

Where’s the flagship camera?

So why not a pro body to rival the Sony A9? With the Tokyo Olympics in 2020, my guess is that Canon and Nikon are working feverishly behind the scenes to get their new flagship cameras out for the opening ceremony. I’m sure Sony is doing the same.
Rumors are surfacing that Canon has begun testing the 1DX Mark III with a very limited number of photographers, so this prediction does seem likely.  Canon is a big Olympic sponsor, and it is also a home Olympics for them. It really does make sense for big product launches on the eve of the event. Whether the new flagships will be a DSLR or mirrorless is going to be interesting to see.
But what about the meantime? What’s next up for Canon or Nikon? The EOS RP was underwhelming for many, and the next in line from Nikon is meant to be a direct competitor to the EOS RP. I feel this camera will also be met with the collective sigh the EOS RP received.

What does the future hold?

In the end, it boils down to this; mirrorless is the future of photography. It took a while to get here, but the benefits are now easy to see. Canon and Nikon were late to the party, but they are working hard to claw back ground they have lost. They seem to have learned from Kodak and their lack of acknowledgment for the digital camera.
The fact that both Canon and Nikon have fully entered the market late is currently having an impact on the quality and excitement that greets their new products. So far they appear to be playing it safe with mirrorless, which might not be enough to keep them on top moving forward.
What would be in your dream camera? As a Canon shooter (and daydreamer), I have thought long and hard while writing this article. For me, it would be a mirrorless update to the Canon 5DMk4. A new sensor. Autofocus to rival that on the Sony A9 (or even 6400) and non-crippled video. Full sensor 4K and 120 frames-per-second at 1080P in C-Log and preferably without a histogram that disappears when you press record, or at least zebra stripes. Maybe IBIS would be nice too. Oh, and two card slots. Is that too much to ask? I also would like it under £3000.
Or maybe, I’m getting tempted to move. The Sony A7III keeps tempting me to rent it. The A9 with that new autofocus update is a beast of a camera for a shade over £3000. I also want to see how Panasonic’s latest offerings play out.

What are you looking for from Canon or Nikon? Or, have you moved to another brand and never looked back?

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Copper, Prisms, and Orbs, Oh My! – 3 Creative Techniques for People Photography

By: Meredith Clark

Have you ever wanted to shake things up a bit when it comes to people photography? Stretch your creative muscles? Try something new and different? Then this article is for you! We’ll explore three easy and relatively inexpensive creative techniques for people photography that will help you step outside the box and have a little fun.

One of my favorite techniques – shooting a silhouette with a piece of copper pipe for a little extra 

added shine.

1. Copper Pipe

A small piece of copper pipe can create a huge bang for your buck when it comes to people photography! My husband is a plumber, and I always ask him to save me spare pieces of copper pipe in different diameters to put to use in my photography.
If you don’t happen to be related to a plumber, head to your local home improvement store, and they’ll be able to cut a piece or two for you. I mostly use pieces that are 1-2″ long, and 1/2″-2″ in diameter.

From there, things are easy. Simply hold the piece of copper pipe in front of your camera lens as you’re shooting!
Depending on where you and your subject stand in relation to the sun, you’ll create all sorts of different effects ranging from a warm glow to semi-circles that look like they’re on fire. When I use this method I typically prefer to shoot in silhouette, which tends to produce a more defined glowing light.
I use manual focus coupled with Live View mode to more easily adjust the placement of the effect in interesting ways.

2. Glass Orbs

Another fun and unique tool for creating interesting photos of people, is to use a glass orb or crystal ball.
These orbs result in a kind of fish-eye effect that can be really fun in certain instances! I enjoy using these with kiddos, especially those who might need a little help warming up in front of the camera. Because you’re pointing your camera at the orb rather than directly at them, it can be a fun way to ease nervous kids into being in front of the camera.

The final image is cropped and inverted as the image appearing in the glass orb is upside down.

Keep in mind that anything you photograph in an orb will be flipped upside down, so if you want the person to be right-side-up, you’ll need to adjust that in post-production. On the other hand, sometimes being upside down enhances the creative effect, so don’t be afraid to play around with the orientation to see which you prefer.
Some people prefer to keep the edges of the orb sharp and in focus, while other people prefer to shoot at a wider aperture to blow them out a bit. Again, when it comes to creative applications like this, there’s really no right or wrong way to do things, so feel free to play around and discover what you like.

3. Prisms

Yep, your favorite item from elementary science class can be a really fun tool to implement in photography too! Simply holding a prism directly in front of your lens and turning it as you’re shooting can create a whole variety of effects from subtle to intense.

Once again, I typically use manual focus and Live View mode when shooting with prisms.
If you’re new to prisms, it can take a bit of time to learn how to achieve the different effects. Those can range from reflecting your subject to different places in the image (above), projecting small rainbows near your subject (below), to even showing your subject and what’s in front of them at the same time.
I’ve even seen people utilize prisms to show both a bride walking down the aisle and the groom waiting at the same time.

In conclusion, copper pipe, glass orbs, and prisms are all really fun options for creative techniques and effects in people photography. All three require a bit of a learning curve, so don’t be afraid to play around and try different things.
You’ll discover what your aesthetic preferences are in no time! Have you tried any in-camera photo effects that you really enjoy? Please share your ideas in the comments section below.

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10 More Photography Tips to Help Take Your Images to the Next Level

By: Olivier Duong

A while back I wrote an article that was quite popular: 10 photography tips to take your photography up a level. In this article, I bring you 10 extra tips from all aspects of photography. Enjoy!

#1 – What’s more than meets the eye?

Let me ask you something, what would you do? You meet someone attractive, you are head over heels, and you finally start talking to them. You then uncover the most superficial person you have ever met. That person is all looks and not much else. You would lose interest, right? Because looks by themselves are good enough to make you interested, but if there is nothing sustaining that interest, you’re gone.
This is the same thing in photography. A beautiful composition is nice, but what is in your image that is designed to keep the viewer’s attention? What is it about your image that is more than meets the eye? Is it saying something deeper? Is it making a point? Showing a concept? Add meaning to your images to keep the viewer engaged.

#2 – Know your opportunity

I believe there are only four times when you control the image. The first is at the moment of exposure (when you shoot), the second is in post-processing, the third is in sequencing and editing, and the fourth is while printing. So, when shooting have these things in mind in order to shoot with clarity.
For example, you shoot an image and it’s overexposed. But it doesn’t end there, you have another opportunity in the post-processing phase to fix it. Or you shoot something with a nice texture but it doesn’t have the effect you want. It doesn’t end there, you know if you print and enlarge it you’ll get a different effect. Or you shoot an image that won’t work on its own. Once again it doesn’t end there, you know you have another similar image that can work alongside it to create a diptych.
Making an image is only the first step. There’s a whole process to create the effect you desire after you take a photo. So it’s important to know that what you have in the camera is the starting point and not the end.

#3 – Pay attention to this detail (after your background)

In the first 10 tips article, I suggested that you pay attention to the background first. Now I would like to add another thing to pay attention to – the corners of your image. You see there is a strong dynamic with the corners, they draw you into the frame, towards the dead center and if you can align some lines there, it’s like surfing a big wave, it just draws your eye even more!
In the image above we have the guy’s hands, the shape of the tree and the shadow on the bottom right corner just pulling you into the image. So, pay attention to your background, watch your corners, and then look at your subject.

#4 – Dennis Rodman-ize it

Let’s face it, it’s hard to get attention in this ever increasing attention deficit world. For example, Dennis Rodman had been in the NBA for years, but he was receiving few endorsement contracts. He was a good player but didn’t shine enough. Then came the new Rodman with the crazy hair and style, even as a kid I knew his name because he simply looked different.
That brings us to photography, you are probably doing something a certain way, so can you Dennis Rodman-ize it? Shoot in a different way that makes your work pop above and beyond what you normally do? For example, landscapes are usually shot with a wide angle, what if you shot landscape abstracts with a telephoto? Or used a special processing technique on your images that gave them a certain look?

#5 – Work on your name

You probably know the wine experiment, where they gave people wine to drink and told one was expensive and the other was cheap. Everyone, of course, preferred the expensive wine over the cheap one, even if it was the same wine. Here’s the REAL KICKER, when they scanned the brains of the people who drank the wine, their brain actually made them believe they were drinking expensive wine, and it literally tasted better. Their perception altered their reality.

With that in mind, work on your images but also on your name or brand. Try to get as much recognition as you can, it will alter people’s perception of your work. I remember a photographer who had decent work, and then that person got famous literally overnight. Let me tell you, even I, knowing all that I know about psychology, now see his work in a better light.
It’s crazy, and probably a bit sad, but that’s just the way it is. The story of Joshua Bell also illustrates this point well. This guy makes $1000 per minute playing on a million dollar violin, yet he got a meager $32 and a few cents when they had him play anonymously in a metro. Same guy, same skill – different context, different result.

#6 – Get luckier

Let’s not mince words here, luck plays a big role in photography. That Cartier-Bresson shot of the man jumping? That was 100% luck because he couldn’t even see what he was shooting through a hole.
Why is luck such a big deal? Because you DO have to be there at the right moment, and so does your subject, the light, etc. Truth be told, you need the skill and the eye to seize the moment, but if you are not there, the shot won’t be yours.

So taking into account the luck factor, shoot more often. You’ll get luckier and luckier every time you do. By making more photo opportunities, you’ll be making more images. So if you used to go out once, go out twice, etc.
I mean, who do you think will have a better chance at getting a job? The one that applies for one job, or the one that applies for 10? Skill and creativity are multiplying forces, but it doesn’t matter how skillful you are if you are a couch potato. Sharpen your skills and get out there to get lucky.

#7 – Scramble everything

There was this cool experiment where they gave this guy upside down glasses, so everything was inverted. They wanted to pour him a drink, and he turned the cup upside down (because he believed it was upside down). Imagine the world upside down and how hard it would be to live like that.  After 10 days he adapted to the upside down vision, and could even ride a bike!

Sometimes we just get used to how we shoot, we get complacent, that’s normal. So scramble things up. If you normally shoot color, try black and white. If you like portraits try street photography, if you are a film shooter, try digital. It’s like the “Dennis Rodman-ize” tip, but it will shake you out of complacency rather than to bring attention to your work.

#8 – Revisit your images

Two photographers can look at the same scene, and yet see two different things. The difference is their knowledge about photography. You probably have some hidden gems in your images that you’ll probably never uncover if you do not revisit your images. You made them, but when you revisit them you do so with new eyes, and you will see them differently.
You will be amazed at what you find. Images that you believed were boring and/or ruined will be seen in a new light. You may ask yourself, “How did I miss that?!? There are quite a few images that I have overlooked, that’s why I have a no-delete policy. Maybe I can’t see what my future self will see or what my future self will be into.

#9 – Let go of preconceptions

I receive emails daily from photographers around the world. The one thing many seem to struggle with is that they don’t live in a big city. It is understandable, but just because you can’t find the images you have in your mind doesn’t mean they are not there. You just need to let go of your preconceived ideas and be more open to what is in front of you.
Some people tell me they wish they had more money to travel. Evidently, the image in their mind is of travel, but an image doesn’t need to be travel photography to be good, does it? It’s good to have a general idea of what you want, but also to be open to the possibilities.
Some people get hung up on relationship breakups, passing by great, if not better opportunities in front of them. Likewise, seeing what is possible right in front of us allows us to maximize our opportunities as photographers.

#10 – Remember it’s all plastic

It’s a hard concept to grasp, especially as a beginner, but remember that photography is plastic. Exposure? Plastic. Colors? Plastic. White Balance? Plastic. Sharpness. Who said every image needed to be averagely exposed, with white balance set perfectly by grey card, and super sharp? The first thing I do as a photographer in Lightroom is to clip my blacks. I LOVE clipping my blacks. I never set my white balance with a grey card, I just look at the image and hear what it creatively calls for, then do that.
Photo of a bride and groom? Probably needs to be on the warmer side so that the viewer can get some emotional cues from that. Shot these plastic surgeons? I’ll put my white balance on the cool side to reinforce the surgical cleanliness. Whatever you are doing right now, remember all of it is plastic. Who said images needed to be in a square or rectangle? Who said portraits have to contain faces? Who said colors had to be realistic (see above)? Who said paper and canvas was the only printing options…..you get the gist!

There you have it, 10 more photography tips to help you in your photography journey. I hope you resonate with some of them. Be yourself, stay focused and keep on shooting.

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