Friday, April 4, 2014

Film Photography Day 2014 Photowalk

Home > Melbourne > Free | Fun Things To Do | Photography | Unusual Events | Walks
by Vicky Rae Ellmore (subscribe)
Proudly South African. Currently residing in amazing Melbourne. Lover of music, reading, animals and exploring. Vet nurse student/freelance writer and editor. alphabetsushi.com
Event:
Swop the camera phone for film - it's Film Photography Day
12 April is Film Photography Day and Lomography Australia has organised a two-hour photowalk in Melbourne for the occasion.

Lomography, Australia, Film Photography Day, 2014, photo, Melbourne, photowalk, Fed Square, copyright, Vicky Ellmore
Time to restock on film! Film Photography Day and a photowalk around Melbourne are on their way (image copyright Vicky Ellmore)

It's a great opportunity to meet other analogue aficionados and to get their perspective on the perfect shot, as well as to learn more about shooting with film if you've new to the world of analogue photography. It's also just a good excuse to go out and shoot some of Melbourne's spectacular surrounds – not that an excuse is needed! And, new friends are sure to be made – you might even stumble across a new photo buddy.

Lomography, Australia, Film Photography Day, 2014, photo, Melbourne, photowalk, dog, walkies, copyright, Vicky Ellmore
A film photowalkies (image copyright Vicky Ellmore)

Improve your photography and meet other keen photographers
Film has risen in popularity in recent years and there is a good reason why – it's fun, creative and epitomises free expression. There is something about waiting to find out what you've captured and not being able to delete and retake a shot that makes it more exciting. The cameras themselves are beautiful and the captures' colours are bright, with light effects and imperfections recreating the atmosphere of the exact moment.

Lomography, Australia, Film Photography Day, 2014, photo, Melbourne, photowalk, Auction Rooms, cafe, copyright, Vicky Ellmore
Celebrate the love of analogue photography with like-minded 'lomographers'! (image copyright Vicky Ellmore)

Starting at 11am at the Nicholson Street entrance to the Royal Exhibition Building in Carlton Gardens, the Lomography Australia Film Photography Day Photowalk is the perfect way to spend Film Photography Day – celebrating the love of analogue photography with like-minded 'lomographers'. The instructions are to bring your lomography camera, film and lots of analogue love.

Register your attendance by April 10 by emailing melbourne@lomography.com.au.

Thursday, April 3, 2014

Creative Portrait Photography Course

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You will learn tips and techniques of different aspects of the photgraphic portrait and you will apply them into practice to best apprach your subject and achieve the desired result. Exploring the work of famous portrait photographers you will be challenged to think and work creatively by making the best use of your camera.

About the tutor

Eva was born in Greece. After she was awarded a Greek State Foundation scholarship she moved to UK to complete a PhD in Arts and Communication at UCA. She is a qualified teacher holding a PGCE teaching certificate from the University of Brighton. She is currently working as a fine art photographer and photography tutor. In her artistic practice she is not using the photographic medium to produce a record and a document of the world, which is what we usually expect to see in a photograph. She is using it to question the nature of photography and to cause a tension in what we are looking at. She is playing between representation and abstraction. She was selected for the Bloomberg New Contemporaries 2008 exhibition among numerous solo and group shows. www.playingandreality.co.uk/rt

Camera guidelines

  1. Ideally, buy an SLR (digital if you want digital, film if you want film). SLRs are best if you want to really explore, or even just experiment with photography. There are non-SLR compact digital cameras nowadays that take very good quality pictures but certain key features are limited and therefore limit the photographers capacity to be more creative. Having said that many ex-students have completed the course with a compact and been very happy to continue using their compact cameras.
  2. Canon and Nikon are the safest bets. Not because they are necessarily better, but because they are the biggest companies and therefore have a much wider range of lenses, accessories and equipment on the market (this is particularly true if you are interested in exploring the second-hand market).
  3. Try some out in a shop. The most important things are whether you like it, and whether the way it works makes sense. I personally find the menu system in Canon cameras to be extremely user friendly. All the digital SLR manufacturers - Canon, Nikon, Pentax, Sony, Olympus, etc - make cameras that produce very good pictures and, to be honest, all have pretty similar features. Most important is whether you like how it feels in your hand, it's not too heavy or fiddly and if the menu system etc seems to make sense. So go to a shop and ask to play around with a few, and pick the one that 'feels' best (and you can afford!). If you really like the Sony, get the Sony. Photography isn't as much fun if you don't like your camera.

Luna Simoncini - Me and my film cameras

Luna Simoncini is a 25 years old photographer who's living in Macerata, Italy. Her biggest passion is photography for about 5 years ago and since 2009 she has a blog talking about photography, tutorials, analog photography, etc.
"I shoot on film for about 2 years. I started with the Diana F+ and then I started shooting with the old camera of my father, a Nikkormat FTn. Recently I rediscovered the Polaroid and other old cameras of my father as Agfa, Ferrania and Mamiya."
Here are some of her interesting self-portraits with Nikkormat FTn + 50mm f/2 and AGFA 100 B/W film, expired in January 2012




To see more of Luna's work, please visit her blog, Flickr, Facebook, and Tumblr.

Wednesday, April 2, 2014

10 Famous Photographers, and What You Can Learn from Them!

Photographers today can learn much from the famous photographers that have paved the way before us. Most of these photographers are now deceased, but a few of them are still taking beautiful photos today. Obviously, this is not an exclusive list. The list is composed of a few famous photographers that were nominated by the Improve Photography community on their Facebook fan page.

Henri Cartier-Bresson

This list of famous photographers would be absolutely meaningless without Cartier-Bresson. In many ways, Cartier-Bresson’s style is precisely the opposite of Jerry Uelsmann. Where Uelsmann elished in creating composites, Cartier-Bresson did not even like developing his own photos. His photojournalistic style has done more to influence photography than any other photographer’s contribution. He was one of the first photographers to switch over to the 35mm format and used exclusively Leica cameras with 50mm lenses. Like Ansel Adams, he shot almost exclusively in black and white. You can see Henri Cartier-Bresson’s work here.

Henri Cartier Bresson - Hyeres, France, 1932.

What you can learn from Henri Cartier-Bresson: The great tragedy of Cartier-Bresson’s photography is that he gave up the craft entirely long before he died. In 1975, twenty-nine years before he died, he became bored with photography and turned his attention to painting. He locked his camera in a safe in his home and rarely even took it out. Bottom line–DO NOT let this happen to you! If your goal in photography is to do anything other than enjoy it, then you will likely burn out after time.

Annie Leibovitz

Annie Leibovitz is a contemporary (born in 1949) portrait photographer who is well known for her work over the years with Rolling Stone Magazine and Vanity Fair. Perhaps her best known photograph is a portrait of John Lennon with Yoko Ono, which was taken the same day that John Lennon was murdered.

Recently, Leibovitz has found herself struggling through financial disaster caused by poor financial planning. As collateral for a contract, she has provided her entire portfolio of images. What a shame!

As is evident in viewing Ms. Leibovitz s photography, she prides herself in taking intimate portraits which communicate about the subject. She is quoted as saying, “A thing that you see in my pictures is that I was not afraid to fall in love with these people.” You can see some of Annie Leibovitz’s photography here.

Leibovitz's portrait of John Lennon and Yoko Ono in 1980.

What you can learn from Annie Leibovitz: Your portraits will always look lifeless until you begin to take portraits that communicate the life of the model. Get to know your model and say something about her in your photography.

Ansel Adams

I think it would be safe to say that Ansel Adams is the most famous photographer of all time. Even non-photo nerds know Ansel Adams and have seen his stunning landscapes. Adams is well-known as a master of the darkroom. His black and white landscapes of Yosemite and Grand Teton are outstanding for the captivating contrast that he achieved with extensive dodging and burning in the darkroom. Even later in his life, he continued to use large format cameras.

Ansel Adams - The Tetons and the Snake River, 1942.

What you can learn from Ansel Adams: While on vacation this summer, my wife and I read a book containing his letters and journal entries. What helped me improve my photography from reading those letters is that Adams felt trapped later in his life because he no longer had the physical strength and stamina to do the photography that he wanted to do. Keep yourself in shape so you can enjoy photography for a lifetime.

Brian Duffy

Brian Duffy is an English photographer best known for his work shooting fashion in the 1960′s and 1970′s.

Later in life, Duffy lost his interest in photography and even burned more than half of his entire portfolio of negatives in a fire. Fortunately, some of the photos were saved from the flames and remain on exhibit today. One year before Duffy died, he began taking photos again.

Brian Duffy - Pret a Porter Sept 1977.

What you can learn from Brian Duffy: People are prone to rash decisions when they feel stuck in a rut. Duffy lost a tremendous part of his life by burning his photos, but he came back later and regained his interest for the art. If you find yourself bored with photography, leave all the gear at home and simply go on a few photowalks in places where you have never been. Fall in love with photography again.

Dorothea Lange

Dorothea Lange was an American photojournalist who is best known for her photos of the Great Depression. Her photo Migrant Mother is one of the most well-known pictures in history. Aside from her well-known work documenting the Great Depression, she also worked tirelessly to photograph the internment camps in the 1940′s.

Dorothea Lange - Migrant Mother. Nipomo, California, 1936.

What you can learn from Dorothea Lange: Most photographers spend their time taking one random picture here, and another random picture there. Great photographers like Dorothea Lange dedicate their time and talent to fully capturing one theme or person before moving on to the next photography project. Dorothea Lange said, “Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.”

Yousuf Karsh

I’m going to be honest here. I have carefully selected some of the best, in my opinion, photographers in history; however, I simply don’t understand some of their photos and why some of them became famous. With Yousuf Karsh, every single photo is a masterpiece. You can’t look at any one of his photos and wonder why the photographer got famous. His portraits truly speak volumes about the person. He is the Ansel Adams of portraiture.

Karsh is quoted as saying, “Within every man and woman a secret is hidden, and as a photographer it is my task to reveal it if I can. The revelation, if it comes at all, will come in a small fraction of a second with an unconscious gesture, a gleam of the eye, a brief lifting of the mask that all humans wear to conceal their innermost selves from the world. In that fleeting interval of opportunity the photographer must act or lose his prize.” Many photographers claim to capture such moments, but Karsh truly had a gift for taking portraits that communicate. You see one of his portraits and you feel like you truly understand the model.

Another interesting fact about Yousuf Karsh is that he always lit the hands of the subject separately from the lighting on the rest of the person. He felt that the hands were a vital part of the story of any portrait. You can see photos from Yousuf Karsh here.

Yousuf Karsh portrait of Winston Churchill on cover of Life magazine, 1941.

What you can learn from Yousuf Karsh: Never take a portrait that doesn’t speak something about the person. Pay attention to the hands as an important part of the story. Be super famous and rich enough to own a 76-room house in Manhattan. Accomplish any of those things (especially the last one, which is true about him) and you’ll be better off for reading about his life.

Brassai

Brassai, whose real name is Gyula Halasz (no wonder he picked a nickname), was a photographer best known for his work on the streets of Paris. He did not photograph celebrities or have fame or fortune like many of the other famous photographers listed here. However, his street photography showing ordinary people has made him famous throughout time.

Brassai - The Eiffel Tower at Twilight, 1932.

What you can learn from Brassai: I often hear from photographers that they enjoy photography, but don’t have the money to travel to find great locations. Brassai was born in Hungary, but lived in Paris for most of his life. He did not travel around the world to do photography or have celebrities come to him to have their portraits taken. He did his work in one city and he took captivating photos of ordinary people. Don’t use excuses for your photography!

Robert Capa

Robert Capa is best known for his war-time photography. He worked tirelessly to cover five different wars, including World War II. Capa was one of the co-founders, along with Cartier-Bresson, of Magnum Photos.

Not only was Capa a great photographer, he was also a fantastic business man. His name is actually Endre Friedman. He and an associate decided to form a partnership in which he would take the pictures and do the dark room work, the associate would do the marketing and sales, and they would credit “Robert Capa” as being the photographer. They found that they could get a much higher price in selling the pictures to the newspaper if they sold the photos under the made-up name “Robert Capa” and inventing the story that he was a rich man. Fraudulent? Probably. Did it work? Definitely. You can see Capa’s photography here.

Robert Capa - Landing of the American troops on Omaha Beach, Normandy, June 6th, 1944.

What you can learn from famous photographer Robert Capa: Capa is frequently quoted as saying, ”If your picture isn’t good enough, you’re not close enough.” This was significant because he was a combat photographer! He was known for literally getting down in the trenches with the soldiers to take photos, rather than taking photos from a distance as was the common practice. So, get close to the action and your photos will improve!

Jay Maisel

Maisel is one of the most famous modern photographers. He takes a simplistic approach to photography that is largely unencumbered by complex lighting set ups and fancy gear. In fact, he likes to shoot with one lens and simply look for interesting light and shapes in the city.

Perhaps the best way to learn from Jay Maisel is to subscribe to Kelby Training. They have two video courses which feature Jay Maisel where he walks around the city and shoots with Scott Kelby. It is truly fantastic to watch a master do his work. You can see Jay Maisel’s portfolio here.

Jay Maisel - Tree and Goal posts.

What you can learn from Jay Maisel: Ditch the gear and start paying attention to color, shape, and light. As you go about your day, find little things that have an artistic flair to them. Photography isn’t just about the knock-you-in-the-face obvious shots.

Jerry Uelsmann

Jerry Uelsmann as established a photographic style using multiple photos to create a surrealistic and impressionist composite image. Born in 1934, he used film for many years and built his works using film cameras. His work became famous mostly for his abilities in the dark room. Few others were capable of creating composites using so many images with such skill. Although Uelsmann is alive today, he never switched to digital cameras. He said, “I am sympathetic to the current digital revolution and excited by the visual options created by the computer. However, I feel my creative process remains intrinsically linked to the alchemy of the darkroom.” You can see Jerry Uelsmann’s photography here.

Jerry Uelsmann - Untitled, 1966.

What you can learn from Jerry Uelsman: Don’t let “photography forum” talk convince you that there is anything wrong with creating surrealistic images. Photography is art and you can express yourself in whatever composited, blurred, cloned, dodged, burned, and liquified way that you want.

15 Film Photography Related Tumblr Blogs You Should Follow

Tumblr is a microblogging platform and social networking website founded by David Karp in 2007. It has become one of the most popular social media sites as of late when it comes to photography. There are many photography blogs on Tumblr, but here we've pulled together a list of 15 Tumblr blogs related to film photography for you to add to your dashboard.


#mediumformat is a Tumblr blog of all things medium format and the like for appreciating this lovely form of photography. The blog is curated by California-based photographer Ani Lynn.

35mmers is a community created around the shared appreciation of 35mm film photography. If you would like to see some of your own work featured on the 35mmers website, then head over here to submit your work.

Analogue Sunrise is a daily photography Tumblr blog related to film photography. Each day photos are hand picked and featured on the blog from their Flickr group. Analogue Sunrise is found by photographer Derek Corneau circa 2010.

BelieveInFilm is the official Tumblr blog of BelieveInFilm.com - an international community of photographers doing awesome things with film photography, helping people find and use film camerasshare photos, share info in their film photography forum and promote film photography projects.

Film is God is a Tumblr blog dedicated to film photography and all things related. It allows its followers to submit their own photography through the blog and their Flickr group. Film is God has a goal to get more people to discover the wonders of analogue. The blog was started by Emily Savill in 2010.

I Still Shoot Film was created by American photographer Rachel Rebibo, is a photography blog dedicated to the art of film photography, sharing inspiring work from photographers around the globe. It also provides a wide array of learning resources, including how-to articles and product reviews. If you're interested in getting started with film, head on over to the Beginner's Guide to Film Photography.

If You Leave was started by London-based photographer Laurence Von Thomas as a place for contemporary photographers to submit their work. With photographs, most of film photography, of a wide variety of subjects and landscapes, the focus is more on the impact of a single image rather than a body of work from those submitting. By now, If You Leave has a following of more than 400K on Tumblr. "My biggest pasion has always been film, it's also my background and I think it shows in my work." - Thomas said in an interview.

In an instant is a daily photography blog showing the beauty of Polaroids. The blog is running by many contributors.

Lomography is the official Tumblr home of the Lomographic Society International. Follow this blog to enjoy fresh lomography snapshots from their community. The Lomographic Society International was founded in 1992 by a group of Viennese students after they discovered the Lomo LC-A camera created by LOMO PLC of Saint Petersburg, Russia.

Only Film Photography is curated by Daniel Espinoza since 2011. This blog is only dedicated to analog photography. If you are a film photography enthusiast, you can submit your best work to the blog here.

Polaroid SF is a photo-a-day instant photography project that stems from a deep-rooted love of all things San Francisco since 2011 by local photographers Bruce Scott and William Westley. They aim to create an analog love letter to San Francisco. "Everything you see is captured through the lenses of vintage Polaroid cameras, no digital enhancements necessary," they said.

Revolog features film photography which are using their own handmade film produces, special effect films for analog photographic cameras. Currently they have ten different effect films which are sold through the webshop. Revolog is founded by Michael Krebs and Hanna Pribitzer in 2010.

The Film Photography Diary is curated by French photographer Ousseynou Cissé. The aim of the magazine is to feed you with good photography, raw talent, simple and creative pieces of work.

The Holga Blog is a blog dedicated to the Holga family. Holgas are known for their vignetting, soft lenses, plastic bodies, and being "pieces of crap." This blog is curated by Adrian Gilliam and Renate Cloud.

The World Through Green Eyes is a blogzine based on the relationship between human and nature. This blogzine was created to give space for new Photographers, to let known their name to the world and to demonstrate their love for the Land. The World Through Green Eyes is for everyone who loves photography and Mother Nature, for everyone who loves to be wild.

And of course, don't forget to follow us on our Tumblr at im.shootingfilm.net.

Tuesday, April 1, 2014

Black & White Film Photography of UK by Brit Fray 

Brit Fray is a photographer based-in Knoxville, TN. She shoots digital for my wedding business, but also shoot tons of film just for fun.

"I recently built a darkroom in my house and am learning so much from my mistakes! But I am absolutely OBSESSED with film photography. I shoot with multiple different cameras... but my Canon AE-1, Pentak K2, and of course my Mamiya 645 super are my favorites."
The photo series here is from her Canon AE-1 when she was in the UK back in 2009. "Super simple, but how I love them." Brit Fray says.


















Mii Y - 5 things I love about Film

Mii Y, aka +++ponyrock+++ on Flickr is a Tokyo based photographer. She's gonna show us her five reasons for her loves of film shooting.

1. Gradation. It's more rich and beautiful compared to digital photos.


2. Grains. Film photos have natural and beautiful grains which makes details look better than digital photos.


3. Happy accident, like light leak.


4. Multiple exposures. It's really fun for me to think about taking my ideal multiple exposure photos. Sometimes, I failed, but when I succeed, I'm so happy. It's not interesting to do it by digital at all.


5. Fun to try many kinds of film and find favourite one.


Besure to follow Mii Y on Tumblr, Facebook or Flickr to find out more of her work.

35mm Black & White Film Photography

35mm Black & White Film Photography
Leica Photographer
35mm Black & White Film Photography
Good news! I am back shooting 35mm film photography after my recent purchase of a 1958 Leica M2 film camera. I already had a Voigtlander Bessa R3A but the shutter has jammed so I decided to treat myself to a Leica film camera. I love my Leica digital cameras (M8 and Leica M9) but the older Leica M2 has exceeded all expectations.
As the Voigtlander Bessa had jammed mid roll of film I decided to rewind the film in camera then load it into my Leica M2. I then fired off 15 shots with the lens cap on to advance the film (the Leica M2 film advance lever motion is to die for!). I then fired off some shots around the house to finish the film and to check the M2 was operating aswell as it felt in my hand.
As I still had a roll of undeveloped film from last year in the fridge, I decided to develop both rolls of film at the same time. Both film spools were 35mm Kodak T-Max 100 exposed at ISO200. I developed my black and white film in a Paterson tank using semi-stand development and Rodinal + water. My thermometer was not working so I just used a temperature that was warm to the touch. Luckily film is very forgiving! I stood the film for 35mins and then checked the results after fixing. All good. Both rolls of film were exposed correctly. Phew!
Here are a few samples of the negatives I have scanned so far

Voigtlander Bessa R3A + CV Nokton 40mm f1.4
– Monika
Kodak T-Max 100
Leica M2 Test Shots (Please excuse the subjects!)
M2 + CV Nokton 35mm f1.2 ASPH ii
Leica M2 Film!
Leica M2 Test Shot
I will try to add more photos to this post as I scan them.
There will be plenty of new Leica M2 film photography example images coming soon. It really is a beautiful camera and my new favourite to operate of all my cameras. (Examples will include me using the Leica Summicron 50mm f2 v5 lens on the Bessa R3A in London that can be compared to the Leica M9 B&W images).
(The header image was shot in Edinburgh in 2013 with model Emma using the Bessa R3A + CV Nokton 40mm f1.4)
MatthewOsbornePhotography.co.uk – UK Leica Photographer

Monday, March 31, 2014

A Journey from Germany to Turkey

A journey from Germany to Turkey, to photograph with vintage film equipment and produce a series of prints.






I was trained as a musician. Three years ago, a band I was in was invited to play behind R. Stevie Moore, a legendary underground home-recording musician, on his first tour, ever. He was 59 at the time (and we were all about half his age- he liked to refer to us as his "boy band"). None of us- Stevie, the boy band, nor our manager, had any touring experience. We thought that the tour might be a modest two week American jaunt, and even then we didn't know what to expect. But as Stevie had been releasing music since 1969 and had developed a huge cult fanbase who had generally resigned themselves to the fact that they would never see him live, the media excitement about the tour began to grow rapidly and so did the bookings. Helped along by shout-outs from some of the more successful musicians who had come up admiring Stevie, such as Ariel Pink, MGMT, and Mike Watt, we suddenly found ourselves booked for a three month international tour. Like everything Stevie has ever done, the whole scenario was generally unprecedented and unpredictable. And like his music, which if anything surely deserves the description "diverse", so were our bookings. We played house parties and we headlined festivals. We went from having four private suites and a chef in the French Riviera one night to sleeping on the floor of the van in a German truck stop the very next.


About a year before all of this, I had decided to take up photography, purely as a diversion (or I could say, just as an excuse to occasionally go take a walk around). My musical training had instilled in me a certain self-criticizing attitude, an acute awareness of what the musical institutions did and didn't consider proper talent and technique; in other words- an unshakable feeling that I didn't practice enough. I decided that I would stay as ignorant as possible about photography, learn nothing about technique, familiarize myself with none of the masters or their work, and own as little and as cheap equipment as possible. So I got hold of a toy plastic film camera- being outside of the digital realm was a near certain safeguard against any possibility of accidentally throwing my hat into the ring of current photographic practice. And I started to take night walks and to take some photos.

Touring is sometimes grueling business. Stevie likes to remind us that we're "in the Army now". Almost every day is: rising early after going to sleep late, riding in a van for maybe six or eight hours, loading and checking equipment, waiting to be fed, waiting to play, playing, waiting to get paid and get out of the venue, waiting to be taken to wherever some type of bedding is being provided, and waiting for the party to be over in order to get any sleep at all. I'm not complaining, I'm just saying how it is. There is also, ironically, a lack of opportunity to be engaged in any real creative work on tour outside of the performances, with the schedule being what it is.


Funny thing that I had once taken up photography just as an excuse to go take evening walks: In this new milieu, these photo-hunting hikes became pivotal to my sanity. Imagine being in a magnificent foreign city that you've never been in before and may never be in again, and having at best one or two hours to explore it. And imagine having this experience over and over again, every day for a month or two. There comes to be (at least for me) an almost explosive need, an impossible desire, to sprint and stand still at the same time, to see everything there is to see and yet to stop and take in any little sight as deeply as I can, to engage in utter novelty while looking for a restive moment of familiarity. Not only this, but as I'm accustomed to spending many hours a day working on music, my creative impulses took on a similar tension; they demanded some release, some focus, something outside of eat-sleep-drive, some work. At once I found that as soon as we began to cross through the suburbs towards the center of any new town, my eyes were fixed out the window, assessing the tone, style, light and color of the place, and I wondered whether I wasn't too hungry to skip dinner if it happened to fall during that time just before dusk when the light is best.

R. Stevie and the crew are now preparing to embark on our fourth summer abroad. I have some good friends in several European cities, and there's at least a handful of cities that I can get around without a map (I can get around any city without a map, but maybe not always with the certainty that I'll find my way back to the gig before the rest of the band starts to worry). Last year I had my first photography show, a solo show of ninety-one prints, put up in five days between gigs in Moscow and Mexico City. It was largely comprised of pictures taken on the road, and it sold out. After years of focusing exclusively on street and low-light photography, I have extended my practice into portraiture. Though I've moved beyond plastic cameras, I still work exclusively with film.

Two things have never happened, though: I have never toured as a solo musician, and I have never had the chance to see Eastern Europe.

The Project:

I propose this year to depart from R. Stevie Moore and the boys at the end of our spring tour in Western Europe and to head east, towards Istanbul, to photograph with vintage film equipment, and to produce a series of hand made prints from these images. I am working to secure solo performances along the way, targeting Austria, Slovakia, Croatia, Hungary, Bulgaria and Turkey. Traveling alone and performing less frequently will radically alter my opportunities to explore, to engage, and to photograph.

Some of the overhead travel costs (i.e., flights) will be provided by the band. But, contrary to popular portrayal, guys in bands do not make a ton of money. We usually have to do a lot of juggling just to make sure we have apartments to come home to. In order to plan this solo tour, I will need to commit in advance to a flight itinerary and to performance engagements, and I will need to be certain that I can fulfill these commitments. This will mean bus and train fare, food and lodging.

I also have a devoted belief in the importance of film photography as an art. The motive and practice of travel photography is a unique and special thing when working with film. I come across something that I didn't know was going to be there. I take one or two snaps and have no idea how they'll turn out; they might not be any good. I walk away and know that I will never see that place again. The image, when eventually it comes to exist, is imbued with a feeling of chronology; the moment-in-time of a photograph relates in a real way to the moment as-it-was, something that had no guarantee of ever existing, and was certainly bound to be lost in any case.

Film photography is becoming ever more expensive, though, as it becomes less popular. With medium-format film, it costs about a dollar a shot before getting any scans or prints, just to buy and develop the film. This could easily cost thirty to forty dollars a day just to take the pictures. Later printing, which I do by hand in one of New York's last surviving public darkrooms with true analog enlarging and printing equipment, costs around fifteen dollars an hour, plus the cost of photo paper. It can cost around twenty dollars just to make a good print of one image.

I have chosen not to focus here on the musical side of the project, not because it isn't deeply important to me, but because I feel that the photographic element is something that I can truly and freely share with anybody who cares to connect with me on the internet. The greatest reward of any artistic undertaking is the opportunity to transmit it to an audience. In music, this happens in performance. But the motivating drive for me to expand and deepen my photographic practice comes from the response that I get from sharing my work openly online. I have continued to receive attention and appreciation from friends and strangers alike on Facebook and on Flickr (and I have discovered endless inspiration through the work of others in these forums, as well). I am now seeking financial support from this online community in order to expand this body of work, which as always will be shared freely and openly with that community.

But don't forget to check out the Rewards offered for your contributions! Souvenirs, custom made prints, and even a photo session of your own! No need to be purely altruistic!



Thank you so, so much for hearing my story, for supporting my work, and for being a friend of the arts. May you all have many rewarding journeys of your own. -Wilson







Sunday, March 30, 2014

7 Reasons for Returning to Film Photography

By  
A quick look on eBay will reveal thousands of low use, high quality film cameras for incredibly low prices. It is perhaps the best time ever to buy a film camera, but why would you want to go back to film when today’s digital cameras produce such stunning images. Well, here are some reasons.
The Look of Film.
Many photographers today spend huge amounts of camera time and post processing time to try and recreate the film look. There is a definite and pleasing look to the quality of film, it’s impossible to describe with mere words and it’s not necessarily a better look than digital, its just different. So the easiest way to create the film look?  Use a film camera.
The Feel of Film
Maybe it sounds a little crazy, but those of us brought up in the days of Kodak, Fuji, Agfa and Ilford will tell you there is something very special about putting your hands into your pocket and pulling out a roll of film. Placing the leader of a roll of 35mm into a Nikon, unwrapping a roll of 120, whilst trying not to expose too much of the film to light, simple skills that marked you as a photographer.
The Cost
It might seem odd that I include the cost as a reason to return to film but bear with me on this one. Every time you put a roll of film in your camera, it has cost you money. That cost continues with the development and printing. Every time you take a poor picture, it has cost you, personally. But the counterpoint to that is that every time you a good picture, you will appreciate the value of your knowledge of photography. It’s too easy these days to rely on the camera to create the image. Delete the poor ones keep the good ones. When you have to pay for each image, you will learn to make each one count, and that will stand you in good stead when you return to your DSLR.

Learning to Understand Exposure.
The previous reason, leads us onto learning exposure. Although film is generally regarded to have a higher tonal range than digital, is has a lower tolerance to incorrect exposure, especially if you are using transparency. An underexposed image cannot be recovered by merely shifting the levels, it needs to be right when the shutter clicks and you need to understand what is happening when the exposure is made.
Understanding Color Temperature
Unlike a digital camera where you can set a color balance or let the camera do it automatically, you have to buy the right type of film for the right type of light. The first time you use a roll of daylight film under tungsten lighting, you will start to understand the importance of the color of light.
Pro Cameras at Low Prices
For many of us former film users, cameras like Nikon F5’s, Hasselblads, even Leica’s, were the stuff of dreams. They idea of one day owning one of these marvels of imaging fueled our passion for photography. Take a quick trawl through eBay today, and you will find mint quality samples of these cameras for less than the price of a base level DSLR.
Do it Yourself
For aficionados of the digital darkroom this may sound odd, but getting your hands dirty by developing and printing your own films is in my personal opinion, one of the great highlights of film photography. Its easy enough to make a temporary darkroom in not much more space than it you would need for a desktop computer and A3 printer. The sight of a large black and white print, slowly revealing itself under the gloom of a red safe light should thrill even the most hardened digital darkroom enthusiast.
So there you have it, if you have a hankering for trying out film, there are little or no obstacles. Trawl through eBay, or your local camera store, bag yourself a bargain. Most professional camera stores still sell film and will also know where you can get it developed and printed. If at the end of the day you still prefer digital, old film cameras make great ornaments for your home.
Jason Row is a British photographer based in Ukraine. Follow him on Facebook or see his work at The Odessa Files.