Monday, June 16, 2014

This Man’s Stunning Photographs of His Daughter

Artists around the world have long been inspired by the works of Old Masters like Rembrandt, Raphael and Vermeer. Emulating their style has never been easy, especially in photography. When Australian photographer Bill Gekas wanted to recreate the style through his photographs, he chose to feature his five-year-old daughter as the subject.
These images of his daughter, named Athena, take you a couple of centuries back in time. Careful planning goes into each photograph with utmost attention to the details like costume, props, and the lighting so as to remain faithful to the style and the era. Bill deserves appreciation not just for the idea and its flawless execution but also for the excellent post processing work that creates magical artwork. Athena deserves as much appreciation for being an adorable subject who poses beautifully in each of the images.
Here is some of their work. Sit back, enjoy the wonderful photos, and smile. (All images © Bill Gekas Photography)
Bill Gekas (1)

 Bill Gekas (2)

Bill Gekas (3)

Bill Gekas (24)

Bill Gekas (4)

Bill Gekas (5)

Bill Gekas (6)

Bill Gekas (7)

Bill Gekas (8)

Bill Gekas (13)

Bill Gekas (12)

Bill Gekas (11)

Bill Gekas (10)

Bill Gekas (14)

Bill Gekas (15)

Bill Gekas (16)

Bill Gekas (17)

Bill Gekas (22)

Bill Gekas (23)

Bill Gekas (20)

Bill Gekas (21)

Bill Gekas (18)

Bill Gekas (9)

Bill Gekas (19)
Check out more of Bill’s work on his website and blog. Connect with him on TwitterFacebook andGoogle+. Also, make sure to check out his interview at DPS. 

A Photographer Asks Strangers to Pose for Him. The Images Are Touching.

We have come across many ‘strangers’ project where a photographer asks strangers to pose for a photo but this one is unique. In 2007, photographer Richard Renaldi began a project where he asked complete strangers to pose for him but with a condition; they have to touch each other in some way. The result is a series titled Touching Strangers.
Working on the street with a large format 8-by-10 view camera, Richard encounters his subjects in towns and cities all over the United States. Strangers are asked to physically interact while posing for a portrait. The images are beautiful and strange at the same time, showing physical intimacy that is sure to evoke emotions in the viewer. Here is a small collection of images from the series for you to admire. 

Richard Renaldi - Touching Strangers (6)

Richard Renaldi - Touching Strangers (7)

Richard Renaldi - Touching Strangers (15)

Richard Renaldi - Touching Strangers (21)

Richard Renaldi - Touching Strangers (16)

Richard Renaldi - Touching Strangers (14)

Richard Renaldi - Touching Strangers (13)

Richard Renaldi - Touching Strangers (17)

Richard Renaldi - Touching Strangers (12)

Richard Renaldi - Touching Strangers (25)

Richard Renaldi - Touching Strangers (19)

Richard Renaldi - Touching Strangers (20)

Richard Renaldi - Touching Strangers (26)

Richard Renaldi - Touching Strangers (27)

Richard Renaldi - Touching Strangers (22)

Richard Renaldi - Touching Strangers (23)

Richard Renaldi - Touching Strangers (18)

Richard Renaldi - Touching Strangers (5)

Richard Renaldi - Touching Strangers (4)

Richard Renaldi - Touching Strangers (2)

Richard Renaldi - Touching Strangers (3)

Richard Renaldi - Touching Strangers (8)

Richard Renaldi - Touching Strangers (9)

Richard Renaldi - Touching Strangers (10)

Richard Renaldi - Touching Strangers (11)

Richard Renaldi - Touching Strangers (1)
Check out more of Richard’s work on his website. Connect with him on FacebookTwitter, and

Thursday, June 12, 2014

How to Photograph the Moon (With 9 Great Examples)

By

For centuries the moon as captivated people, given direction and provided hours of enjoyment and wonderment.  Being the brightest object in the night sky, it’s something photographers of all levels can shoot, however it does take planning and preparation to accomplish.
The moon is bright, but it isn’t bright enough to simply snap a photo.  It is an object that’s lit with sunlight, so nearly every aspect of preparing the shot is the same.  To achieve a nicely exposed photo, one where the moon doesn’t appear flat nor like an out of place object.  To accomplish this, let’s first look at the basic gear you’ll need.
Tripod. A secure base and workstation for your camera is essential to capturing the moon and avoiding camera shake.  While you may be able to get away with hand holding your camera, your best results will without a doubt come from mounting your camera upon a tripod. (See our article on how to choose a tripod for some good tips).
Long zoom lens. In order to help fill the frame and properly show off the moon, the longer your zoom lens the better.  You don’t necessarily need the fastest lens, because you’ll be on a tripod, but it’s best to use anything 300mm or longer.
Shutter release cable. Or a wireless remote if it’s an option for your camera model.  This is not an essential piece, but it’s nice to have and helps avoid camera shake.  If you don’t have one you can cheat and use the self timer function on your camera.
Camera. While almost any camera will work, point and shoots rarely produce decent photos, mostly due to the small size of the sensor and it over-heating during longer exposures resulting in digital noise.  A DSLR is preferred here, or film SLR, again with a long lens on it.
No preset or auto function of your camera will be able to properly meter the moon, so you are best off shooting in full manual mode.  Also, your geographical location and current phase of the moon will have an effect on what your settings will be and you will need to adjust for the season of year and clarity of the sky.
ISO.  Digital cameras should be set to 100 or lower, film shooters should shoot film of 100 ISO or slower to eliminate noise and grain.
Aperture. Because you’re after crisp, clean shots shooting at f/11 to f/16, depending on your lens, will be the best place to start.
Shutter speed. This will be the point at which you will need to adjust on a number of shots.  The variables are many and include those mentioned earlier, such as the phase the moon is in, geographical location and desired shot, but on a clear night starting at about 1/60th should be a great middle ground.
A word about where you choose to shoot.  Picking a spot to shoot the moon is one of the most important factors in achieving a quality shot.  Ideally, if you want to showcase the moon itself you want to avoid any other ambient light, including street lights and traffic.  This may require you to go off on a remote road or into a public park after hours – your backyard may not be the best location for these types of shots.  On the contrary, if you are trying to include a city skyline under your moon shot, you’ll need to find a lookout that allows for the twinkling lights below and do further test shots to nail the exposure properly.
Post processing your photos is really straight forward and in most cases an auto white balance will do you just fine, however photographs of the moon also make stunning black and white images.
The moon is an intriguing and fascinating subject to shoot, partially because it’s always changing, moving closer and further away.  There is no one time that’s better to shoot it over another, so be creative and shoot it year round! Additionally, you can also play with composition, aside from shooting the moon on it’s own.  Get low and shoot through the rising stalks in a cornfield or catch the reflection of the moon in the ocean while on the beach.  As inspiration, here’s 10 great examples of moon photography!
Moon Dreams
Moon
Noche de luna llena - Full moon night
Once in a Blue Moon
harvest moon
Full Moon at Perigee
Moon over Boston
Bad Moon Rising
Half Moon

 

Wednesday, June 11, 2014

Film & Darkroom

CPAC: Colorado Photographic Arts Center

Film and Darkroom 1: Beginning B&W

Snively_BouldersInThePlatte-1
with Michael Snively

Location: CPAC Darkroom at the Zang Mansion, 709 Clarkson Street (7th and Clarkson) DenverDates: July 9, 16, 23, 30, 2014Meets: 6-9 pm on Wed (class instruction) + Mon (lab night, dates tba) 
Tuition: $202.50 Member; $225 Non-Members. Add $30 Materials Fee
Register as Non Member (materials fee included)
Register as Member (materials fee included)

Level: Beginner, Refresher
Film and Darkroom 1 is a beginning or basic refresher photography course using film and a wet darkroom. The class will cover proper metering, film exposures and development, as well as an introduction to printing in the wet darkroom. Assignments will be given that will help you learn as well as explore and enjoy photography. It will be possible as well as recommended to access the darkroom at other times than the scheduled class time.
  • We will only be working with Black and White Film in this class.
  • Lab days typically held Monday evenings
  • All students receive a month of access to the CPAC darkroom for the class duration – please speak to the instructor about how to access the darkroom outside of lab and class hours
Snively_ BiopicMichael Snively is a Colorado native and professional photographer who, for more than 25 years, has created images for commercial and private clients, publications, presentations, and exhibitions. Michael is a traditionalist whose primary medium is B&W film, not out of fear of digital but out of respect for the traditions that have guided his career.
Michael is a firm believer that photographic skills are best learned through mentorship. In addition to his technical skills, Michael is highly regarded for his emphasis on light and form.
Making time to create successful images is critical to his work, as is archival quality. You might see Michael photographing along a stream bed or architectural structure with his large format camera. Sometimes he’ll ride his bicycle to a shoot, pulling his photo gear in a trailer, giving him more opportunities to connect with his environment.
One-on-one darkroom sessions with Michael are available for students wanting to learn in a more concentrated environment. Visit our rental page for more details.
Required supplies for this program:
  • film camera