Sunday, January 20, 2019

How to Sell Your Photos Online



photographyhobbyist  #photographybestoftheday #photographyforever




Make Money Selling Your Photos Online

Sell Your Photos Online


I felt compelled to write this blog post after seeing an online course. A course that charges $200 to teach you how to sell your photos online through stock photography. I wrote my course a few years ago and used to charge for it (not enough it seems). However, I have now made it free for everyone (for now, more on that in a minute).
I'm a member of the website this guy was selling the course through. I received an email offer to take the course for just $8 and curiosity got the better of me. Therefore I thought "I might learn something new" so I enrolled.

Hmmm

I hate to bad mouth anyone out there looking to make a living but this course was dreadful. Nowhere did the author state or prove how much money he had made from selling stock photography himself. It simply seemed like a very basic course created just to make money.
99% of the videos were simply the author talking to camera with a white background. No practical demonstrations, no location or studio shoots, no screen recordings.

I do things differently at All Things Photography : )

My course was written after having sold stock photography online for more than 6 years (now 10 years). I went far and wide on location as well as in the studio to create in-depth videos on exactly what you need to learn to sell stock photos online:




  • Agencies to use

  • Equipment needed

  • Camera settings

  • Lighting set ups

  • How to get creative ideas

  • What sells and what doesn't

  • How to keyword and describe your images
  • and a lot more…
    I have been selling stock photos online for more than 10 years now and have made well into 6 figures. In fact I am still actively involved and am about to buy a huge, solid state hard drive. This is to deal with the amount of stock I am producing and uploading right now. This is still a good industry to get into, especially video.
    You can see the full course over at our members section which is still free at the moment so please
    make the most of it if you want to know how to sell your photos online!

    How I shot a wedding with just one 35mm lens

     by  

    #photographyhobbyist  #photographybestoftheday #photographyforever



    I recently shot a wedding with just one lens, a Rokinon 35mm t/1.5 on a Sony A7sII body. This was completely unplanned and wasn’t done to prove any point. I also carried multiple lenses and bodies in my bag that cover all the focal lengths I normally use: 24-70mm f/2.855mm f/1.885mm f/1.870-200 f/2.8. Between these lenses, I’m covered for all the distances and lighting conditions I encounter while shooting weddings. I just didn’t have to use any of them on this occasion.

    You can open the gallery of the wedding in a new window before continuing to see the results before we get into the details.

    What Lenses Do I Normally Shoot With?

    Over the past couple of weddings, I did notice that I mostly kept the 24-70mm on one body, and either the 55mm or the 35mm on the other. I hardly touched the 85mm and the 70-200mm save for times where I couldn’t get as close as I’d like during the ceremony or when I wanted to compress the backgrounds a bit more for portraits.

    Why The 35mm?

    Like most weddings, I started with the 35mm during the “getting ready” part of the day because it’s a great walk-around prime lens that gives me beautiful bokeh. The minimum focusing distance is just 12” so I can get in close for tighter portraits and details shots and stepping back allows me to a wide enough angle to frame multiple people.
    When I use this manual focus lens, I also find myself composing a little bit more deliberately like when I used to shoot on film years ago. It’s extremely satisfying, especially with the longer focus throw on this lens. Without the luxury of split-second autofocus or zoom, my eye is constantly on the scenes as they develop, forcing me (in a good way) to anticipate where the action will be so I can be in focus when it is time to press down on the shutter.

    Zooming With My Legs

    Shooting the groom getting ready, I moved in bit when I wanted to get a tighter frame like of one the groomsmen preparing his speech and then out a couple of feet to get a wide shot of the father of the groom playing on the floor with his grandson.

    In a tighter space, I usually put down my second camera body, so I can move freely around without the extra weight. I didn’t have to touch it once because I was more than satisfied with the shots I was getting. The shallow depth of field allowed me to soften the background of the hotel room and focus more on my subject.
    Moving over to the bride, I found no need to change the lens. I was once again shooting in a relatively small space and the lens was excellent and minimizing any light flares from shooting directly into the light coming from the windows.

    Between the silent shutter on the A7sII, the de-clicked aperture on the lens, and not using any motor movement for focusing, I was shooting virtually silent. The bride and her sister even pointed out that it was a little weird that they didn’t know when I was shooting, especially if I was “hiding” behind something to create a blur element in the foreground.
    For the getting ready shot, I was nearly tempted to switch over to the 24-70mm so I had a bit more range and reach and the auto focus since the groom would be walking directly towards me on his way to the bride. But since I was feeling very confident with my ability to manual focus (about 95% of my shots’ focus was spot on up to this point), I decided to stick with the 35mm.

    Shooting Portraits With The 35mm

    Next up were portraits. If there was a time for this lens to shine, it was now. We had 15 minutes to shoot in the SF MOMA before it closed, so I had to move fast and shoot in not so ideal light. The extra two stops of light between this lens and the 24-70mm f/2.8 was very valuable. I also had a lot of room to maneuver around in the large chambers of the exhibition halls, so I didn’t really need to go as wide as 24mm. Meanwhile, I could continue to step in closer to get the tighter shots.

    In the last shot, you can see a side by side of two shots I would normally get with a zoom lens. In this instance, I just had to step in a bit closer for the second shot. When I moved in, I simply turned the aperture ring a bit to get more of her dress in focus, and adjusted the shutter speed accordingly. The de-clicked aperture made doing this even faster normal.
    We moved to the Yerba Buena Gardens to contrast the indoor shots with some outdoor “nature” shots. Since it was warm day afternoon on a Saturday, the place was packed. I wanted to get portraits without all the people and clutter in the background. To achieve this, I had to compose a very tight frame and get in close to the couple. The shallow minimum focusing distance proved to be very useful again, and I was able to focus on their details like their hands, eyes, and smile in each shot.

    The last portrait location was in front of the Jewish Contemporary Museum and its metallic blue cube exterior. In the past I’ve defaulted to the 24mm focal length to get a wide shot of the couple in front of the immersive wall. I wanted to try something different, so I kept the aperture wide open to blur the yellow light coming through the side window in the foreground. Surprisingly, I didn’t miss the extra 11mm angle of view.

    Primed For Low Light

    The rest of the day would take place in a dimly lit restaurant, where I was really glad for the low-light capabilities of the A7sII. Shooting at t1.5, the cine lens equivalent of f/1.4 and ISO 3200, I was able to get clean shots of the decor, food and place settings.

    I was pretty surprised that I hadn’t switch lens up to this point, I was not going to compromise any shots for my client just to be able to say I only used one lens. I had my second camera body with the 24-70mm and a flash ready to go. I just didn’t have to use it. The space was small enough that I was able to move in close for every shot, including the ceremonial ones without blocking anyone’s view.


    Final Thoughts

    I had so much fun shooting the wedding with just the 35mm that I felt a little guilty about not using more of my gear. Shooting a wedding completely with manual focus is not something I could recommend for every photographer. It takes practice and you need to be comfortable with your gear. This is definitely even more crucial when shooting a wedding where there are a lot of blink-and-you-miss-it moments. At the same time, if you know how to use your gear and understand it’s limitation, there’s a lot you can do with just one lens.
    I’ve had a lot of practice with the 35mm focal length since the Sony RX-1 with its fixed 35mm f/2.0 lens is one of my favorite travel camera. When I want to travel light, I usually just bring the 35mm t1.5 and one body. Without worrying about lens selection, I focus entirely on shooting and the moving around to get the right framing was something that became second nature. That paid off during the wedding when I moved from muscle memory, sometimes even before looking into the viewfinder.
    Could I do this for every wedding? It depends. There are wedding photographers out there that use JUST the Contax 645 medium format film camera with the 85mm f/2.0 lens. That’s even more limiting, but I do think they market their work accordingly. Some carry a second back-up camera with a wider lens for a limited number of shots that require it.
    If clients are happy with the range of shots I’ve captured in this particular wedding and understand I may not be able to get a tight shot in situations where my movement is limited (like a church ceremony), then I can absolutely shoot a wedding with just this lens.
    Will I shoot another wedding with just the 35mm? Probably not the entire wedding, but I know from experience that I can get 75-90% of the everything I’d want from this one lens and use one of the other lens in my bag when the situation calls for it.
    The full blog post of the wedding can be found here.

    About the Author

    Kien Lam is an international photographer and filmmaker based in San Francisco. He runs whereandwander.com and believes in living for those moments that make the best stories, told or untold. He is working through his bucket list and wants to help others do the same. You can follow Kien on InstagramTwitter, and his Facebook page.

    The Top 8 Reasons Why I’m a Big Believer in 35mm Lens Photography


    nikonlenses

    #photographyhobbyist  #photographybestoftheday #photographyforever



    After two years of testing, renting, buying and selling just about every level of Nikon and Canon lenses and cameras, I have learned quite a bit about what works and what doesn’t. Pretty much you can’t go wrong with Canon or Nikon, and just about everything they make is top notch.

    You can buy one or the other and in the end you’ll have a great product (though, I do give Nikon a slight advantage in most categories). One thing I have learned is that the more you spend the better the quality of the lens, the camera and the final pictures you take.
    Well, that is until this week. This week I discovered the Nikkor 35mm manual focus lens.
    This lens has been around so long that it has reached legendary status (I believe it has been around since 1982 which is amazing considering how much technology and cameras have evolved from that point).
    The lens was originally created for press photography and is one of the fastest wide angle lenses that you can buy even to this day.
    lens8
    This lens has one of the most superior color renditions of any lens I have used and creates great contrasty images with amazing depth of field when you open up the aperture to its largest size.
    For years I have tried different focal lengths on lenses from super wide angle and fisheye to super 500mm zoom to find the perfect picture. Even though I tried them all, I never had a 35mm lens.
    I was convinced that the best focal lengths for portraits was my trusted 85mm lens and the best focal length for landscapes was my 16mm to 35mm lens. I had 50mm lenses and almost everything in between but never a 35mm lens.
    Now that I have one, I am surprised at what I was missing and I have changed my mind. 35mm lenses are a must have (in my opinion) for any photographer and videographer.
    I have a variety of reasons for saying that, and if you are looking for a great 35mm lens, I think the Nikkor 35mm AIS is as fine as any lens out there even more expensive ones. Here are the top 8 reasons I am a big believer in 35mm lens photography:
    eyeball#1: Focal Length – In terms of composition, the 35mm lens is the closest to the focal composition of the human eye. That is why it is used so often in movies because it gives a much more realistic vantage point for the viewer.
    In terms of photography, using a fixed 35mm lens requires you to get creative in terms of how you move your body around to get the right composition. You can’t be lazy but when you catch a shot with a 35mm lens it has a more artistic look to it than any other lens that I have tried.
    #2: Versatility – The 35mm lens can be used for almost anything: Landscapes, portraits, travel shots, macro photography, street photography, real estate photography, product photography – just about everything.
    The 35mm I use allows me to get great close up images but also allows me to get pretty decent wide angle shots. Many photographers refer to the 35mm as the wedding photography lens because of its versatility indoors and outdoors.
    #3: Video – I originally purchased the Nikkor 35mm lens exclusively for creating videos with my D3S. I had read a few articles on the fact that it was the best lens for videography for a variety of reasons. All of those reasons were spot on and I could see the difference I snapped the lens on the camera.
    The focal length was wide enough where I virtually had no camera shake but not so wide that I could not focus on my subject. I could walk a foot away and get great close-ups and the video had an almost cinematic quality when you dialed in the aperture to its lowest levels. If you use a DLSR for your video you know that the autofocus feature is nearly useless and will cause your videos to go in and out of focus quickly. The fact that this 35mm lens only provides manual focus and no autofocus engine is not a problem since I rarely use the autofocus feature for my videos anyway.
    #4: Best Capture of Subject and Environment – One of the best features of a 35mm lens is that it allows you to capture your subject relative to their environment. I think this is another reason that it is used so broadly in film – it helps you tell a story with your video or your photograph. I brought the 35mm lens to a show I went to for my brothers band. I was positive that I would not use it since the music was fast and I was positive I could never dial in the right focus to capture what was happening since autofocus was not on the lens.
    When I got home I was amazed since my best pictures of the night came out of the lens. The reason was that I was able to capture the subject and what was happening around them to the perfect degree.
    #5: Forced Interaction – You can always tell from someone’s photos if they were passively or actively engaged with there surroundings. The best photos I see is where the photographer is actively involved in their environment – not changing the scene but involved in it somehow by getting in the middle of the action.
    Zoom lenses can make a photographer a little lazy since they can zoom into their subject from far away and not get in the middle the action. The 35mm is a lens really requires you to get in the middle of a situation to get a good photograph.
    sample1
    If you stand far away from your subject it won’t work since the angle is pretty wide and you won’t have a real subject in the end photo. I find that the 35mm is perfect since it requires you to jump right in to find the perfect picture.
    #6: Low Light Performance – I am referring in particular to the Nikkor 35MM AIS when I refer to the stunning speed and low light performance of the 35mm lens. I find that the combination of my D3S and 35MM lens which can be dialed back to 1.4 aperture level provides me with unreal low light performance. I can take pictures in near dark rooms and the photos appear that they have been taken in great lighting conditions.
    This is beneficial not only for photography but videography as well. I find that the videos taken with the 35mm lens have far less noise and are far less grainy than pictures taken with my other lenses.  
    #7: Small, Light and Compact – When I put the 35mm lens on my camera it makes my camera feel small and light. When I compare that to my more expensive prime lenses which make my camera feel about twice the weight it is really an added bonus to this lens. Since the lens is so light, compact and versatile it makes the perfect walk around lens for taking street photography or any type of photography when you are traveling.
    Sure, you might be tempted to break out your fish eye or zoom but this lens will force you to deal with your situation and take the best picture possible with what you have. I find that always makes for more interesting photography.
    #8: Wide Angle with Constraint – I was editing pictures once and a friend of mine advised that I turn the contrast up to exactly where I wanted it and then to dial it back slightly. Constraint is ultimately very important in photography and is what differentiates an average picture from a great picture.
    The 35mm lens is considered the very beginning of wide angle lenses. It is the most subtle wide angle on the market and that is why it consistently delivers great shots. It is certainly not fish eye, certainly not super wide angle, but it is wide enough to capture a subject interacting with their environment.
    I am often tempted to use a wide angle lens. The 35mm lens is analogous to slightly dialing back the level of contrast that I feel is appropriate. The 35mm keeps my wide angle nature in check.

    About the author: Frank McKenna is an amateur photographer based in La Jolla, California. You can find him on his blog, 500px, Tumblr, and Google+. This article originally appeared here.

    Saturday, January 19, 2019

    10 Tips For Beautiful Maternity Photography Poses




    #photographyhobbyist  #photographybestoftheday #photographyforever



    It doesn’t matter if you photograph your maternity clients indoors or outdoors, there are some foolproof poses that can help you to add variety to the session, focus on the bump, and make long lasting memories for your clients.
    Posing can also mean the difference between an okay photo and a great photo. Here are 10 tips to help you achieve better maternity photos at your next maternity session.
    A couple pose together in calm cornfield landscape - maternity photography poses

    1. Mom Alone

    If you are photographing a couple, don’t forget to take photos of just the mom. Getting a good solid portrait of her embracing her bump is going to make for tender and meaningful photographs.
    Posing her in flattering ways can also create more depth and warmth to the photograph. Try putting her at a 45-degree angle from you. This way, we are putting more focus on the bump’s silhouette. This is especially helpful when the baby bump is small.
    Triptych photo of a pregnant woman in red in different maternity photography poses
    Tell her to rub her belly and talk to her baby.  If she feels awkward doing this, just have her smile while looking down at her bump. Have her think of meeting the baby. This will get more authentic expressions in the portraits.
    Take full length, mid-length, and up-close photos of her. Once you feel like you have taken enough solid portraits, experiment with different crops.
    Asking for her to bend one leg can not only help to relax and shift the weight, but it also adds more interesting lines leading to the belly, which is the focal point of the whole session.
    Black and white portrait of a pregnant woman holding her stomach - maternity photography poses
    During her portrait session try and keep her hands moving as well as where she is looking.  Have her look at you, at her partner, down her shoulder, at her belly. 
    Huge tip: When she looks at her belly, have her poke her neck out towards the camera and actually look at her feet. This will avoid getting any squished chins.

    2. Dad With Belly

    Just because the belly is the focal point doesn’t mean dad can’t have his time in front of the camera. Have dad kneel and get close to the belly with both hands on each side. Have him talk to the belly and enjoy the closeness.
    Sweet maternity photo shoot of the father holding his wifes belly, couple pregnancy photography posing on a beach
    Another great maternity pose idea is to have dad stand half behind the mom and place his hands on her belly. Get in close so that you just get the hands. Take a photo mid-length and focus on the dad’s eyes rather than on the mom. Have him look at the camera and then down at the belly.
    If dad has a special request for a pose, do it. Letting them feel like a part of the maternity photography session is going to produce more intimate photos for your clients.
    Dreamy maternity photo shoot of the father holding his wifes belly, couple pregnancy photography pose in cornfields

    3. Props and Accessories

    Maternity photography sessions are such a beautiful way to capture the parent’s excitement over meeting their baby soon. Many who know the gender of their baby, or have chosen names, will want to include that into the maternity session.
    Diptych maternity photography of a pregnant woman in black, holding a mickey mouse teddy
    Whatever they decide to bring to add to the session, make sure that you pose them so that you can focus on both them and the prop/accessory. 
    For example, if they bring tiny shoes, photograph different poses with the shoes. Take one where the shoes are on the floor next to their feet and take an up-close shot. 
    Another maternity pose idea could be to hold the baby shoes at belly level and photograph up-close and mid-length.
    Sweet maternity photo shoot of the father holding his wifes belly, with a yellow bow tied around it
    If the couple wants to photograph their bump with letters or names, try and get creative on where to place the letters.
    A word of caution here: Do not lay the mom down and place the letters on her belly. This will only make the belly look flat and a bit awkward.
    Instead, try to have them bring a sign with the name rather than individual letters or place the letters to the side and photograph them next to the belly or the couple.
    Diptych photo of a pregnant woman holding baby clothes to her belly, and embracing her partner during a maternity photo shoot

    4. Wardrobe

    It’s especially important to talk with your clients before the maternity session about wardrobe. Wardrobe can offer the chance to be more into the maternity poses and add to the overall experience of the session.
    Diptych photo of a pregnant woman in blue evening dress in different maternity poses
    Tight to the body dresses or shirts work well because they can highlight the bump more during the maternity session. Using belts above the belly also helps to accentuate the bump.
    This can help give your client more shape and offer more posing solutions rather than always having their hands at the bump because the dress or shirt doesn’t allow for the bump to really stand out.
    Diptych photo of a pregnant woman in red in different maternity photography poses with her partner
    Heels are not recommended but if the mom wants to wear them, have them bring extra shoes to rest in between takes. Feet swell pretty quickly when you are pregnant so be mindful of this fact.
    If the mom is willing to show her bare belly, this can be a great time to pose her at a 45-degree angle from the camera toward the light. This will light her belly to accentuate it but she can turn toward you and create more shadows on her face to add depth.
    Diptych photo of a pregnant woman in different maternity poses indoors

    5.  Legs and Hands

    Maternity photography is all about the belly and to make sure our focus stays on the belly and couple, hands and legs are great tools.
    Place both hands below the belly, one above the belly and one below, one above and slightly to the side and the other opposite. Or just have your client rub her belly as she normally would if she were just standing alone.
    Diptych portrait of a pregnant woman outdoors in different maternity photography poses
    Always try and place hands so that fingers are close together and hands are overlapping but not overwhelming the belly.
    For legs, have mom cross her legs if she is facing you so that you can add more lines toward the belly. This will add focus to the bump much more than if she were straight legged.
    In other pose ideas, try to have her bend one leg at the knee so that it gives the same effect as well as give her more shape.

    6. Include Older Children

    Maternity sessions don’t only focus on the belly, sometimes there are siblings at the session that also want to join in. This is such an amazing moment to have siblings interact with both mom and dad as well as the belly.
    Try and take some photos of the family walking or playing and interacting. Add this element to the session will make it feel more natural and can help the sibling participate more willingly.
    Maternity photography portrait of a woman embracing her daughter
    Some pose ideas to try is to have the sibling(s) place their hands on the belly. Then have them talk to the belly or kiss the belly or talk to mom and dad. Interaction poses are always more intimate and meaningful.
    Diptych portrait of a woman in different maternity photography poses indoors with her daughter

    7. Remember All Bodies Are Different

    Pregnant bodies are all different and not all poses will work for each mom. Also, not all poses will be comfortable to get into either.
    Remember to always ask before putting your client in a difficult or uncomfortable pose. Great photos are made because people are comfortable in the pose, in the location, and in front of the camera.
    You can tell right away if someone is uncomfortable so try your best to watch out for this and repose your client.
    Triptych portrait of a woman in different maternity photography poses outdoors in a natural landscape
    Remember that some maternity sessions you’ll need to accentuate the belly more by the use of hands or perhaps a belt, or turning your client at an angle.
    Try and let poses evolve organically and allow for interaction to flow. It’s the in-between moments where the couple is laughing or enjoying the moment where the best photos are made.

    8. Building Poses

    The great thing about posing maternity clients is that you can easily build and get various poses all without having to move your clients very much. Keeping your clients in one spot also allows your client to relax. It can be tiring to walk around a lot while being 8 months pregnant.
    For example, start with the couple facing each other and with the outside hand embracing the belly. From there, you can ask your clients to look down, then look at each other, have the dad look at the belly and the mom at the camera, hug a little tighter, kiss, or hold hands.
    4 photo grid of a woman in different maternity poses outdoors in a natural landscape
    Another example is having the dad behind the mom and with the hands close to the camera holding the bottom of the belly.
    From there, you can have the dad kissing the mom on the temple while the mom is looking down, they can hold hands, or like the example, hold the props that they brought to the session. Get close up shots and far away shots for variety.
    For each variation, take about four to five so that you can ensure you got at least one great photo from each pose.

    9. Don’t Forget to Play and Have Fun

    Maternity sessions don’t have to be all tender and intimate moments, you can also ask your clients to have a little fun with it. If they’re up for it, have them walk around, dance, and enjoy the moment.
    Triptych portrait of a couple on posing outdoors by a road tunnel for a maternity photography session
    Ask them to talk with each other and have the mom say something nice to the dad and then vice versa. This usually causes many of those natural in-between expressions that make for great photos showcasing exactly who your clients are during this moment in their lives.

    10. Keep Arms and Face Away From the Body

    Maternity sessions usually take between the 7th and 9th month of pregnancy, where the mom’s belly is usually much rounder in shape. 
    However, this also means that arms, legs, and face tend to swell as well, even just by walking a lot because of the excess water they are carrying around to help the baby grow and develop.
    Diptych portrait of a couple on a beach posing for a maternity photography session
    Keeping the face away from the neck by asking your client to push their chin toward the camera can help avoid squished necks.
    Keeping the arms away from the body and bent can add shape and lines to the contour of the body as well as not make the arm seem fuller than it really is in real life.
    A woman in blue evening dress outdoors posing for a maternity photography session
    Try and always find the most flattering angle and light so that they can embrace this beautiful phase of pregnancy.

    Conclusion

    Black and white portrait of a pregnant woman holding her belly
    Maternity sessions are intimate and a great way to begin a lasting relationship with clients so that they come back for the newborn session as well as all future ones.
    Having these tips in mind during a maternity session will help you to stay focused on the belly and couple all while allowing for variety and experimentation. Build the poses to have a bigger mixture of photographs to showcase to your clients.
    Remember body shapes, and always give your clients a great experience!
    Now you have the lowdown on beautiful maternity photography poses, why not check out our complete guide to new born photography or our great tips on posing newborn babies.
    For more great inspiration, check out these beautiful emotive maternity photography images!
    A note from Josh, ExpertPhotography's Photographer-In-Chief: Thank you for reading... CLICK HERE if you want to capture breathtaking images, without the frustration of a complicated camera. It's my training video that will walk you how to use your camera's functions in just 10 minutes - for free! I also offer video courses and ebooks covering the following subjects: You could be just a few days away from finally understanding how to use your camera to take great photos! Thanks again for reading our articles!

    Jackie Lamas

    Jackie Lamas is a destination wedding and portrait photographer based on the beautiful beaches of Puerto Vallarta, Mexico. She earned her degree in photography from California State University, Fullerton. Jackie has over 10 years of experience as a professional photographer and teacher. When she's not on the beach, you can find her writing on her blog and spending time with her baby and husband. See more of her work on Instagram, at http://instagram.com/jackielamas.

    Friday, January 18, 2019

    11 Reasons To Shoot Film

    #photographyhobbyist  #photographybestoftheday #photographyforever



    1. Film is cool. Seriously. The scientific process of capturing an image on film, developing and then printing it on paper is one of the most awesome things you can ever see. It’s like magic.

    2. Film produces a tangible result. In the modern world, technology has allowed us to do everything digitally… in fact I haven’t seen what my resume actually looks like on printed paper in over 5 years. With digital photographs, you never have one tangible original, from which you can make infinite copies…

    3. Photographic paper prints have a longer archival life. Say what you want, but even my most expensive fancy-pants digital prints still get yellowing on the corners after several years… which is why many professional labs still use cibachrome printing even for digital.
    4. Film cameras are badass. They are not the light-weight, silent wimpy cameras of today. You can use a quality film camera to take great photographs or defend your life if necessary.

    5. Most Photoshop effects applied to digital photos are designed to mimic effects achieved through film. Why not just do it that way in the first place?

    6. Using film means that when you take a photograph, a chemical reaction absorbs the moment on a light-sensitized surface. That is somehow more powerful than a computer chip’s interpretation of an image.

    7. Learning how to shoot film helps you understand light and shadow, which can also improve your digital photos.

    8. Limited exposures means you have to actually think about your shot. Need I say more?

    9. Unless you have a $30,000 digital camera, shooting film will always give you a higher resolution if scanned correctly. A 35mm negative has the equivalent of approximately 25.1 megapixels 175 Megapixels, so imagine a 6x9 negative. We’re talking murals in crisp detail.
    10. Black and white. Yes. Removing color from a digital photograph is not the same as shooting in black and white film and it never, ever will be. Ever. The art of black and white film alone is reason enough to keep manufacturing film forever.
    11. The darkroom is zen. It has soothing red lights, relaxing running water and the soft click of your timer. Take a deep breath and smell the stop bath. Yum.

    Courtesy of:  I Still Shoot Film

    11 More Reasons to Shoot Film

    #photographyhobbyist  #photographybestoftheday #photographyforever



    {A follow up to the original 11 Reasons to Shoot Film}
    1. You Can Experiment with Film

    There’s so much film to choose from when shooting with film cameras, unlike a DSLR where you’re stuck with one sensor. Sure the camera allows you to tweak its ISO speeds and white balance and all that but all your camera will ever be is already contained in its mechanism, while with film you can experiment with different rolls and keep discovering new possibilities.

    2. Film Never Gets Boring

    With so many possibilities and limited number of exposures, you have more control, more risk, more challenge, more thrill and excitement, and you don’t just click away mindlessly till you don’t want to anymore.

    3. It is a Constant Learning Experience

    You never stop learning when you shoot film, no matter how much of a big shot you become. It’s a scientific process translated into artistic expression, and the law of physics and chemistry direct how an image will turn out. The laws of physics and chemistry have more potential to surprise you with unexpected wonderful things than a computer chip, which only does what it’s programmed to.

    4. Vintage is the new black. Enough said.

    5. More Economical Camera-Hoarding

    This photographer friend of mine bought this old battered up film camera that produces interesting results with areas of the image tinged with green and red hues. Why? Because it was cool and he could damn well afford it. The moral of this story is, you can build a fun little collection of film cameras, bad and exceptional quality both, and probably still spend less than buying one high-end digital camera. OK, maybe not literally, but you get the point.

    6. Film Camera Equipment Is Forever

    Seriously, think about it. You can still buy cameras that are 60+ years old and still work perfectly and give amazing results. Would you be able to say the same of your current digital equipment even 10 years from now?
    7. No Copyright infringements If there’s anything we’ve learnt from the Fappening leaks, it’s that privacy matters. With film your photographs are not vulnerably sitting in the cloud or even on your highly hackable computer drive, but are safely tucked away in your private negative collection.

    8. With Film, Grain Adds Character

    Film can handle grain at faster ISO speeds much better, and the grain you do end up seeing has a nice analog quality that adds texture and a certain “quality” to a shot. Digital noise on the other hand presents as multicolored speckles disrupting the image and taking away from its quality and at the end of the day is just…noise.

    9. Film Cameras Make it More About You

    Film cameras allow you to be a photographer, rather than just someone with a really good camera. YOU take the picture, not the cameras hi-fi functions. You’re not just a technician pressing the buttons here; any buffoon can do that, especially with countless do-overs. Which is why DSLRs have become so popular and common; if you have the dough to get one, you’re suddenly a photographer with an Instagram account and an official Facebook page with your name and the term ‘photography’ at the end. But with film, you need a certain amount of experience, know-how, and a certain eye to capture a great photo.

    10. Film Lets You Shoot Charger-Free

    Film cameras are no-nonsense simple devices, without fancy gadgetry, motors for autofocus, and all that jazz, which means you’re no longer dependant on battery chargers. Batteries last months, and besides you don’t really need them on most film cameras to take the actual picture. When your battery dies, only the meter dies with it, but you can still use the camera which is really what matters if you’re half a good photographer.
    11. Film Is The Anti-Instant Gratification

    Yes, most people love being able to flock over to digital photographer s and check how their shots turned out right there and then, but this exactly the kind of child-like instant-gratification issues film helps you shake off. Film is almost meditative, it teaches you to stop and think, experience the shot, and teaches you the virtues of patience when you’re rewarded with amazing results.
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