Sunday, August 24, 2014

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 Traditional Photography Supplies - Fall 2014
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'Why Should I Trust You' / Photograph by Chase Thompson

Chase Thompson, assistant professor of film, has had a photograph he took while working in Haiti this spring selected for publication in a national photography book.

The Photographer’s Forum, an award-winning quarterly magazine, will publish the photograph in its upcoming Best of Photography 2014 edition.

Thompson was in Haiti filming a documentary when he took the photograph.

“I was in a market in Les Cayes,” he said. “Some PEOPLE were very interested in having their photograph taken and others were not. These ladies were on the fence.”

Thompson said he kept running into the women in the market. He’d bring the camera up to his eye, and one of the women would turn away.

It turned into “kind of a CAT and mouse game between us,” he said. “I named it ‘Why Should I Trust You?’ because I can only guess that that is what she must have been taking during our little game.”

Thompson, who used all manual settings, said it was the best among the photographs he took that day.

“I love the sharpness, the expressions and the triangle created by the eye lines.”


The book will be available in November on the Photographer’sForum website. Thompson plans to purchase a copy for the Hugh Stephens Library on campus.

Exhibition of Film and Darkroom Photography


  
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Help produce an exhibition of photographs created with film cameras and the darkroom.

What We Are Doing:

Seven Texas photographers are collaborating on a group exhibition of photographs made with film cameras and printed in the darkroom.  The photographers are established artists who choose to work with film and the darkroom for all or much of their work.
Our purpose is to highlight the richness and diversity of images created using film and darkroom processes, in the hopes of building a community of film photographers in the North Texas area.  We know through informal associations, internet and social media groups, etc., that there are hundreds of photographers in the area that use film on a regular basis.  Eventually, we hope to have an active, established group that will be able to produce two exhibitions annually, such as an open membership show and a selective, juried show.
We expect that once a group is established, future exhibitions will be self-financing.  However, in the meantime, we need to be successful with this first exhibition, to show that it can be done, and this is where you can help.

What We Need & What You Get

Each of the photographers in this show will, of course, finance the creation of their own work.  However, there are production expenses in mounting any exhibition that are unavoidable.  QUALITY exhibition venues are generally not free and often galleries look for a prior history of success in order to allocate space to an artist or a group.
After many months of work, we secured consideration for the gallery expense for this exhibition and some funding is pledged for reception expenses.  However, there are other unavoidable expenses that remain, and these include hardware and tools for hanging the photographs, printing expenses for signage at the gallery, and other miscellaneous costs.
Even so, our needs are modest.  We have a production budget of $500.  If we raise more than is needed at this time, excess funds will be APPLIED to future exhibitions.
There will be a prominent sign at the gallery listing our contributors (you may remain anonymous, if desired).  In addition, we will list all contributors on social media and the Silver Darkroom website and blog.
We are offering a number of used photography and darkroom items as "perks" for various contributions.  There are also some books and original prints available.  Please see the Gallery section for details on the perks.  All contributions for which you will receive a perk include shipping.  However, if you wish to add a little more to your contribution to cover shipping, that would be appreciated.
You can be a patron of the arts and film photography by supporting this exhibition.
Risks & Challenges
Support of film photography is necessary if the medium is to CONTINUE to be healthy.
The chances of success for this endeavor are very good.  All seven photographers are committed and the work is prepared for exhibition.  The gallery is contracted for the dates.

Other Ways You Can Help

In addition (or in place of) a financial contribution, you can also help in other ways:
  • Please help get the word out about this campaign and the exhibition.
  • Use the Indiegogo share tools!  Please share this campaign on all of your social media and internet communities.
  • Tell your friends.
  • Come see the exhibit!  You are especially invited to the reception on October 19th.

Details of the Exhibition

Prints shown will include silver gelatin, as well as other “alternative” processes. 
The exhibition will feature the work of seven photographers:
  • David Brown
  • Valerie Yaklin-Brown
  • Michael Castles
  • J. B. Harlin 
  • Susan Harlin
  • Matthew Magruder
  • William McEwen
October 3 - 23, 2014
Janette Kennedy Gallery
Southside on Lamar
1409 South Lamar St.
Dallas TX, 75215
Artists’ reception: Sunday, October 19th, 1:00 - 4:00.
For additional information, or if you have questions, please email us at 

Saturday, August 23, 2014

Tips For Shooting In Wet or Damp Conditions

Photographing in wet or damp conditions is a mixed blessing. The opportunities are often enormous; in a constantly damp area, the flora can be beautiful. A good example is the Inside Passage of Alaska, where lush, old-growth forests are common. Or a photo journey to a place like Costa Rica (I’ve never been there, but it’s on my “bucket list”).
But, working in these conditions requires some additional care so that our photography equipment will not be affected by the constant moisture.
So what are we to do?

Play Weatherman… Will it Rain?

Before heading out (especially to an unknown location) check out the weather conditions as part of your pre-trip preparation. Using a website like Weather Underground, you can find out what the typical temperatures, rain/snow amounts, etc. are for the area during the time of your expected visit, as well as the actual weather forecast. If rain looks likely, prepare for the trip with rain in mind.

Keep Your Equipment Dry

First, regardless of conditions, use a photo backpack or shoulder bag that is waterproof… you never know when rain may develop! When shooting in wet conditions, I always use some kind of protection to keep my camera/lens dry. I usually use a waterproof nylon cover that fits over my camera body/lens. It has adjustable elastic at both ends, allowing me to tighten it down in heavy rain, or to loosen it to make adjustments on my camera or lens.
But, no need to get fancy, or spend a lot of money. You can easily use small trash bags to keep the equipment dry (I always keep a spare handy in my photo backpack); and you can punch a hole in the closed end of a small trash bag so that it will slide over the lens. Just add a rubber band to keep it firm around the lens hood and you’re in BUSINESS!

Storing Equipment in Damp Conditions

When I’m in a damp location (i.e., along Alaska’s Inside Passage, on a weeklong boat trip) and the equipment is not being used, I always store my equipment in my photo backpack, along with a moisture-removing “mini-dehumidifying” canister. These canisters are small, lightweight and work around-the-clock, pulling moisture out of the air (or off delicate equipment).
These devices are inexpensive, work well, and can be regenerated (i.e. moisture can be pulled back out of them for re-use) when placed in a convection oven for the required time. These can be purchased where GUN SAFES are sold (I get mine from Cabela’s, but most gun dealers should be able to get them).

Drying Wet Equipment (Exterior Surfaces)

Ok, so you’ve worked at keeping your equipment dry, but still MANAGED to get water on the body or lens. What do you do? Well, the first thing is to use a clean, dry cloth to wipe away the excessive moisture on the exterior surfaces. I always carry some clean, dry pieces of old cotton t-shirts in my “cleaning supply” bag, and use these for both removing excess water and for cleaning the glass on my lenses (with a suitable lens cleaner). Most anything that will absorb moisture can be used in an emergency.

Oops, Water Inside My Equipment!

What should you do if you get water inside the camera or lens? This is much more serious and it is likely that you will need professional services from either the manufacturer, or from a reputable camera serviceman. But there are some immediate things that I would recommend you do:
  • First, remove all the exterior moisture that you can
  • Remove the CAMERA BATTERY and memory card (dry them off, if they are wet)
  • If excessive amounts of moisture may have entered the camera body or lens, place the body or lens inside a sealable plastic bag, along with A DEHUMIDIFYING canister (see above). Be careful to not introduce additional substances (dust, particles, etc.) inside the camera.
  • As soon as you can, have the manufacturer or qualified repair service person assess your equipment

Don’t Let the Weather Stop You!

Some of the most wonderful landscape images are made in inclement weather, so don’t decide to stay indoors because “it looks like it could rain.” Instead, go outdoors ready to shoot, but be prepared for bad weather! You might even capture that ever-elusive shot that others won’t get (because they stay indoors)!

Meet Danny

Meet Danny.  He's a service dog who belongs to a friend of mine.  Admittedly, this post is not strictly about photography.  I'm allowing my friend Carole to display the picture she took of Danny and to tell her story about him.

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Photo by Carole


I have a golden retriever who is 10 years old the picture of him is with foster puppy and my Shitzu who died at age 14 years.  Danny boy has growths on him now, 3 they need to try and get off, as they are starting to bleed which is bad and could indicate cancer is spreading.  He is my service dog I trained myself.  I want to raise enough money to get him treated, that would include blood work, x-rays, office visit, and the surgery.  I am on disability and he helps me out a lot.  I just want to help him so he can live a long, long time.  Any money left over would go for future vet bills.  
COPY, PASTE & SHARE: http://www.gofundme.com/bwskyo       

Exhibitions for Amateur Photographers

Photography: Auntie P

Gallery owners might be dedicated, connected and knowledgeable but they’re not known for their open natures. You usually have to book in advance to see one and they’re unlikely to pull the pictures off their walls immediately to make room for yours. Their wall space is limited and valuable. It’s their livelihood, after all, and if they’re not certain that your photographs will sell, they’re going to tell you to come back when you’re more established.
For professional photographers, that’s galling enough. For PEOPLE who shoot in their spare time though, it can sound like a flat refusal – a polite alternative to laughing.
Rejection shouldn’t be treated that way. Gallery owners have to be as conservative as their collectors and they’re aware that as much of a work’s value is wrapped up in the name on the label as the colors on the canvas. If you’re entirely unknown, even a great picture is going to be a hard sell to a gallery owner.
Which is why it might be worth giving galleries a miss – at least initially – and looking at one of the alternative options that don’t involve trying to impress a professional seller.
Cafes and Restaurants
Perhaps the easiest is to persuade the owner of a café or restaurant to show off your pictures. Unlike gallery owners, they don’t need the images to sell to MAKE MONEY. They just need the pictures to look good enough to act as free decoration, show that they’re committed to the community and bring in a few extra customers.
They’re also a lot more approachable. While a cold pitch could certainly work, you might be better off choosing a venue you like, patronizing it a few times and chatting to the owner. Build up a relationship and you could even receive an offer without having to ask.
And even though the place might not be as prestigious as a swanky gallery, with the RIGHT images, you should still be able to make sales. Brandy, a photographer in Spokane,  displayed her photographs in a local coffee house. She told us that she made a sale on the first day of the exhibition and went on to sell more than 80 prints.
Do it Yourself
Cafes and restaurants are open to the public anyway. Once you’ve been accepted, all you’d have to do is choose your images, print and frame them then place them on the walls and wait for the orders to come in. Even if you didn’t do any additional marketing yourself – and you should – the flow of a BUSY café should be enough to land you some sales.
If you wanted to organize your own exhibition from scratch, you’d have to do a lot more work.
It’s not impossible. Photographers have done it and with impressive results. You’d have to find a venue that’s large enough to accommodate plenty of PEOPLE and send out masses of invitations, especially to people who matter. Because the exhibition itself is likely to be short and because it won’t have a natural flow of visitors, you can’t count on making as many sales. But invite gallery owners, critics and collectors and you might just give your own career a boost.
Nor do you have to spend huge amounts of money. Jeremy Mason McGraw was able to form a deal with a local framers when he organized an exhibition, while Rei Dishon, an art student, used Moo cards to show his pictures and allowed people to take them away with them when he had an exhibition in Italy. Both of those methods can keep the costs down and the visitors coming in.
Art Fairs
Art fairs can be both as powerful as exhibitions at generating revenue and almost as prestigious. Juried fairs in which prizes are awarded to the best artists look great on a resume and can go a long way towards persuading gallery owners that you really do have art that people are prepared to buy.
There are costs involved here too. Most art fairs have exhibition fees which you’ll need to pay at each show and there are also one-time costs for the display tent and bins.
But art fairs are more open than galleries. Although they can be competitive – there are usually more applicants than space – persistence and talent should be enough to land you your first berth. Art galleries will be much more demanding.
Online Exhibitions
Okay, putting your photos on Flickr or your website isn’t quite in the same league as showing them in a gallery – or anywhere, in fact, that lets PEOPLE see them in the flesh. But it’s still one form of exhibition. People will still be seeing your images, they can order them and you can organize them by theme instead of simply uploading your images in some random order.
You don’t have to ask for anyone’s approval to put on a show like this, it won’t cost anything except uploading time and while the number of prints you sell could be fairly small, you could make money by linking the images to a book on Blurb or even by offering AFFILIATE PRODUCTS in the image caption. It might not be where you want to end up as a photographer, but it’s not a bad place to start.

How To Sell Your Photos If You Shoot: Landscapes